Spooks: The Greater Good

I am a humongous fan of the Spooks TV series (MI5 to our American friends) and really got my hopes up when I found out a feature film was coming out as a follow up to the ending of series 10, which did itself need a lot of redeeming.

If you're a fan of gritty British films, and prefer Tinker Tailor Soldier Spy over your run-of-the-mill bullet fest, this film could well be for you. Strong cinematography throughout, and it's clear that this is written - in a way - to honor Spooks and keep it alive, but little things like the set design of the new Grid just ruin the atmosphere that the old Spooks stayed strict to, for a reason. That however was nowhere near as bad as the films "Main" characters. I say "Main" because there weren't really any, just a group of monotone bores, a youthful touch from Kit Harrington (the writer personifies his idea of revitalizing the show) and Peter Firth, stretching his ability to always be the rock of the team to the limit by making him the only life in the movie.

It's amazing that throughout the first 6, maybe 7 series of Spooks, every spectator felt like they were watching a 2 hour film squeezed into an hour slot. Spooks:The Greater Good feels like a 50 minute TV show stretched into 104 minutes, without any added storyline or plot developments.

If you've never watched Spooks, you're mad and you're missing out, but watch this film first. You'll probably like it, it's confident in its approach, strictly realistic and contains a fantastic Peter Firth performance. But once you've done that, go back to Series 1 of Spooks and watch the whole thing. The film won't be so annoying to you that way.

This movie was pretty much how I expected.

It's exciting enough, has some decent action. Some twists and turns. An older agent, a younger agent. Relatively standard stuff, really.

It's a thriller with some action sprinkled in. The action is alright, not incredible, but satisfactory. For a spy-movie it's a little more "realistic" than some of it's more action-oriented counterparts, and not too over the top. But the action isn't cheap-looking. There are bullet holes, blank-firing guns, some destruction.

Had this movie been a little longer, it could have been one of those movies that gets split up into shorter episodes and sent on TV.

Kit Harington is pretty good, the acting overall is good. You won't remember this for eternity, but if you like spy/agent-stuff, you'll have an alright time.

When I was buying my ticket to "MI-5" (R, 1:44), the cashier asked me if I knew that this movie was not "Mission: Impossible 5". I said that I did, and we briefly spoke about the confusion caused by the title of the movie that I was about to see. As if on cue, as I walked away, I heard the woman who had just come to the box office request a ticket for "Mission: Impossible 5". She decided to choose another movie.

Her confusion is understandable. Just a few months before the British spy thriller "MI-5" hit American theaters, "Mission: Impossible – Rogue Nation" (sometimes referred to as "M:I-5") was playing widely in the U.S. Lest anyone think that "MI-5" is trying to ride the coat tails of "M:I-5", I should mention that the former is a cinematic continuation of the 2002-2011 British TV series of the same name. And, ironically enough, the jump that "MI-5" made to the big screen mirrors that of "Mission: Impossible" in which the first of the movies has the hero of the TV series going rogue. If all that is too confusing, maybe this will help: The British series is called "MI-5" in the U.S., but was titled "Spooks" in the U.K. (after the common nickname for spies around the world) and the film version is known overseas as "Spooks: The Greater Good". I hope that clears up any confusion, and I'll just talk about the British film from here on in.

"Spooks: The Greater Good" / "MI-5" takes its name from the legendary British Secret Service which is responsible for counter-terrorism and counter-espionage as it works to protect British governmental and economic interests. When Adem Qasim (Elyes Gabel), the CIA's most wanted terrorist, escapes British custody while being transported to American agents, Harry Pearce (Peter Firth), head of MI-5's counter-terrorism department (Section D), is blamed. With "MI-5" facing an existential crisis and trying to save face after Qasim's escape, the organization pressures Pearce to resign. Instead, he disappears.

Former MI-5 agent, Will Holloway (Kit Harrington), who was only with the agency for a year, is brought in to help find Pearce. Holloway's father used to work with Pearce. MI-5 agents Geraldine Maltby (Jennifer Ehle) and Mace (Tim McInnerny) – with their boss, Francis Warrender (David Harewood) backing them up – tell Halloway that Pearce has more information about Halloway's father's death in the field than the young man had previously known. Halloway is reluctant because Pearce was the one responsible for Halloway's dismissal from MI-5 years before, but he really wants to get the whole story behind his father's death, so he sets out to find Pearce.

Holloway uses some of his MI-5 skills to catch up to Pearce in Berlin, but gets much more than he bargained for. Before Pearce tells Holloway anything else about his father, Pearce enlists Holloway to help him in his self-assigned one-man mission to find a traitor within MI-5. Holloway doesn't like or trust Pearce, especially when he finds out Pearce has been in contact with Qasim, but his encounters with another agent (Tuppence Middleton) lead Holloway to believe that Pearce is right about the traitor within their organization. The rest of the film involves a dangerous game of cat-and-mouse in which Pearce works Qasim to discover the traitor's identity and Holloway works desperately to prevent a terrorist attack on London.

"MI-5" / "Spooks: The Greater Good" effectively mixes influences from the "Mission: Impossible" movies and TV shows like "Homeland" and "24", but isn't quite as good. Some of the film's plot points feel contrived, but the main story is interesting and keeps the audience guessing. The script contains great lines ("You can do good or you can do well. Sooner or later they make you choose.") as it delves into the complicated world of counter-terrorism in the 21st century and explores the difficult decisions we must make to survive in that world. Gabel isn't quite menacing enough as the villain, but Firth brings forward his character from the TV show wonderfully, while Harrington is great in this modern "Game of Thrones". It's too bad that woman chose not to see "MI-5". She missed a very entertaining movie. "B+"

For those who have billed this as an answer to Mission Impossible or The Bourne series... they are setting this up for a fall. It is not. But I don't think that has ever been the intention.

If you cut all of the stereotypical American patriotism and bravado, add a more intelligent approach (one too intricate for that US market). You're about there.

Although you won't be seeing Kit Harrington drop forty feet on a rope, catch a bead of sweat in slow motion, before it hits the floor sensors. You will see a nod to Tinker Tailor Soldier Spy, and the internal corruption of the British Secret Service. Its well put together, takes you one way and then spins you 180.

Its a stimulating spy film, which engages the audience to actually have a think while watching it. As good as the M.I and Bourne franchises are, this is all together different. I have never seen Spooks on BBC, but this has pushed me to take a look at what I've been missing out on.

I unfairly went in with a low expectation of this film, and was pleasantly surprised.

A good watch, and one I wouldn't turn anyone away from. Though it does make you think... what am I missing out on, what do the public not find out about, how good are the MI5?

For the uninitiated, 'Spooks' (or MI5 as the Yanks say) was a British television show centered around MI5 spies (nicknamed Spooks and essentially the British NSA). Be under no illusions: this doesn't have blind patriotism, missing super-weapons or a suave chiseled hero. And while Kit Harington is the handsome lead star, the actual star is none other than long-time veteran Peter Firth.

Ah Peter Firth. Never has a older man with wrinkles and a receding hairline been so bad-ass. Firth is the blend of George Smiley and Jack Bauer, a very British and Un-Hollywood-y figure. And that's the key to The Greater Good's success: it feels fresh and oh so British that it may confuse the Yank audience expecting car chases and epic showdowns. Even the Arabic villain is sympathetic, never cartoonish or monologuing, and similar in part to Anwar al- Awlaki. Even a slightly simple Kit Harington fits perfectly in the thrilling spy jigsaw, being a disgraced case officer slightly too soft for such a cold world.

And yes, case officer. Not secret agent, as one is completely disposable and the other uses such people to achieve, yes, the Greater Good. Bond would not last in this world, and Bauer would make melodrama of decisions. Pierce would be break it down to cruel ugly arithmetic, one dies while two lives. As modern spy-craft goes, this is the most realistic to hit the big screen yet.

If you haven't seen the television series, this is a solid British spy movie with a thrilling storyline. If you have, some sweet Easter eggs will leave you smiling with secret glee. This feels like not a television movie but a gritty British film worthy of recognition. The actors, directing, setting compliment each other perfectly. It feels like going to a fancy restaurant and eating the greatest dish of Bangers and Mash. Simply thrilling and unafraid to let the audience think, this is a solid movie experience.

This is destined to have a sequel. If not, it at least is a beautiful little gem in a pile of stones.