Un grupo de estudiantes de secundaria se ven obligados a jugar a la muerte sin saber quién, por qué o cómo.Un grupo de estudiantes de secundaria se ven obligados a jugar a la muerte sin saber quién, por qué o cómo.Un grupo de estudiantes de secundaria se ven obligados a jugar a la muerte sin saber quién, por qué o cómo.
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Opiniones destacadas
I frequently like Miike's films, and had missed this one--I only found out about it because of the accusations that it had somehow been ripped off by "squid Game," not that I've seen that series either--so I decided to give it a look. It's certainly well-crafted, but this is a case where his liveliness and skill as a director can't do much with material that is inherently silly and repetitious. It starts to wear out patience even in the first setpiece, and every successive one is the same thing: Another "god" in cutesy CGI critter form killing off teens in a "game" with arbitrary rules just cuz...well, because apparently gods don't have anything better to do.
The characters are too one-dimensional (and mostly too shortlived) to care about, the manga-based action too absurd to work up any real suspense, the action too absurd to be exciting. I admit I didn't make it to the end; there was absolutely nothing of value beyond the slick production values to hold attention. I'm giving it a 5 because it's the sort of "extreme" Japanese cinema some people like (which usually involves comely schoolgirls being slaughtered in "gory" yet patently unrealistic, CGI-heavy ways), but if you want anything more than that pretty dumb level of empty, colorful stimulus, it's one of Miike's least interesting projects. Of course, he makes so many, it hardly affects his batting average.
The characters are too one-dimensional (and mostly too shortlived) to care about, the manga-based action too absurd to work up any real suspense, the action too absurd to be exciting. I admit I didn't make it to the end; there was absolutely nothing of value beyond the slick production values to hold attention. I'm giving it a 5 because it's the sort of "extreme" Japanese cinema some people like (which usually involves comely schoolgirls being slaughtered in "gory" yet patently unrealistic, CGI-heavy ways), but if you want anything more than that pretty dumb level of empty, colorful stimulus, it's one of Miike's least interesting projects. Of course, he makes so many, it hardly affects his batting average.
Here is another good film by one of my favorite Japanese directors Takashi Miike. This film is based off a manga of the same name and shows the first arc of the manga. From the very beginning of the film it's really interesting and catches your attention unlike other films where the attention has to be caught sometime inwards. The basic premise of the film is students having to play games to survive and if you lost at these games you die gruesome deaths. There is a lot of blood and death and the characters in this film are a mix of actual people and CGI characters. I liked the CGI of the fictional characters in this film because it seemed to fit so well with everything. It's not like that completely horrible animation where it sucks.
As the Gods Will is a bloody movie. That said, the blood scenes, at least some of them, weren't that well executed, thus the gore was easier to watch. However, as there are many disturbing daeths, I wouldn't recommend it to someone who can't handle blood.
For the story, the plot was nice and there were some interesting characters, especially the lead and that creepy secons lead. And the riddles were entertaining to watch, and not too difficult to follow. However, the ending was not as good. I guess what bothered me was that the movie never went deeper than the riddle part, like, why didn't they asked why this was happening and for what purpose. Also, the ending felt quite open, but there is no second movie of this, so I do have to cut points for that. So, six and a half out of ten.
The synopsis to this toy store killing machine immediately brings an earlier Japanese film to mind, the ruthless and fumingly shocking 'Battle Royale, 2000' from auteur Kinji Fukasaku (Tora! Tora! Tora!, 1970). However Miike's film-cunning and dice rolls are perhaps simply far more simple than the keen viewer would like to imagine. Simple thus unworried, assured, extremely dark-humored, filled with rapid-fire philosophy and at least six blood banks blown to pieces.
Take the sound editing for instance. We know what has happened despite the event not being shown and instead replaced by an elementary sound or a children's song. 'As the Gods Will' is a director's nightmare, a feat only someTHING like Miike can execute.
Splattered with a plethora of psyched out colours and one of the few films where the CGI works like the crown wheel of the Oyster Perpetual, Miike's direction feels more confident as his obsession with Manga and Nao Ômori (Ichi the Killer, 2001) grows into a playful bear, the size of two Transformers, when they're not vehicles.
This film is filled with surreal images and evidently decapitated mannequins with floored extras mixed in with the lot. It is 'Maze Runner' meets 'The Running Man' inside Miike's Daedalian head. Perhaps that is an overstatement, probably I'm still thinking; 'but seriously, what's the deal here?'. However it may be, Miike has paid homage to ancient Japanese films of gore... I mean yore. Well not really, this seems more like the stop motion films from the Golden Age of Japanese cinema and director Ishiro Honda - but 'As the Gods Will' is sort of an antithesis to those films in terms of its antagonist's characterization and build up.
The director's films are far from subtle, including this baby cannibal elephant; however this time there is a certain calm undercurrent to the approach and style of the hypermanic Takashi Miike.
A strangely entertaining film that must be watched to further strengthen faith in the art of cinema.
Absolutely unbelievable.
Take the sound editing for instance. We know what has happened despite the event not being shown and instead replaced by an elementary sound or a children's song. 'As the Gods Will' is a director's nightmare, a feat only someTHING like Miike can execute.
Splattered with a plethora of psyched out colours and one of the few films where the CGI works like the crown wheel of the Oyster Perpetual, Miike's direction feels more confident as his obsession with Manga and Nao Ômori (Ichi the Killer, 2001) grows into a playful bear, the size of two Transformers, when they're not vehicles.
This film is filled with surreal images and evidently decapitated mannequins with floored extras mixed in with the lot. It is 'Maze Runner' meets 'The Running Man' inside Miike's Daedalian head. Perhaps that is an overstatement, probably I'm still thinking; 'but seriously, what's the deal here?'. However it may be, Miike has paid homage to ancient Japanese films of gore... I mean yore. Well not really, this seems more like the stop motion films from the Golden Age of Japanese cinema and director Ishiro Honda - but 'As the Gods Will' is sort of an antithesis to those films in terms of its antagonist's characterization and build up.
The director's films are far from subtle, including this baby cannibal elephant; however this time there is a certain calm undercurrent to the approach and style of the hypermanic Takashi Miike.
A strangely entertaining film that must be watched to further strengthen faith in the art of cinema.
Absolutely unbelievable.
I watched this film without reading the manga prior. I've watched some of Miike's ultraviolent movies before this but going in forward, i've not set any expections for this movie.
I'd like to mention the positive things first. I love Miike's violent movies. I think he's the best director for this genre, and there are a lot of em expecially in the first half of the movie. However, the black comedy moments seemed to shine the most in this film. I remembered laughing out loud in a few scenes in this movie and that's an impressive feat.
That's all the about the good stuff, unfortunately. The film was marred by a lot of terrible aspects. One of them was the antagonist. I believe it's a bad casting overall. The antagonist was portrayed as edgy and the actor seemed to hate this role. It was obvious he tried too hard and it ended up being cringe thorughout the film.
The absolute worst of this film is definitely the ending. It lead to more questions and plot holes, leaving all the viewers begging for answers. Let's just say it's the slimiest, hairiest balls that was shoved on your face. You'll get me when you get there.
I'd like to mention the positive things first. I love Miike's violent movies. I think he's the best director for this genre, and there are a lot of em expecially in the first half of the movie. However, the black comedy moments seemed to shine the most in this film. I remembered laughing out loud in a few scenes in this movie and that's an impressive feat.
That's all the about the good stuff, unfortunately. The film was marred by a lot of terrible aspects. One of them was the antagonist. I believe it's a bad casting overall. The antagonist was portrayed as edgy and the actor seemed to hate this role. It was obvious he tried too hard and it ended up being cringe thorughout the film.
The absolute worst of this film is definitely the ending. It lead to more questions and plot holes, leaving all the viewers begging for answers. Let's just say it's the slimiest, hairiest balls that was shoved on your face. You'll get me when you get there.
¿Sabías que…?
- TriviaThe video game Shun plays near the beginning is Biohazard 6 (Resident Evil 6).
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Detalles
Taquilla
- Total a nivel mundial
- USD 1,938,654
- Tiempo de ejecución1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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