Pánico en el tren bala

If you're looking a lazy afternoon-watch this weekend that doesn't want you to think too much, this Japanese-version of 'Speed' but on a Bullet Train might be worth considering.

The film was fairly decent until the major reveal that was not really convincing at all, but if you forceful yourself to apply the logic you often see in the news about 'bad actors', you could maaaaybe see why/how it all makes sense.

But like I said, if you don't want to think too much, or at all, this might be one of the decent films for this weekend, or even for passive viewing as you do the dishes or fold your clothes away. Could have been so much better but I didn't care that it was not that and it doesn't feel like a let down.

An affectionate and well-realised update of Junya Sato's The Bullet Train, Bullet Train Explosion's devotion to delivering relentless edge-of-your-seat thrills ensures it's a blast from the moment it leaves the station. After his masterful reworking of Ultraman 3 years ago, I've been patiently waiting for Shinji Higuchi's next film. While the visual effects, direction, cinematography and camerawork are all top-notch, the carnage feels relatively restrained compared to Higuchi's prior work. However, even then, the film's greatest strength lies in its construction of tension and its commitment to showing how people respond to chaos. Some rise while others fall. Even with Higuchi as the film's conductor, this is still very much a one-track film, where Sato's original cross-cuts the action on board its Shinkansen with Ken Takakura's criminal antics, and here we are solely dedicated to the action on board. Despite its familiarity, there's also a fair dose of originality, although the late-game villain reveal had me howling with unintentional laughter. It's a long journey, full of near misses and assorted beats of suspense; although it abandons the complicating human factors that gave the original its soul, the film works very effectively as both a remake and a legacy sequel alike, even if the first half is far stronger than its latter half. Backed by strong performances and a rousing score by Taisei Iwasaki, Bullet Train Explosion is an effectively solid action disaster throwback, full of collectivism and collaboration.

Critics are dumb for comparing this with Speed (1994). This is a sequel to the movie Bullet Train (1975).

Besides the explosion plot, the stories are entirely different.

Overall, this was an enjoyable action film, made for the big screen, with clever scenes and twists.

It brings new ideas to the "train" disaster genre, which are much appreciated and make everything engaging.

The performance of the main leads is solid.

Despite a few plot holes and some slightly bad acting in supporting roles, the movie carries a great intensity that keeps you hooked from the beginning to the end.

If you enjoy train movies, you will like this!

Bullet Train Explosion (2025) is an interesting ride that tries to bring back the disaster-thriller vibe but falls a little short on the human side of things. The directing by Shinji Higuchi feels like it cares more about showing the technical process of running a train than about telling a story through its characters. You can tell a lot of work went into the production itself, especially with the practical effects, model sets, and tight editing that really keep the tension high. The problem is, while everything looks good and feels intense, the characters end up feeling like background noise rather than the heart of the movie. It feels more like you are watching a really well-made simulation than being pulled into a story.

The acting is decent, especially from Tsuyoshi Kusanagi, who manages to bring some presence even without a lot of material to work with. The script, though, feels a bit thin, like it was written just enough to move from one tense scene to another without really digging into who these people are. The cinematography is clean and sharp, with some really impressive shots during the action sequences, and the sound design does a solid job of keeping you in that high-stakes atmosphere. The score is there but not very memorable, mostly serving the moment without standing out. Overall, it is a movie you can enjoy for the tension and visuals, but if you are hoping to get attached to the characters or dive deep into the story, it might leave you wanting more.

Japanese is still Japanese. Even though they have great material, the results made me frustrated. First I saw the trailer, it seemed like the movie from 90s - Speed, Keanu Reeve and Sandra Bullock - a Japanese version. I had high expectation due to the explosion was about their high speed technology train like Shinkansen bullet train that serves many people daily. During the line, I was getting upset by boring dialog, drama-with-no-reason made me sick, and overall was pretty disappointed. The signature of Japanese movie is about their spirit, responsibility, patriotism etc. But those built overall movie worsen.

The villain supposed to hit my nerve and made me stunned, but no. There was not solid and believable; or AKA enough to convince; the motive of making the train exploded.