Zipper

Just watched "ZIPPER" 9/10 - a very dark and gripping film about destruction by obsession.

The central character is portrayed by Patrick Wilson and this is another very brave choice of role after "Hard Candy" where he played a man internet grooming an underage female.

How many leading actors would dare to play these roles?

He's not just an amazing actor he's obviously fearless with his career and image.

The rest of the cast are superb too. Ray Winstone in a new kind of role for him..he's such a good actor and thank goodness he was allowed to keep his London accent after falling flat on his face in "The Departed" trying to be a Boston accented tough guy.

The best part of this ¨true tv¨ style (or is it Lifetime TV?) production is its dark, film noiresque twist. Everyone is corrupt and succumbs... An interesting take on the more general phenomenon of addiction.

It's a funny title for a serious film. I have heard the film was loosely based on a real scandal. This is the story of a federal prosecutor whose life has been decent until he becomes addicted to the escort service. As his wife is pushing him for entering the politics, on the other side, he's unable to come out of his new habit. The time comes when both these things can't go together, he has to pick the side and that brings the end to the tale.

Really an interesting story aspect, but slightly I was not happy with how it was presented on the screen. Though the characters were excellent and the perfect executions by its actors. Patrick Wilson was good, even in a small screenspace Lena Headey excelled. The other characters influenced quite strongly in the film. Like their intentions over the film events which played a major twist in the storytelling. The people can go any length to achieve the bigger thing is the one of the main messages of the film.

The theme was strong, but there were some weaker spots in the narrations. Although, an acceptable and enjoyable film. The end was totally unexpected, but unbelievably not that smart from the character's perspective. Surely an average film, but definitely not a bad or an awesome film. Its about the scandal of a high profile figure or at least trying to be, though everything were told from a single angle. So I hope you watch it and give an honest opinion than going against it from even before the start just because everybody already doing that.

6/10

"Zipper" made me think a little about "House of Cards", despite having seen just a few episodes from the first season. Its political theme, unmeasurable ambition and unscrupulous individuals. On those parameters, "Zipper" succeeds on presenting complex and divided characters, whose ultimate goal is a seat in power.

Patrick Wilson and Lena Headey both stood out. I'd never seen one of his films fully and I was kind of surprised with his acting and commitment to the role. After seeing Headey on "GoT" I wasn't surprised with her acting, because, at some extent, in this one she plays a modern version of Cersei Lannister - the cheating husband, the obsessive care and protection for her children (its all there). They both are great on their respective roles, portraying a troubled couple, which has been married for a long time and in which routine is deeply established. They have the chemistry and the acting chops.

Aside from the main actors, we have Ray Winstone and Richard Dreyfuss with particular small roles but roles which give the movie more credibility. The feminine cast is a committed one, not afraid of touching the level of soft-core porn on some scenes.

In what concerns directing, I must say I liked the overall look of the movie, very sober and clean, but above all, real. The script is well- written, with well-developed characters. The ending,in general, is somewhat predictable but the last scene, well, the last scene, simply wasn't and reveals the intelligence of the filmmaker.

Why take the risk?

"Zipper" is a good movie to watch, pretty good performances and well- directed.

Have a hankering for those 1990s sex thrillers involving powerful people drawn into sordid, beautifully-lit clinches that threaten to tear apart their career and their family? Welcome to Reckless, which has been blandly renamed from "Zipper" in the US.

This straight-to-DVD thriller – partly based on the exploits of governor Eliot Spitzer in 2008 – has an intriguing setup which grows increasingly tiresome as the story wears on. Patrick Wilson, who has the greatest fake smile in the business, plays ambitious state prosecutor Sam, and he has his eyes on congress. Unfortunately he also has his eyes on the ladies, and he's willing to risk his marriage to the suspecting Jeannie (Lena Headey) in order to get his end away with a series of escort girls.

Meanwhile George (Richard Dreyfuss) is grooming him for life at the top (and life under the microscope), while a wily journalist (Ray Winstone) rifles through his private life. The drama lies in Sam's face as all these pressures – which exist in a highly competitive and masculine world – bear down upon him.

Boo hoo, you might say, and you'd kind of be right. While Wilson is talented and nuanced enough to help us relate to this reprehensible talisman of white male privilege, the film itself seems unsure of where its sympathies lie, or indeed what the story is really about. Ostensibly it's interested in the fallout of adultery and the radiation of guilt, but it never goes deep and it's strangely boring.

The meaning of fidelity in the modern world has been intelligently explored in some great movies, from Eyes Wide Shut to Gone Girl, but Reckless comes across as mimicry, resembling its peers only in the most superficial ways.

The neorealist aesthetic, with its ridiculous saturated colouration, resembles David Fincher or Steven Soderbergh, but the dramatic content only matches the latter at his most indulgent. The serial killer score adds to the tabloid self-importance of it all. The problem with this sub-genre is so often that it suffers from a lack of awareness of its own absurdity.

More than once we get a risible speech suggesting that really all human beings are like this, deep down, and that the only difference is that those in the public eye are unfairly held to a higher standard. Never do we get the counterargument: that Sam and his ilk behave this way out of some other impotence, or that their lust for power and sex are two sides of the same character trait.

Wilson carries the film, and he's supported by a very fine cast. Headey is solid in the role of Sam's formidable wife, while a miscast Winstone makes the most of a slightly thankless supporting role. Then there's Dreyfuss, who appears to be acting in a movie far smarter than the one we're actually watching. Also, John Cho needs to be in more films.

But none of the cast can elevate such hackneyed material. Shoot it however stylishly you want – there's no escaping the clichés of punched steering wheels, illicit phone calls watched from windows, and dead-eyed faces sinking in baths. It's a film to be found when flicking channels, and one to be forgotten within seconds of flicking again.