Sophia, una arquitecta talentosa vive dividida entre el amor que siempre soñó y un nuevo romance inesperado que pone en duda sus planes y las expectativas de su familia.Sophia, una arquitecta talentosa vive dividida entre el amor que siempre soñó y un nuevo romance inesperado que pone en duda sus planes y las expectativas de su familia.Sophia, una arquitecta talentosa vive dividida entre el amor que siempre soñó y un nuevo romance inesperado que pone en duda sus planes y las expectativas de su familia.
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Opiniones destacadas
So the movie isnt really breaking any new grounds here. In fact its a mix of several troups so commonly seen in romcoms, especially ones from Pakistan.
The story is simple and predictable so I like it better than LONDON NAHI JAON GEE, but even here the pacing drags a bit.
The songs are few (thankfully), and above average. Aima's song and the Pashto wedding songs are sensational.
Humayun saeed never looked better and Ramsha looked stunning as well. With Mahira its about her presence and it feels like SHE WAS BEING FORCED TO NOT BE HERSELF. Almost as if she was suffocating under the direction.
There was less comedy here than humayun's previous movies which was a bummer frankly. The supporting cast did a better than average job too, it just gets TOO OVER THE TOP at times as if punjabis and Pakhtuns are caricatures which is typical really.
So go to the cinema and have a good time.
The story is simple and predictable so I like it better than LONDON NAHI JAON GEE, but even here the pacing drags a bit.
The songs are few (thankfully), and above average. Aima's song and the Pashto wedding songs are sensational.
Humayun saeed never looked better and Ramsha looked stunning as well. With Mahira its about her presence and it feels like SHE WAS BEING FORCED TO NOT BE HERSELF. Almost as if she was suffocating under the direction.
There was less comedy here than humayun's previous movies which was a bummer frankly. The supporting cast did a better than average job too, it just gets TOO OVER THE TOP at times as if punjabis and Pakhtuns are caricatures which is typical really.
So go to the cinema and have a good time.
As a business owner and a lifelong admirer of cinema, I see films as more than just stories - they're a sacred art form. I respect cinema the way one respects their faith. It's where I find peace, escape, and inspiration. In the past year alone, I've watched over 200 films across cinemas and OTT platforms - Bollywood, Hollywood, Punjabi, and of course, Pakistani films. Whenever a director from my country - like Nadeem Baig or Nabeel Qureshi - brings a new film to the screen, I feel it's my responsibility to support it, both emotionally and financially.
That's why I went in with high hopes for Love Guru. The names involved gave every reason to expect something special: Directed by Nadeem Baig, produced by Humayun Saeed and team, starring Humayun Saeed and Mahira Khan - it had the ingredients for a blockbuster.
Sadly, the film failed to live up to that potential.
Let's give credit where it's due:
The actors did their jobs sincerely.
Cinematographer Suleman Razzaq delivered stunning visuals.
Direction was serviceable - but even a good director can't save a weak script.
The real issue lies in the writing.
Vasay Chaudhry's screenplay lacked depth, and the dialogues were forgettable. The core idea of the film was strong, but the execution failed to turn it into something memorable.
Another major disappointment was the music.
With such a massive budget, we expected originality - not recycled tracks. The remake of the iconic song "Aa" felt like a lazy choice. It lacked soul, and honestly, it felt disrespectful to the audience. If you have a big budget, why not give us something fresh?
My final thoughts: Love Guru is a missed opportunity. It had everything - budget, talent, visuals - but lacked the most important element: a strong, original heart.
👉 This is my honest review, and I do not recommend this film.
🎬 Rating: 4 out of 10
I will continue supporting Pakistani cinema with all my heart - but we must start respecting the audience's time, taste, and expectations.
That's why I went in with high hopes for Love Guru. The names involved gave every reason to expect something special: Directed by Nadeem Baig, produced by Humayun Saeed and team, starring Humayun Saeed and Mahira Khan - it had the ingredients for a blockbuster.
Sadly, the film failed to live up to that potential.
Let's give credit where it's due:
The actors did their jobs sincerely.
Cinematographer Suleman Razzaq delivered stunning visuals.
Direction was serviceable - but even a good director can't save a weak script.
The real issue lies in the writing.
Vasay Chaudhry's screenplay lacked depth, and the dialogues were forgettable. The core idea of the film was strong, but the execution failed to turn it into something memorable.
Another major disappointment was the music.
With such a massive budget, we expected originality - not recycled tracks. The remake of the iconic song "Aa" felt like a lazy choice. It lacked soul, and honestly, it felt disrespectful to the audience. If you have a big budget, why not give us something fresh?
My final thoughts: Love Guru is a missed opportunity. It had everything - budget, talent, visuals - but lacked the most important element: a strong, original heart.
👉 This is my honest review, and I do not recommend this film.
🎬 Rating: 4 out of 10
I will continue supporting Pakistani cinema with all my heart - but we must start respecting the audience's time, taste, and expectations.
Watched the first show. It was house full.
ARY films always produces good films.
The movie had somewhat similarity to a Rabbit Singh movie ' Ladies Vs Rickey Bhel'. But yet it was different with Pakistani vibes in it.
The location for the film were stunningly beautiful.
The dialogues were well chosen. Plot was good. The story was continuous and in rhythm.
The cast was Good Mahira was the excellent choice. But the Hero could have been better. Other than Hamayoun Saeed. Fahad Mustafa could have been the better choice.
It was good family entertainment at all. This movie is a good effort to revive our cinemas.
My Rating: 7/10.
ARY films always produces good films.
The movie had somewhat similarity to a Rabbit Singh movie ' Ladies Vs Rickey Bhel'. But yet it was different with Pakistani vibes in it.
The location for the film were stunningly beautiful.
The dialogues were well chosen. Plot was good. The story was continuous and in rhythm.
The cast was Good Mahira was the excellent choice. But the Hero could have been better. Other than Hamayoun Saeed. Fahad Mustafa could have been the better choice.
It was good family entertainment at all. This movie is a good effort to revive our cinemas.
My Rating: 7/10.
Great acting. No offense but better then all the Bollywood movies that are in the cinemas right now. Ahmed ali but and humayon saeed always rock. And what a director Mr nadeem baig isss.. absolute class so this movie is 100% Recommend. I felt mahira was a bit old looking for this movie but no hate to her she rocked this role so good work. Pakistan film industry is improving alot and we need more movies from pakistani industry getting into overseas cinema here in UAE and other Arab countries. ( DEEMAK MOVIE IS ALSO IN THE CINEMAS WHICH IS A HORROR MOVIE FROM PAKISTANI CREATORS HAVING A HUGE CAST.. I HOPE PEOPLE WATCH THAT TOOO).
Even within the forgiving confines of the rom-com genre, The Love Guru fails to maintain basic narrative logic, leaving audiences questioning character motivations and emotional stakes at every turn. The film relies on tired tropes...family rivalries, contrived misunderstandings, and last-minute realizations...but executes them so haphazardly that the story collapses under its own weight.
The plot line goes like this: Its's the story of Sophia, a talented architect with dreams of marrying her true love. But when a new man walks into her life, everything changes. Torn between family expectations and the stirrings of her heart, Sophia embarks on a journey of self-discovery, love, and difficult choices.
To its credit, the film is visually appealing, with London's scenic backdrops adding a polished sheen. However, competent cinematography and direction cannot compensate for the film's glaring inconsistencies, sluggish pacing, and emotionally hollow core. Visuals can't hide the flaws.
The central conflict...a family feud...is introduced but never explored with any depth. There's no sense of danger, history, or consequence to this rivalry, making it feel like a flimsy plot device rather than a meaningful obstacle. The audience never feels the weight of this feud, nor does it create real tension.
Even more baffling is Sufia's continued attraction to Humayun Saeed's character after she discovers he was hired by her father to sabotage her engagement. Instead of feeling betrayed or conflicted, she inexplicably remains drawn to him...despite him having no discernible charm, depth, or redeeming qualities that justify her devotion. The script asks us to root for their love, but offers no compelling reason to care.
The dialogue is painfully stilted, oscillating between exposition-heavy monologues and cringe-worthy punchlines that feel ripped from a 90s sitcom. Characters don't speak like real people...they deliver awkward, unnatural lines that further distance the audience from any emotional engagement.
Humayun Saeed's Character: A charisma vacuum. His sudden romantic transformation feels unearned, and his actions lack logical consistency. What was so special about Sophia that made him abandon his playboy ways? As a professional manipulator hired to break up relationships, why does he suddenly develop genuine feelings for her? The film never bothers to explore this crucial character shift, making his redemption arc completely unconvincing.
Sophia's Character: Equally puzzling. Despite learning that Humayun's character was paid to deceive her, she continues to be drawn to him. The script fails to establish what makes their connection unique...is it his charm (which we never see)? Her rebellious nature (which isn't developed)? Their chemistry (which is nonexistent)? Without this foundation, their romance feels hollow.
Sufia's Fiancé: His decision to step aside is unexplained and emotionally weightless. Did he ever truly love her? The film doesn't care to explore it.
Sufia's Friend: A textbook example of a throwaway character...introduced for a few scenes, then forgotten without contributing to the plot.
Final Verdict: A Frustrating Watch The Love Guru is a rom-com that forgets the "rom" and bungles the "com." Between its illogical plot twists, shallow characters, and lack of emotional stakes, the film fails to deliver even the most basic pleasures of the genre.
Only watch if you enjoy dissecting bad movies...otherwise, steer clear.
The plot line goes like this: Its's the story of Sophia, a talented architect with dreams of marrying her true love. But when a new man walks into her life, everything changes. Torn between family expectations and the stirrings of her heart, Sophia embarks on a journey of self-discovery, love, and difficult choices.
To its credit, the film is visually appealing, with London's scenic backdrops adding a polished sheen. However, competent cinematography and direction cannot compensate for the film's glaring inconsistencies, sluggish pacing, and emotionally hollow core. Visuals can't hide the flaws.
The central conflict...a family feud...is introduced but never explored with any depth. There's no sense of danger, history, or consequence to this rivalry, making it feel like a flimsy plot device rather than a meaningful obstacle. The audience never feels the weight of this feud, nor does it create real tension.
Even more baffling is Sufia's continued attraction to Humayun Saeed's character after she discovers he was hired by her father to sabotage her engagement. Instead of feeling betrayed or conflicted, she inexplicably remains drawn to him...despite him having no discernible charm, depth, or redeeming qualities that justify her devotion. The script asks us to root for their love, but offers no compelling reason to care.
The dialogue is painfully stilted, oscillating between exposition-heavy monologues and cringe-worthy punchlines that feel ripped from a 90s sitcom. Characters don't speak like real people...they deliver awkward, unnatural lines that further distance the audience from any emotional engagement.
Humayun Saeed's Character: A charisma vacuum. His sudden romantic transformation feels unearned, and his actions lack logical consistency. What was so special about Sophia that made him abandon his playboy ways? As a professional manipulator hired to break up relationships, why does he suddenly develop genuine feelings for her? The film never bothers to explore this crucial character shift, making his redemption arc completely unconvincing.
Sophia's Character: Equally puzzling. Despite learning that Humayun's character was paid to deceive her, she continues to be drawn to him. The script fails to establish what makes their connection unique...is it his charm (which we never see)? Her rebellious nature (which isn't developed)? Their chemistry (which is nonexistent)? Without this foundation, their romance feels hollow.
Sufia's Fiancé: His decision to step aside is unexplained and emotionally weightless. Did he ever truly love her? The film doesn't care to explore it.
Sufia's Friend: A textbook example of a throwaway character...introduced for a few scenes, then forgotten without contributing to the plot.
Final Verdict: A Frustrating Watch The Love Guru is a rom-com that forgets the "rom" and bungles the "com." Between its illogical plot twists, shallow characters, and lack of emotional stakes, the film fails to deliver even the most basic pleasures of the genre.
Only watch if you enjoy dissecting bad movies...otherwise, steer clear.
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Detalles
Taquilla
- Total a nivel mundial
- USD 773,557
- Tiempo de ejecución2 horas 31 minutos
- Color
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