Kamisama no iu tôri

At core, Takashi Miike's As The Gods Will may seem like another Battle Royale rip-off as we've seen oh so many times before but I don't exactly believe that to be the case.

The cinematography on one hand was gripping, the color scheme meshed so amazingly. This was a rather pretty movie to look at all things considered.

The acting was a bit weak from some of the minor characters but the actors for the main characters was great.

Now as for the movie itself, it was fun which really is all I demand of a movie. To be entertaining. I don't even think the premise was bad.

The concept of the gods playing games with humans in order to test their skills is something that has been around since ancient Greece, but this did it exceptionally well as it never felt too forced. If it had gone to great lengths trying to explain everything it would've ruined the feel of the movie.

It's a ride from the start to the ending, never once did I feel bored during it and there were several moments where it was actually suspenseful.

I know some film snobs might overlook this movie as not being good enough due to it being a bit silly, but I think they are missing out on a brilliant experience.

I recommend this movie if you just want to sit back and enjoy a suspenseful ride with charm, creepiness and gore.

The synopsis to this toy store killing machine immediately brings an earlier Japanese film to mind, the ruthless and fumingly shocking 'Battle Royale, 2000' from auteur Kinji Fukasaku (Tora! Tora! Tora!, 1970). However Miike's film-cunning and dice rolls are perhaps simply far more simple than the keen viewer would like to imagine. Simple thus unworried, assured, extremely dark-humored, filled with rapid-fire philosophy and at least six blood banks blown to pieces.

Take the sound editing for instance. We know what has happened despite the event not being shown and instead replaced by an elementary sound or a children's song. 'As the Gods Will' is a director's nightmare, a feat only someTHING like Miike can execute.

Splattered with a plethora of psyched out colours and one of the few films where the CGI works like the crown wheel of the Oyster Perpetual, Miike's direction feels more confident as his obsession with Manga and Nao Ômori (Ichi the Killer, 2001) grows into a playful bear, the size of two Transformers, when they're not vehicles.

This film is filled with surreal images and evidently decapitated mannequins with floored extras mixed in with the lot. It is 'Maze Runner' meets 'The Running Man' inside Miike's Daedalian head. Perhaps that is an overstatement, probably I'm still thinking; 'but seriously, what's the deal here?'. However it may be, Miike has paid homage to ancient Japanese films of gore... I mean yore. Well not really, this seems more like the stop motion films from the Golden Age of Japanese cinema and director Ishiro Honda - but 'As the Gods Will' is sort of an antithesis to those films in terms of its antagonist's characterization and build up.

The director's films are far from subtle, including this baby cannibal elephant; however this time there is a certain calm undercurrent to the approach and style of the hypermanic Takashi Miike.

A strangely entertaining film that must be watched to further strengthen faith in the art of cinema.

Absolutely unbelievable.

I frequently like Miike's films, and had missed this one--I only found out about it because of the accusations that it had somehow been ripped off by "squid Game," not that I've seen that series either--so I decided to give it a look. It's certainly well-crafted, but this is a case where his liveliness and skill as a director can't do much with material that is inherently silly and repetitious. It starts to wear out patience even in the first setpiece, and every successive one is the same thing: Another "god" in cutesy CGI critter form killing off teens in a "game" with arbitrary rules just cuz...well, because apparently gods don't have anything better to do.

The characters are too one-dimensional (and mostly too shortlived) to care about, the manga-based action too absurd to work up any real suspense, the action too absurd to be exciting. I admit I didn't make it to the end; there was absolutely nothing of value beyond the slick production values to hold attention. I'm giving it a 5 because it's the sort of "extreme" Japanese cinema some people like (which usually involves comely schoolgirls being slaughtered in "gory" yet patently unrealistic, CGI-heavy ways), but if you want anything more than that pretty dumb level of empty, colorful stimulus, it's one of Miike's least interesting projects. Of course, he makes so many, it hardly affects his batting average.

Here is another good film by one of my favorite Japanese directors Takashi Miike. This film is based off a manga of the same name and shows the first arc of the manga. From the very beginning of the film it's really interesting and catches your attention unlike other films where the attention has to be caught sometime inwards. The basic premise of the film is students having to play games to survive and if you lost at these games you die gruesome deaths. There is a lot of blood and death and the characters in this film are a mix of actual people and CGI characters. I liked the CGI of the fictional characters in this film because it seemed to fit so well with everything. It's not like that completely horrible animation where it sucks.

As the Gods Will is a bloody movie. That said, the blood scenes, at least some of them, weren't that well executed, thus the gore was easier to watch. However, as there are many disturbing daeths, I wouldn't recommend it to someone who can't handle blood. For the story, the plot was nice and there were some interesting characters, especially the lead and that creepy secons lead. And the riddles were entertaining to watch, and not too difficult to follow. However, the ending was not as good. I guess what bothered me was that the movie never went deeper than the riddle part, like, why didn't they asked why this was happening and for what purpose. Also, the ending felt quite open, but there is no second movie of this, so I do have to cut points for that. So, six and a half out of ten.