Dos mujeres casadas, Cherry y Hero, idean un ingenioso plan para frustrar al lascivo Manfred de seducir a Cherry después de apostar con el esposo de ella. Hero cautiva a Manfred con relatos ... Leer todoDos mujeres casadas, Cherry y Hero, idean un ingenioso plan para frustrar al lascivo Manfred de seducir a Cherry después de apostar con el esposo de ella. Hero cautiva a Manfred con relatos cautivadores durante 100 noches.Dos mujeres casadas, Cherry y Hero, idean un ingenioso plan para frustrar al lascivo Manfred de seducir a Cherry después de apostar con el esposo de ella. Hero cautiva a Manfred con relatos cautivadores durante 100 noches.
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- 4 nominaciones en total
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Opiniones destacadas
This missed the mark for me, ironically a film about story telling was a tale, I felt was poorly told. This had all the right elements, great actors, costumes and set but it's been put together badly. I really loved the concept, the message, the idea and the cast but it lacked fluidity and chemistry needed.
I'm not sure how else to put it, but this felt like kid's movie, a children's fairytale, something you'd stack next to Cinderella or Goldilocks, except made for adults. That mismatch created a weird disconnect for me. It's like a Disney movie, but with sexual tension... and when you mix Disney-style acting and innocence with horniness, just feels weird.
The story and themes also seemed like a mash-up of plots you've seen before, without adding anything new. Almost everything felt like a rehash of ideas other films have already executed better.
What saves it from being unbearable is that the movie seems somewhat self aware, vibes-wise. It never takes itself too seriously; you see that in the acting, the dialogue, and even the production design. At times, the whole thing looked like a music video extended. You know when an artist turns a 3 minute song into a 7 minute short film? Imagine if Sabrina Carpenter or Charli XCX made a 90 minute version of that. If that sounds appealing, this might be your movie.
I personally struggled to connect with it, especially with the messaging, which boiled down to "Man bad. Men hate women because secretly gay. Woman love woman." It felt like when actors become directors and make their passion project... except here it feels like a musician wrote a film between album releases.
The characters felt distant. You don't need to relate to a character's situation for a story to work, but you do need to feel something for them - and I didn't. It lacked that engaging quality, the kind that allows me to enjoy a gay romcom or a female-centered drama even though I'm neither; and didn't even seem interested in creating it. Like watching the Queen's gambit, I don't care about chess I loved that.
The weak portrayal of the male characters also undermined the female leads. They were so cartoonishly dumb and shallow. Like watching a superhero whose only adversaries are pathetic, there's no real tension or satisfaction in their victory. Here, the only male characters with any sense and morals(i.e. The guards), were relegated way into the background. Every male character with significant screen time/dialogue was not only unlikable, but also shallow, uninteresting, with paper thin personality. In contrast, the women were written with greater depth and intelligence, which made the film's central conflicts feel unbalanced and unconvincing. Like that's who's beating you?
It brought to mind Kang the Conqueror being beat by ants, but in reverse; a victory feels hollow when the opposition is so clearly inferior. There are stories where the "oppressed by the lesser" trope works, like King Kong in chains, Eleven in Stranger Things, the Iron Giant, Samson, Mystique in X-Men; but in those cases the antagonists have actual leverage. Here, the men don't; they're just literal idiots. Made their role as oppressors feel implausible and dramatically inert. So the "victories" feel underwhelming.
I didn't necessarily hate the film, but I also didn't enjoy it. The only thing that kept it tolerable was that it didn't take itself too seriously.
Still, I was massively disappointed especially after waiting in a long line for the letterboxd screening. Luckily, I saw 2 movies last night and the other was much better, so the trip to the theater wasn't a total waste. Honestly should've just gone home after "The Holiday."
The story and themes also seemed like a mash-up of plots you've seen before, without adding anything new. Almost everything felt like a rehash of ideas other films have already executed better.
What saves it from being unbearable is that the movie seems somewhat self aware, vibes-wise. It never takes itself too seriously; you see that in the acting, the dialogue, and even the production design. At times, the whole thing looked like a music video extended. You know when an artist turns a 3 minute song into a 7 minute short film? Imagine if Sabrina Carpenter or Charli XCX made a 90 minute version of that. If that sounds appealing, this might be your movie.
I personally struggled to connect with it, especially with the messaging, which boiled down to "Man bad. Men hate women because secretly gay. Woman love woman." It felt like when actors become directors and make their passion project... except here it feels like a musician wrote a film between album releases.
The characters felt distant. You don't need to relate to a character's situation for a story to work, but you do need to feel something for them - and I didn't. It lacked that engaging quality, the kind that allows me to enjoy a gay romcom or a female-centered drama even though I'm neither; and didn't even seem interested in creating it. Like watching the Queen's gambit, I don't care about chess I loved that.
The weak portrayal of the male characters also undermined the female leads. They were so cartoonishly dumb and shallow. Like watching a superhero whose only adversaries are pathetic, there's no real tension or satisfaction in their victory. Here, the only male characters with any sense and morals(i.e. The guards), were relegated way into the background. Every male character with significant screen time/dialogue was not only unlikable, but also shallow, uninteresting, with paper thin personality. In contrast, the women were written with greater depth and intelligence, which made the film's central conflicts feel unbalanced and unconvincing. Like that's who's beating you?
It brought to mind Kang the Conqueror being beat by ants, but in reverse; a victory feels hollow when the opposition is so clearly inferior. There are stories where the "oppressed by the lesser" trope works, like King Kong in chains, Eleven in Stranger Things, the Iron Giant, Samson, Mystique in X-Men; but in those cases the antagonists have actual leverage. Here, the men don't; they're just literal idiots. Made their role as oppressors feel implausible and dramatically inert. So the "victories" feel underwhelming.
I didn't necessarily hate the film, but I also didn't enjoy it. The only thing that kept it tolerable was that it didn't take itself too seriously.
Still, I was massively disappointed especially after waiting in a long line for the letterboxd screening. Luckily, I saw 2 movies last night and the other was much better, so the trip to the theater wasn't a total waste. Honestly should've just gone home after "The Holiday."
This was by far the worst acting, plot, sound quality, and cinematography I have ever seen. I'm just thankful it was a mystery movie night to not have wasted more money.
What was up with the helmets, and cheap costumes and weird expressions. It was so bad you see the main actor lick his lips like a cheesy stripper trying to act sexy.
What was up with the helmets, and cheap costumes and weird expressions. It was so bad you see the main actor lick his lips like a cheesy stripper trying to act sexy.
Congratulations for making a sapphic book about a man (Galitzine, who hams it up way too much) They ruined it by not sticking to the book and we all know the only reason Charli is in there is because they thought it would build up the hype. Why they thought it would be a good idea releasing this to 823 theatres (which is NOT a limited release) is beyond me. This is nothing more than a vanity project aiming for awards and wildly missing the mark. The acting is mid and the chemistry non existent. It's just bland. Skip.
All men are bad (and possibly gay) and All Women are good (and definitely gay, even if they don't know it).
The visuals go from pretty good to plain old bad - it's like the visual effects team ran out of time.
The interesting part of the movie was the theme of written vs. Oral story telling. This could have been told in a much more even and plausible backdrop, but obviously it's 2025 so we have to bash men and religion.
I would like to challenge this author and this director to tell a story without this scaffolding. There were some creative elements that might play better in a way that doesn't insult half(?) the movie goers.
The visuals go from pretty good to plain old bad - it's like the visual effects team ran out of time.
The interesting part of the movie was the theme of written vs. Oral story telling. This could have been told in a much more even and plausible backdrop, but obviously it's 2025 so we have to bash men and religion.
I would like to challenge this author and this director to tell a story without this scaffolding. There were some creative elements that might play better in a way that doesn't insult half(?) the movie goers.
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- Bandas sonorasOnly Alive
Performed by Purity Ring
Written by Megan James & Corin Roddick
Licensed Courtesy of Purity Ring
Published by Purity Ring
Copyright 2025
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- 100 ночей Хиро
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 324,768
- Fin de semana de estreno en EE. UU. y Canadá
- USD 250,701
- 7 dic 2025
- Total a nivel mundial
- USD 324,768
- Tiempo de ejecución
- 1h 31min(91 min)
- Color
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