Un falso documental de crímenes reales sobre la persecución por parte de dos detectives de un asesino en serie llamado Mr. Shiny que aterrorizó el sur de California durante casi dos décadas.Un falso documental de crímenes reales sobre la persecución por parte de dos detectives de un asesino en serie llamado Mr. Shiny que aterrorizó el sur de California durante casi dos décadas.Un falso documental de crímenes reales sobre la persecución por parte de dos detectives de un asesino en serie llamado Mr. Shiny que aterrorizó el sur de California durante casi dos décadas.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Saw this at Nevermore Film Festival in Durham, NC. This film nails the true-crime documentary format, with two hard-boiled detectives relating the story of how they worked to track down a serial killer in San Bernardino County, CA. It's like an extended edition of Dateline crossed with horror, and that's a grand compliment.
There are a lot of killings for the detectives to describe, but leads Peter Zizzo (Det. Joe Kirby) and Terri Apple (Det. Alexis 'Lexi' Taylor) keep it intensely interesting. Their sincere performance helps ground the film, which has a lot of pretty horrifying details to relate.
Although their testimony are mostly filmed seated (separately) in a studio, there are plenty of on-site details of the murders, and insightful and realistic interviews with the people who knew the victims.
The identity of the killer, who calls himself Mr. Shiny, and his reason for his killing spree is kept partially unknown to us until late in the film, which helps slowly ratchet up the suspense from beginning to end.
The film is quite gory, as it doesn't shy away from showing us the aftermath of the murders, each grisly in its own warped way.
When you realize the real reason for the murders (which you might guess sooner than I), the film takes on another dimension of fright.
To finish, if you like police procedurals, but find them too tame, this fictional account is a remarkable likeness of the format, as long as you're ready for some disturbing images.
There are a lot of killings for the detectives to describe, but leads Peter Zizzo (Det. Joe Kirby) and Terri Apple (Det. Alexis 'Lexi' Taylor) keep it intensely interesting. Their sincere performance helps ground the film, which has a lot of pretty horrifying details to relate.
Although their testimony are mostly filmed seated (separately) in a studio, there are plenty of on-site details of the murders, and insightful and realistic interviews with the people who knew the victims.
The identity of the killer, who calls himself Mr. Shiny, and his reason for his killing spree is kept partially unknown to us until late in the film, which helps slowly ratchet up the suspense from beginning to end.
The film is quite gory, as it doesn't shy away from showing us the aftermath of the murders, each grisly in its own warped way.
When you realize the real reason for the murders (which you might guess sooner than I), the film takes on another dimension of fright.
To finish, if you like police procedurals, but find them too tame, this fictional account is a remarkable likeness of the format, as long as you're ready for some disturbing images.
True-crime programs on TV wish they could be this good.
Like Fenómeno siniestro (2011) before it, Strange Harvest dissects a type of TV program and creates an imitation even better than the original. This is El silencio de los inocentes (1991) as an episode of Forensic Files (1996), a sinister episode of La ley y el orden (1990) taken to its horrific logical extreme.
I saw Strange Harvest at the Nevermore Film Festival. It's a simple, low budget portrayal of a straightforward premise (at least until the end), yet masterfully executed. Peter Zizzo and Terri Apple are quite believable as average suburban police detectives pursuing what they uncover to be an extraordinary crime spree. By telling the story in chronological order, the audience knows what the detectives knew at the time and share their confusion in trying to make sense of the crimes, the lack of evidence, and their frustration in trying to identify the perpetrator and track him down because he disappears like a ghost. Each crime is different, and one in particular in a swimming pool is as diabolical as the traps in the Juego macabro (2004) movies.
El proyecto de la bruja de Blair (1999), the mother of all found footage films, used its documentary film style to seem totally real. Strange Harvest creates a similar fake reality that makes the audience feel like they're learning about an incident that really happened. The story's simplicity and its streamlined portrayal make it all the more convincing. I've watched a lot of big budget horror movies that aren't nearly as compelling as Strange Harvest.
There's an extra scene after the credits, be sure to stay for that.
Like Fenómeno siniestro (2011) before it, Strange Harvest dissects a type of TV program and creates an imitation even better than the original. This is El silencio de los inocentes (1991) as an episode of Forensic Files (1996), a sinister episode of La ley y el orden (1990) taken to its horrific logical extreme.
I saw Strange Harvest at the Nevermore Film Festival. It's a simple, low budget portrayal of a straightforward premise (at least until the end), yet masterfully executed. Peter Zizzo and Terri Apple are quite believable as average suburban police detectives pursuing what they uncover to be an extraordinary crime spree. By telling the story in chronological order, the audience knows what the detectives knew at the time and share their confusion in trying to make sense of the crimes, the lack of evidence, and their frustration in trying to identify the perpetrator and track him down because he disappears like a ghost. Each crime is different, and one in particular in a swimming pool is as diabolical as the traps in the Juego macabro (2004) movies.
El proyecto de la bruja de Blair (1999), the mother of all found footage films, used its documentary film style to seem totally real. Strange Harvest creates a similar fake reality that makes the audience feel like they're learning about an incident that really happened. The story's simplicity and its streamlined portrayal make it all the more convincing. I've watched a lot of big budget horror movies that aren't nearly as compelling as Strange Harvest.
There's an extra scene after the credits, be sure to stay for that.
¿Sabías que…?
- ErroresWhen the police are guarding the girl in the hospital, they all knew what the killer looked like from his driver's license photo, and that he was unusually tall. Yet none of the police recognized him when he passed them numerous times in the hallway. This hospital scene should have taken place before the scene where the police identify the suspect and circulate his photo.
- Créditos curiososThere's a bonus scene after the credits.
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By what name was Strange Harvest (2024) officially released in India in English?
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