Pabrik Gula

Pabrik Gula boldly brings local folklore to the screen, offering a horror story that feels relatable and grounded for Indonesian audiences. While it shares a similar tone with KKN di Desa Penari, it doesn't merely follow a trend-instead, it presents a storyline and message that are easy to grasp. At its core, this film isn't just about scares, but about the power of human goodness. It reminds us that supernatural beings aren't always enemies-they can be challenged by acts of kindness and even coexist with humans when mutual respect is upheld.

What's commendable is the film's clear audience segmentation: rated 17+ for the regular version and 21+ for the uncut. This responsible decision is rare in local horror films and serves as a healthy guide for viewers to choose based on their age.

Although the film received negative reviews, many of them come off as repetitive and overly critical-more like an agenda than fair analysis. When we look at its craftsmanship, cinematography, strong acting performances, and the way it balances horror, drama, and comedy, Pabrik Gula stands as a complete entertainment package.

In conclusion, if you're looking for a film that combines suspense, cultural identity, and refined execution, Pabrik Gula delivers. It's not just a horror movie-it's an experience that merges spirituality, local wisdom, and cinematic storytelling into one impactful narrative.

Honestly, I went in expecting just another horror movie full of cheap jumpscares and loud noises-but Pabrik Gula really surprised me in the best way. Yes, it's creepy, and yes, there are some tense moments, but the real horror lies beneath the surface. It's the kind of fear that lingers, not just because of what you see, but because of what the story makes you feel.

The atmosphere is incredibly well done-the abandoned sugar factory feels like a character on its own. The visuals are eerie without trying too hard, and there's this unsettling silence in some scenes that hits harder than any scream. The pacing is slow-burn but in a good way-it gives you time to absorb the emotions and the growing tension.

The mystery unfolds piece by piece, and I found myself genuinely curious about what happened in the past, not just waiting for the next scare. The emotional weight behind the story makes it feel more personal, like there's a hidden pain that's finally being revealed.

Arbani Yasiz and Ersya Aurelia deliver performances that feel grounded and believable-they're not just reacting to ghosts, they're dealing with fear, guilt, and things left unsaid. That made the experience feel much more human and real.

It's definitely more psychological and emotional than your usual horror flick. If you're looking for a horror film that does more than just make you jump, Pabrik Gula is worth your time. The ending left me chilled, thoughtful, and honestly... a little haunted. In a good way.

While the Indonesian horror movie industries rising through the year, one after another Javanese horror movies popped. Pabrik Gula wasn't a horror movie based on true story. Javanese local still believes in superstition, hence makes this movie filled with ritual and custom scenes. The visual effect wasn't that all out, but still makes the scenes better. Their ghost make up also good.

Sugar factory is kkn in the village of dancers but only different title and different setting place, this film has a trash plot but it is replaced by the music scoring and cinematography that spoils the eye but that does not guarantee that this film will be a good film, to hell with the character development everything is bland in this film, the jumpscare does not occasionally make me surprised and is just ordinary, maybe this is the 2nd worst film on Eid yesterday. I don't know what the writer of the story in this film was thinking, the purpose of this film is only money milking but this is still better than most trashy horror films in Indonesia, maybe I think this film can still be enjoyed by ordinary people and so on but this is not a quality horror film.

Pabrik Gula may carry the look and feel of a horror film, but it's much more than that. With a slow-building tension and eerie visuals, the film still finds room to entertain - largely thanks to Franky and Dwi, the comedic duo who manage to steal scenes without disrupting the overall tone.

Their presence adds warmth and personality, giving the audience time to laugh and reset before diving back into the film's unsettling layers. It's a refreshing approach that adds depth rather than distraction.

In the end, Pabrik Gula is perfect for those who crave both thrills and light-hearted moments. It's not just about fear - it's about the ride, the balance, and the surprises along the way.