The Surrender
- 2025
- 1h 36min
Cuando el patriarca de la familia muere, una madre y una hija afligidas arriesgan sus vidas para llevar a cabo un brutal ritual de resurrección y resucitarlo de entre los muertos.Cuando el patriarca de la familia muere, una madre y una hija afligidas arriesgan sus vidas para llevar a cabo un brutal ritual de resurrección y resucitarlo de entre los muertos.Cuando el patriarca de la familia muere, una madre y una hija afligidas arriesgan sus vidas para llevar a cabo un brutal ritual de resurrección y resucitarlo de entre los muertos.
- Dirección
- Guionista
- Elenco
Lola Prince Kelly
- Alexa
- (as Lola Kelly)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I went into this flick with fairly low expectations and was pleasantly surprised, even though it doesn't quite stick the landing in the end. We follow Colby Minifie, who is visiting her parents' house after her father becomes ill and eventually dies. With a rather difficult relationship with her mother, she now tries to reconnect with her. However, her mother is planning to perform a resurrection ritual, and things obviously don't go as planned.
Let me start off by saying that I would love to see Colby Minifie in more projects. I already really liked her in The Boys, and here she does a commendable job as well. She is able to convey the emotional weight packed into this film but also has great comedic timing and an overall unique screen presence. Her mother, played by Kate Burton, was also convincing and portrayed the role of a grieving woman desperate to bring her husband back very well.
The movie starts off rather slow, exploring the family dynamics by combining emotional depth with small comedic moments. The mixture overall works well and pulls the audience into the narrative. Once the ritual begins, the first harrowing moments occur, and the movie picks up the pace slightly. Despite the slow pacing and dialogue-driven opening, it never gets boring.
When they finish the ritual, I was hoping for the grand finale that had been teased in the film's earlier moments. The tone completely shifts, and the setting becomes almost otherworldly, with the characters trapped inside a protective circle surrounded by nothing but black. It creates a tense and eerie atmosphere.
Without spoiling the ending, I have to say I wasn't fully satisfied with the film's conclusion. Sadly, the ending is often the most memorable part of a movie, and with this one showing such potential, it's disappointing that it didn't quite stick the landing. Still, it's a decent horror film that explores familiar themes in a unique and interesting way, even if it doesn't deliver anything particularly memorable in the end. I enjoyed the final product, but I couldn't help but leave feeling a little unsatisfied. [5.8/10]
Let me start off by saying that I would love to see Colby Minifie in more projects. I already really liked her in The Boys, and here she does a commendable job as well. She is able to convey the emotional weight packed into this film but also has great comedic timing and an overall unique screen presence. Her mother, played by Kate Burton, was also convincing and portrayed the role of a grieving woman desperate to bring her husband back very well.
The movie starts off rather slow, exploring the family dynamics by combining emotional depth with small comedic moments. The mixture overall works well and pulls the audience into the narrative. Once the ritual begins, the first harrowing moments occur, and the movie picks up the pace slightly. Despite the slow pacing and dialogue-driven opening, it never gets boring.
When they finish the ritual, I was hoping for the grand finale that had been teased in the film's earlier moments. The tone completely shifts, and the setting becomes almost otherworldly, with the characters trapped inside a protective circle surrounded by nothing but black. It creates a tense and eerie atmosphere.
Without spoiling the ending, I have to say I wasn't fully satisfied with the film's conclusion. Sadly, the ending is often the most memorable part of a movie, and with this one showing such potential, it's disappointing that it didn't quite stick the landing. Still, it's a decent horror film that explores familiar themes in a unique and interesting way, even if it doesn't deliver anything particularly memorable in the end. I enjoyed the final product, but I couldn't help but leave feeling a little unsatisfied. [5.8/10]
Finally, something good on Shudder - and it's very good. The Surrender is a visceral slow-burn that you feel more than you see. It's a grief-soaked character study with horror woven in so subtly, it creeps up on you. Colby Minifie is magnetic - raw, restrained, and utterly believable - carrying much of the emotional weight with devastating ease. The supernatural elements take a backseat to something more intimate and human, which makes the unsettling moments land even harder.
What's most impressive is how much this film achieves on a modest budget. Even better, it's directed by Julia Max, bringing a fresh and powerful female perspective to the horror genre. Max leans into shadow, silence, and sound design to create something quietly haunting. It's not flashy, and that's its strength. This is horror that listens instead of screams - a proper gem in Shudder's line-up.
What's most impressive is how much this film achieves on a modest budget. Even better, it's directed by Julia Max, bringing a fresh and powerful female perspective to the horror genre. Max leans into shadow, silence, and sound design to create something quietly haunting. It's not flashy, and that's its strength. This is horror that listens instead of screams - a proper gem in Shudder's line-up.
There is something uncertain and magical in The Surrender as a mother and daughter struggle to manage as they face the dying of their husband and father. The metaphysical supernatural aspects made me ponder the notion of death in light of accepting this inevitability or fighting against letting go. In this aspect, the film is successful; the acting and direction set the scene well to contemplate this and ponder on this release.
The part that drew me away from this contemplation was the general annoyance of the two main characters. The mother and daughter fought, complained, bullied, capitulated, ruminated, and whined about each other for the present and the past. I once called put for the daughter to "Shut up!" even though I was annoyed at the mother for her inability to see past her own needs and desires. (The daughter was suggested to have her own purposes that were selfish as well.)
The family dynamics were a bit too dysfunctional for a clearer focus on grief and recovery. The extreme here lead me to think of a Greek tragedy, but the characters and the plot were too small to match that. Still, I left the film with a sense of having found my own way in grieving and glad I didn't need these extremes to find resolution in my own life.
The part that drew me away from this contemplation was the general annoyance of the two main characters. The mother and daughter fought, complained, bullied, capitulated, ruminated, and whined about each other for the present and the past. I once called put for the daughter to "Shut up!" even though I was annoyed at the mother for her inability to see past her own needs and desires. (The daughter was suggested to have her own purposes that were selfish as well.)
The family dynamics were a bit too dysfunctional for a clearer focus on grief and recovery. The extreme here lead me to think of a Greek tragedy, but the characters and the plot were too small to match that. Still, I left the film with a sense of having found my own way in grieving and glad I didn't need these extremes to find resolution in my own life.
This started off bad and got worse, setting the scene and building characters is important. But this dragged on for 45 minutes or so, then the guy comes who is going to do the magic....
As if by this point I wasn't ready to call it a day and succumb to fact I'd utterly wasted 50 minutes the decision was made.
The acting is weak and it gets weaker, whilst I only made it to minute 50.. I'd urge you to save yourself at least 50 minutes. Plenty of other good horror's/thrillers.
In the first part of the film I watched it simply goes over and over the same content, giving the sick guy his meds. Mummy is not happy with the daughter and over and over it goes, one might even go so far as to say this is meant to build plot. It doesn't, the only thing is builds is boredom and the certainty that you made a big mistake putting this film on!
As if by this point I wasn't ready to call it a day and succumb to fact I'd utterly wasted 50 minutes the decision was made.
The acting is weak and it gets weaker, whilst I only made it to minute 50.. I'd urge you to save yourself at least 50 minutes. Plenty of other good horror's/thrillers.
In the first part of the film I watched it simply goes over and over the same content, giving the sick guy his meds. Mummy is not happy with the daughter and over and over it goes, one might even go so far as to say this is meant to build plot. It doesn't, the only thing is builds is boredom and the certainty that you made a big mistake putting this film on!
"The Surrender" was not a movie that I was familiar with prior to sitting down and watching it here in 2025. So I didn't know what I was in for, aside from it being a supernatural horror movie. And given my lov of all things horror, of course I had to check it out and give it a fair chance.
The storyline, while there was potential, proved dull and uneventful. And when things actually started to happen, the movie abruptly ended. So I can't claim that writer Julia Max, whom also directed the movie, delivered a particularly entertaining or enjoyable script for the movie.
I was not familiar with the cast ensemble in the movie, aside from leading actresses Colby Minifie and Kate Burton. The acting performances in the movie were fair, despite the fact that the script proved to be a dud.
There was an excessive amount of screaming, crying, and calling out for dad throughout the course of the movie, almost to the point where it was too much and started to ruin the movie.
The effects in the movie were okay, but there wasn't an abundance of special effects to be enjoyed.
"The Surrender" was a strange movie, and it didn't particularly entertain me all that much. I actually dozed off twice along the way, as the narrative was a swing and a miss. It was more of a mother/daughter drama than it was a horror movie. If you sit down to watch "The Surrender" with the hopes of a horror movie, like I did, you'll be sorely disappointed.
This is definitely not a movie that will grace my screen a second time, as it was a struggle to watch it the first time around.
My rating of writer and director Julia Max's 2025 movie "The Surrender" lands on a very generous two out of ten stars.
The storyline, while there was potential, proved dull and uneventful. And when things actually started to happen, the movie abruptly ended. So I can't claim that writer Julia Max, whom also directed the movie, delivered a particularly entertaining or enjoyable script for the movie.
I was not familiar with the cast ensemble in the movie, aside from leading actresses Colby Minifie and Kate Burton. The acting performances in the movie were fair, despite the fact that the script proved to be a dud.
There was an excessive amount of screaming, crying, and calling out for dad throughout the course of the movie, almost to the point where it was too much and started to ruin the movie.
The effects in the movie were okay, but there wasn't an abundance of special effects to be enjoyed.
"The Surrender" was a strange movie, and it didn't particularly entertain me all that much. I actually dozed off twice along the way, as the narrative was a swing and a miss. It was more of a mother/daughter drama than it was a horror movie. If you sit down to watch "The Surrender" with the hopes of a horror movie, like I did, you'll be sorely disappointed.
This is definitely not a movie that will grace my screen a second time, as it was a struggle to watch it the first time around.
My rating of writer and director Julia Max's 2025 movie "The Surrender" lands on a very generous two out of ten stars.
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Detalles
- Tiempo de ejecución1 hora 36 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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