Respira

If person like Sarah haven't not influenced yours life, than this movie can be to short to make reasonable impact on you. On other side, if yours life was strongly influenced by person like Sarah, then this movie could be a little bit to harsh. Before I met such a person I was unable to imagine that this kind of people could possible exist – it just does not make any sense. It was harsh to see this movie, but it is very good to be reminded in clear way that those people exist.

Very close to being a French version of the 2003 movie 'Thirteen'. About two 17-year-old girls, Charlie, a privacy girl with the asthma and the new arrival, Sarah, a sarky with the mystery background. A fresh friendship bloom unexpectedly between them, they begin to share everything. As fast they become close, the each others secret reveals, with the same speed a series of conflict forces them away with hatreds. Once again a movie based on the novel of the same name. Melanie Laurent's 2nd movie from the director's chair and she outclassed it.

Intense drama, from the beginning to the end. The story concentrates only these two girls, their first meet, relationship development and the story's conclusion. Very rarely other characters come into the frame with little to deliver speech and exhibit the act. The first half of the film exactly like the first half of the 'Heavenly Creatures'. Closely showcases the two girl's establishments of an unbreakable bond who do lots of mischievous stuffs together. And the second half was like the second half of 'Thirteen'. The fierce battle like environment like the usual catfight, but fairly avoids the overdose which makes a worthy whole.

With you, I feel bad. I lie, I am hard. You make me play the bad guy. It's unbearable.

What makes a two best friends (girls) hate each other, a boy? That's how the story switched from one way to another, a turning point in the storytelling. But this film was not all about fighting for a boy, there's something else which was the backbone to the narration. Weaknesses becomes a pointed gun to the face to deal with. The circle of to be victimized and be a victim was relatively balanced. The incomprehensible teen emotions take the story with the sequences of blames and absolves.

What I don't get is in the most of the movies is at the end why the film character sees the camera. This doubt is because the whole film explains something, but that final frame gives a different dimensional meaning. Maybe the indication of reform, like that happens in the coming-of-age movies either good way or bad. So, according to this movie... Sorry, you have watch to know it.

Impressive display by the lead two girls. Music, locations, everything was fine and holds the story till the last minute with same the intensity, then all the sudden releases it with a shocking twist. It was so quick and unexpected at that moment. So there's where I was disappointed a bit. The end should have been a more suitable one than preferable for a strong finish. But no complaints for the rest, a good teen drama which presents the evolution of love and trust to hate and disgust between two characters.

7/10

Right from the start you are in it . The character development was unreal- every character you feel like you knew within just a few scenes . What incredible acting from a young crew .

The thing is it isn't even really a love story - maybe they were lovers and maybe not - but it's the friendship that really kills you here - that makes this a tragedy . The level of love and trust and vulnerability shared to just get taken away for no reason , honestly it's more painful than a break up.

There were many great scenes - the baiting in the beginning with the question about passion and freedom set up the whole film , the montage of the developing friendship and the montage of the bullying - it all tied together and felt real and heartbreaking.

It left me thinking about what the real catalyst for this was - was it when she said Sarah was a "classmate " ? Was it truly just trauma from her mom coming to play in every relationship in her life ?

The victimization and narcissism was very well shown . The loss of interest in every other aspect of element of life , the total obsession born from grief - only to be torn apart again at a reconciliation ( seemingly )

Honestly is made me feel and it will make you feel too - feel betrayal and tragedy and loss .

Very quality film and worth your time .

It starts out rather breezy, like an Eric Rohmer film of yore--sunny vacation days at the seaside, relationships not quite in sync, a highly observant drama with beautiful young actors in in believable situations. Soooo French. Will there be a moral to this tale? I will not spoil any further, but suffice it to say that it becomes MUCH more intense, and totally spellbinding.

The acting is phenomenal. The direction stunning, from Melanie Laurent, still in her 30's, a familiar actress who has graced many a production since 1999. (Although NOTHING could have saved the cosmically terrible Inglorious Basterds).

Don't miss this one if nuanced characterizations and intricate plots appeal to you.

A classroom discussion on passion, right at the beginning of the movie, gives an indication of what's to follow. Passion in excess is dangerous says the teacher, in response to our lead character's question, but alas, passion by it's very nature is prone to excess. Controlled passion is near impossible. So it is with our introverted self-controlled, studious heroine, who tries to bring her feelings for her classmate under control. But the other girl just won't let her be, not knowing low close to the edge she's pushing things. The French students in this movie make for a refreshing change from the way high school students are depicted in Hollywood movies. Here, they are fairly mature, intelligent, interested in their studies, never bullying, certainly not hyper sexed. Why haven't I given it a 10? Well, as another reviewer said, you do wonder at times during the movie what the point of it all is...