Un falso documental de crímenes reales sobre la persecución por parte de dos detectives de un asesino en serie llamado Mr. Shiny que aterrorizó el sur de California durante casi dos décadas.Un falso documental de crímenes reales sobre la persecución por parte de dos detectives de un asesino en serie llamado Mr. Shiny que aterrorizó el sur de California durante casi dos décadas.Un falso documental de crímenes reales sobre la persecución por parte de dos detectives de un asesino en serie llamado Mr. Shiny que aterrorizó el sur de California durante casi dos décadas.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This film is everything horror fans could ask for. Strange Harvest kept me on edge with brutal killings and psychological horror. This feels like a fresh take on the mockumentary style - bodycams shots etc adding to the realism, pulled me into the story. The supernatural elements are woven in seamlessly, and the film's unsettling atmosphere grips you from start to finish. The performances are incredible, especially from the non-actors who make the documentary feel so real. This movie is an absolute must-watch for fans of horror, true crime, and found footage-it's one of the best in recent years, and in the time where every man and his dog has a "Found-footage-style horror" TikTok account; this is every bit worth the watch.
Strange Harvest had so much promise, blending its true crime element seamlessly into an eerie, gripping story. For most of the runtime, I was hooked with the pacing, atmosphere, and slow-burn tension were top notch. Unfortunately, the ending completely fizzled. There's barely any satisfying conclusion, and not even a clever final twist to leave on a high note. It's such a shame, because the rest was so strong. A 6/10 for me. Worth watching, but the final moments left me more frustrated than thrilled.
The vibes of Fincher's Zodiac combined with Lovecraftian cosmic horror, expertly presented in a found footage/true crime documentary format. It's unsettling, interesting, and compelling, with some great practical effects and an intriguing antagonist. I absolutely love found footage horror, I think it's a sub-genre that, when put in the right hands, can lead to some truly creative filmmaking. This is now a new favorite of mine, and has the potential to become a classic of the genre.
Strange Harvest is a fascinating hybrid on paper a horror mockumentary that merges the unsettling realism of true crime with the creeping dread of a slasher film. Directed by Stuart Ortiz (Grave Encounters), the film chronicles the return of a long-dormant serial killer known as "Mr. Shiny," who resurfaces in Southern California's Inland Empire after a 20-year absence. Told through interviews with detectives, witnesses, and survivors, the story unfolds much like a Netflix docuseries or an Investigation Discovery special, but with the menace of a fictional monster lurking between the lines.
If you're a fan of the ID Channel or Netflix crime documentaries especially those built on talking head interviews, crime scene photos, and slow burn narrative reveals this movie is squarely in your wheelhouse. Ortiz nails the structure of a prestige docuseries, right down to the ominous voiceovers, grainy police footage, and staged reenactments that look just believable enough to make you forget you're watching a scripted film. The two lead detectives, played with grit and weary realism, give the story a grounded center, and the Inland Empire setting brings a sun-bleached, suburban eeriness to the proceedings.
That said, while the format is well executed, it's also limiting. There's a compelling protagonist here, and Mr. Shiny himself is an intriguing, cryptic villain-but the rigid docu-style storytelling keeps them both at arm's length. We're always watching them through someone else's filter, rather than fully inhabiting their world. The horror elements, when they arrive, are effective but sparse, sometimes feeling like they're spliced in rather than organically growing from the story.
This is where Strange Harvest may divide audiences. For true crime devotees, the authenticity and attention to procedural detail will be a treat. For horror fans looking for immersive tension or sustained scares, the docu-style pacing might feel like a slow drip that never fully erupts. And for viewers like me, who see the potential in the premise but want more than just a convincing imitation of a streaming documentary, it's hard not to wish the film broke free of its own structure.
Ultimately, Strange Harvest is a well crafted experiment that succeeds at what it's trying to do-recreate the feeling of a prestige true-crime do, but in doing so, it may have boxed itself in. It's a film that feels almost too convincing for its own good, leaving you wondering if the same story might have worked better told without the mockumentary constraints.
If you're a fan of the ID Channel or Netflix crime documentaries especially those built on talking head interviews, crime scene photos, and slow burn narrative reveals this movie is squarely in your wheelhouse. Ortiz nails the structure of a prestige docuseries, right down to the ominous voiceovers, grainy police footage, and staged reenactments that look just believable enough to make you forget you're watching a scripted film. The two lead detectives, played with grit and weary realism, give the story a grounded center, and the Inland Empire setting brings a sun-bleached, suburban eeriness to the proceedings.
That said, while the format is well executed, it's also limiting. There's a compelling protagonist here, and Mr. Shiny himself is an intriguing, cryptic villain-but the rigid docu-style storytelling keeps them both at arm's length. We're always watching them through someone else's filter, rather than fully inhabiting their world. The horror elements, when they arrive, are effective but sparse, sometimes feeling like they're spliced in rather than organically growing from the story.
This is where Strange Harvest may divide audiences. For true crime devotees, the authenticity and attention to procedural detail will be a treat. For horror fans looking for immersive tension or sustained scares, the docu-style pacing might feel like a slow drip that never fully erupts. And for viewers like me, who see the potential in the premise but want more than just a convincing imitation of a streaming documentary, it's hard not to wish the film broke free of its own structure.
Ultimately, Strange Harvest is a well crafted experiment that succeeds at what it's trying to do-recreate the feeling of a prestige true-crime do, but in doing so, it may have boxed itself in. It's a film that feels almost too convincing for its own good, leaving you wondering if the same story might have worked better told without the mockumentary constraints.
True-crime programs on TV wish they could be this good.
Like Fenómeno siniestro (2011) before it, Strange Harvest dissects a type of TV program and creates an imitation even better than the original. This is El silencio de los inocentes (1991) as an episode of Forensic Files (1996), a sinister episode of La ley y el orden (1990) taken to its horrific logical extreme.
I saw Strange Harvest at the Nevermore Film Festival. It's a simple, low budget portrayal of a straightforward premise (at least until the end), yet masterfully executed. Peter Zizzo and Terri Apple are quite believable as average suburban police detectives pursuing what they uncover to be an extraordinary crime spree. By telling the story in chronological order, the audience knows what the detectives knew at the time and share their confusion in trying to make sense of the crimes, the lack of evidence, and their frustration in trying to identify the perpetrator and track him down because he disappears like a ghost. Each crime is different, and one in particular in a swimming pool is as diabolical as the traps in the Juego macabro (2004) movies.
El proyecto de la bruja de Blair (1999), the mother of all found footage films, used its documentary film style to seem totally real. Strange Harvest creates a similar fake reality that makes the audience feel like they're learning about an incident that really happened. The story's simplicity and its streamlined portrayal make it all the more convincing. I've watched a lot of big budget horror movies that aren't nearly as compelling as Strange Harvest.
There's an extra scene after the credits, be sure to stay for that.
Like Fenómeno siniestro (2011) before it, Strange Harvest dissects a type of TV program and creates an imitation even better than the original. This is El silencio de los inocentes (1991) as an episode of Forensic Files (1996), a sinister episode of La ley y el orden (1990) taken to its horrific logical extreme.
I saw Strange Harvest at the Nevermore Film Festival. It's a simple, low budget portrayal of a straightforward premise (at least until the end), yet masterfully executed. Peter Zizzo and Terri Apple are quite believable as average suburban police detectives pursuing what they uncover to be an extraordinary crime spree. By telling the story in chronological order, the audience knows what the detectives knew at the time and share their confusion in trying to make sense of the crimes, the lack of evidence, and their frustration in trying to identify the perpetrator and track him down because he disappears like a ghost. Each crime is different, and one in particular in a swimming pool is as diabolical as the traps in the Juego macabro (2004) movies.
El proyecto de la bruja de Blair (1999), the mother of all found footage films, used its documentary film style to seem totally real. Strange Harvest creates a similar fake reality that makes the audience feel like they're learning about an incident that really happened. The story's simplicity and its streamlined portrayal make it all the more convincing. I've watched a lot of big budget horror movies that aren't nearly as compelling as Strange Harvest.
There's an extra scene after the credits, be sure to stay for that.
¿Sabías que…?
- ErroresDuring one of the scenes mimicking a local TV broadcast, the temperature appears as 74°C, which would be about 165°F.
- Créditos curiososThere's a bonus scene after the credits.
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 385,028
- Fin de semana de estreno en EE. UU. y Canadá
- USD 223,208
- 10 ago 2025
- Total a nivel mundial
- USD 385,028
- Tiempo de ejecución
- 1h 34min(94 min)
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