Una mujer es rescatada de una secta del día del juicio y empieza una nueva vida en Nueva York.Una mujer es rescatada de una secta del día del juicio y empieza una nueva vida en Nueva York.Una mujer es rescatada de una secta del día del juicio y empieza una nueva vida en Nueva York.
- Nominado a 18 premios Primetime Emmy
- 25 premios ganados y 98 nominaciones en total
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This show is so fun! You can tell it's written by Tina Fey because it's got a (perkier) 30 Rock vibe. UKS utilizes many aspects of New York (Today show, times square, pick pockets).
I think it's funny when Kimmy's lack of education comes into play (e.g. proclaiming "Urethra!" instead of "Eureka!") She also uses lingo from the 90s/00s that really clash with modern day.
I know many people are comparing UKS to other shows (that I have not seen). However, it seems original to me. I mean, doomsday cult member trying to make it in the big apple?
It's worth a watch!
I think it's funny when Kimmy's lack of education comes into play (e.g. proclaiming "Urethra!" instead of "Eureka!") She also uses lingo from the 90s/00s that really clash with modern day.
I know many people are comparing UKS to other shows (that I have not seen). However, it seems original to me. I mean, doomsday cult member trying to make it in the big apple?
It's worth a watch!
2019 sees the end of the Netflix series that began with such fanfare and acclaim but ends with a whimper rather than a bang.
Ellie Kemper plays Kimmy Schmidt, held hostage in an underground bunker for much of her twenties, by a doomsday cult. She's given a new lease of life following her rescue, so moves to New York. She moves in with Titus Andromedon (Tituss Burgess) a struggling actor who dreams of Broadway and gets a job as a nanny for Jaqueline White (Jane Krakowski) an uptown divorcee whose husband has left her with a young son and teenage daughter to look after.
For the first couple of seasons, I felt like "Kimmy Schmidt" was essential viewing. Shorn of the restrictions of Network TV, Tina Fey created a warm but hilarious series with characters specifically written for most of the lead actors but also able to use her star power to pull in some dynamite guest stars. It's a touch sad then that I feel the show has dropped off a bit with each of his subsequent seasons. I'm not sure, because although her specific writing credits remain a couple per season, whether Fey's general involvement has waned as the show has run on, or if some other creative force moved on but although the style of humour stayed the same, it just didn't seem to land as well.
I think, on the whole, if asked whether or not to recommend the show to someone, I'd still say that I would. There are only 51 episodes and of those the vast majority are very good - it's just a little unfortunate that it couldn't maintain the high standards that the early seasons set.
Ellie Kemper plays Kimmy Schmidt, held hostage in an underground bunker for much of her twenties, by a doomsday cult. She's given a new lease of life following her rescue, so moves to New York. She moves in with Titus Andromedon (Tituss Burgess) a struggling actor who dreams of Broadway and gets a job as a nanny for Jaqueline White (Jane Krakowski) an uptown divorcee whose husband has left her with a young son and teenage daughter to look after.
For the first couple of seasons, I felt like "Kimmy Schmidt" was essential viewing. Shorn of the restrictions of Network TV, Tina Fey created a warm but hilarious series with characters specifically written for most of the lead actors but also able to use her star power to pull in some dynamite guest stars. It's a touch sad then that I feel the show has dropped off a bit with each of his subsequent seasons. I'm not sure, because although her specific writing credits remain a couple per season, whether Fey's general involvement has waned as the show has run on, or if some other creative force moved on but although the style of humour stayed the same, it just didn't seem to land as well.
I think, on the whole, if asked whether or not to recommend the show to someone, I'd still say that I would. There are only 51 episodes and of those the vast majority are very good - it's just a little unfortunate that it couldn't maintain the high standards that the early seasons set.
What a brilliant, brilliant show. I'm surprised that I'm the first reviewer on here! Seriously though, I began streaming this show just about an hour ago, with netflix's system of 'single-day-season-releases' I've just kept streaming. I'm now up to the third episode and I'm blown away with how funny this show is. Tina fey has always been hilarious to me, and same with Ellie Kemper, so i've been intrigued by this show since it's announcement. This show is, at it's roots, a very funny show, chances are you will laugh a lot during this show. But it's not all about that, this show has several layers, it's got lots of heart and fantastic characters. As I mentioned before, I'm only up to the 3rd episode but this show is showing fantastic promise, I haven't been this invested in a show's pilot in a while. Hilarious story, fantastic acting, great writing, great direction. This looks like a good one, stream it when you get the chance! 9/10 (so far)
I've never been a big binge watcher, but I was so grabbed by this show right from the first episode that I just couldn't stop.
This show is full of beautifully gleeful charm, with a central character who can't stop smiling and no mean-spirited jokes anywhere in sight. The whole thing is just consistently happy and can really cheer you up within seconds.
I admit that the story does get a little tiresome at some points, where there isn't as much joking, but the series manages to keep reinventing itself in new and fun ways that brings back your interest immediately.
It's also a very subtly clever satire. Whilst the majority of it may seem like silly fun, the back story of the doomsday cult, the theme song and a whole host of other stuff is actually very intelligent, and of course, a lot of fun too.
You've got to watch this series, whether you want to binge it or not, because it's such a refreshingly happy show that stands out amongst the crowd of idiotic sitcoms and burning dramas.
www.themadmovieman.com
This show is full of beautifully gleeful charm, with a central character who can't stop smiling and no mean-spirited jokes anywhere in sight. The whole thing is just consistently happy and can really cheer you up within seconds.
I admit that the story does get a little tiresome at some points, where there isn't as much joking, but the series manages to keep reinventing itself in new and fun ways that brings back your interest immediately.
It's also a very subtly clever satire. Whilst the majority of it may seem like silly fun, the back story of the doomsday cult, the theme song and a whole host of other stuff is actually very intelligent, and of course, a lot of fun too.
You've got to watch this series, whether you want to binge it or not, because it's such a refreshingly happy show that stands out amongst the crowd of idiotic sitcoms and burning dramas.
www.themadmovieman.com
Honestly, the two reviews that have been written so far are unreasonable. Unbreakable Kimmy Schimdt is by no means average, poor or unfunny. It shines through in it's originality, tactful balancing of humour and satire and it's absolutely endearing. The premise is strange and does not suggest it's a comedy even for a black comedy it seems like a stretch. A woman escapes a cult after being imprisoned for 15 years and starts a new life in New York City. The pilot begins as the women are being rescued and brought back out to the world after 15 years of imprisonment. It's a very unconventional idea for a comedy yet it exceeds expectations. Ellie Kemper, the subject of this show, is wonderfully quirky, sweet and her performance is enjoyable to watch.
Tina Fey's writing is clearly asserted as the main character, Kimmmy, is a strong, powerful, determined and unbreakable. Co-writer and producer, Robert Carlock, also deserves some credit in this. Unbreakable Kimmy Schmidt is not hidden in 30 Rock's shadow and does not attempt to duplicate results. It works in it's own right and is brilliantly executed. It's tone is gleefully upbeat and light-hearted yet it hints at darker themes and it's implementation of dark comedy is succinct and rewarding. So please don't be so quick to judge. Definitely give it a watch it's worthwhile.
Tina Fey's writing is clearly asserted as the main character, Kimmmy, is a strong, powerful, determined and unbreakable. Co-writer and producer, Robert Carlock, also deserves some credit in this. Unbreakable Kimmy Schmidt is not hidden in 30 Rock's shadow and does not attempt to duplicate results. It works in it's own right and is brilliantly executed. It's tone is gleefully upbeat and light-hearted yet it hints at darker themes and it's implementation of dark comedy is succinct and rewarding. So please don't be so quick to judge. Definitely give it a watch it's worthwhile.
¿Sabías que…?
- TriviaBefore he came to Hollywood, Jon Hamm (Reverend Richard Wayne Gary Wayne) was a high school drama teacher at the John Burroughs School in Ladue, Missouri. One of his drama students was Ellie Kemper, who plays Kimmy.
- ErroresIn the opening sequence, the SWAT team member's weapon changes position between shots of reaching down into the bunker and the women emerging.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Kimmy Bất Bại
- Locaciones de filmación
- Nueva York, Nueva York, Estados Unidos(The show is filmed around New York City.)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 30min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
- 16:9 HD
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