CALIFICACIÓN DE IMDb
6.8/10
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TU CALIFICACIÓN
Un policía concienzudo que investiga un violento caso de violencia doméstica en el miserable piso de un drogadicto debe tomar la decisión más despreciable de su vida. ¿Hasta dónde llegaría u... Leer todoUn policía concienzudo que investiga un violento caso de violencia doméstica en el miserable piso de un drogadicto debe tomar la decisión más despreciable de su vida. ¿Hasta dónde llegaría un padre para tener una segunda oportunidad?Un policía concienzudo que investiga un violento caso de violencia doméstica en el miserable piso de un drogadicto debe tomar la decisión más despreciable de su vida. ¿Hasta dónde llegaría un padre para tener una segunda oportunidad?
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 5 nominaciones en total
Henrik Noël Olesen
- Fuld mand
- (as Henrik Noél Olesen)
Opiniones destacadas
A very good movie. Powerful and unsettling. Very clever plot and great cast makes this an absorbing watch. Any spoilers will definitely spoil this movie so be very careful to avoid them in other reviews.
The moral dilemmas presented here are deep and disturbing. That said, very well handled as one would expect from the Danes.
Highly recommended.
The moral dilemmas presented here are deep and disturbing. That said, very well handled as one would expect from the Danes.
Highly recommended.
I was not sure about watching this film, but like usual ignoring the critics made me realise how much it was underrated. From the director of the Oscar winning film 'In a Better World'. After that great feat which ignited her international career, quite did not go well accordingly, including one project in the Hollywood. So she went back and made this Danish thriller-drama. Very strongly written screenplay, but feels it has flaws and then on its progress, they had all patched so brilliantly to make you think yourself you had got so wrong. It was not based on any book, but looks it could make one fine.
This is a story of 'the good' and 'the bad', and when 'the good' turns very bad, what would 'the bad' decide to do. A decent middle class couple who can do anything for their newborn child and another couple who are drug addicts whose newborn was completely neglected. When the tragedy strike in one of these families, the nightmare begins for another. A series of events follows where they all go for an extra mile to get a second chance. So see it to believe what people are capable when they are in the desperate situation.
Like the title and its tagline indicating, the narration carefully and intensely built the plot in the first act. That is the part you have to be watchful to learn the characters which is obviously a bit slower than the rest of the film. In the second half where it all turns to one direction to move on with a couple of quick twists. Totally unpredictable stuffs, because they were silly or maybe kind of familiar and you won't expect that to happen, but it does. I think that was the very clever, beside the powerful performance had brought a good balance between the pace and the contents of the film.
"People look different when they are dead. That's just how it is."
It did not win any big awards internationally or contended for the Oscars, but still the film is worth a watch. No matter what the critics say, this is one of the best films of the year. Like I said the story might look stupid in the paper, but the filmmakers stunning presented it on the screen. I won't be surprised if an improvised versions were made in other languages including Hollywood. After those fine progress it made in the middle part, the conclusion was somewhat ordinary. It suddenly skips a couple of years forward with one final short scene before the credits roll up which will make us feel good. That was a nice way to end after the shock the narration had given to us.
From the actors, Nikolaj Coaster-Wakdau was the screenpace ruler and did not fail to deliver. If this film is winning an award means he should be on the top of the list from the film followed by the direction and screenplay. In one of the film posters he just looks alike the current James Bond, the film was a lot better than the impression the posters give. His co-stars were not bad either.
There is sentiment in it, but not that effective, so the lack of melodrama is the big drawback. A theme like this should have bettered that part in order to make the overall film even better. Because the characters do not count when the subject it dealing with was has much higher priority. So the viewers always would be busy looking for what might happen to the story rather thinking its characters all the time. And that is because of the neutrality. Like I said before when 'the good' is as bad as 'the bad' it become, then everything end in an equal position and you might stop backing anyone particularly. There are many films like this, but this is kind of refreshing and very realistic. Definitely, I must end my review recommending it. So I hope you all enjoy it as I did.
8/10
This is a story of 'the good' and 'the bad', and when 'the good' turns very bad, what would 'the bad' decide to do. A decent middle class couple who can do anything for their newborn child and another couple who are drug addicts whose newborn was completely neglected. When the tragedy strike in one of these families, the nightmare begins for another. A series of events follows where they all go for an extra mile to get a second chance. So see it to believe what people are capable when they are in the desperate situation.
Like the title and its tagline indicating, the narration carefully and intensely built the plot in the first act. That is the part you have to be watchful to learn the characters which is obviously a bit slower than the rest of the film. In the second half where it all turns to one direction to move on with a couple of quick twists. Totally unpredictable stuffs, because they were silly or maybe kind of familiar and you won't expect that to happen, but it does. I think that was the very clever, beside the powerful performance had brought a good balance between the pace and the contents of the film.
"People look different when they are dead. That's just how it is."
It did not win any big awards internationally or contended for the Oscars, but still the film is worth a watch. No matter what the critics say, this is one of the best films of the year. Like I said the story might look stupid in the paper, but the filmmakers stunning presented it on the screen. I won't be surprised if an improvised versions were made in other languages including Hollywood. After those fine progress it made in the middle part, the conclusion was somewhat ordinary. It suddenly skips a couple of years forward with one final short scene before the credits roll up which will make us feel good. That was a nice way to end after the shock the narration had given to us.
From the actors, Nikolaj Coaster-Wakdau was the screenpace ruler and did not fail to deliver. If this film is winning an award means he should be on the top of the list from the film followed by the direction and screenplay. In one of the film posters he just looks alike the current James Bond, the film was a lot better than the impression the posters give. His co-stars were not bad either.
There is sentiment in it, but not that effective, so the lack of melodrama is the big drawback. A theme like this should have bettered that part in order to make the overall film even better. Because the characters do not count when the subject it dealing with was has much higher priority. So the viewers always would be busy looking for what might happen to the story rather thinking its characters all the time. And that is because of the neutrality. Like I said before when 'the good' is as bad as 'the bad' it become, then everything end in an equal position and you might stop backing anyone particularly. There are many films like this, but this is kind of refreshing and very realistic. Definitely, I must end my review recommending it. So I hope you all enjoy it as I did.
8/10
I think one of the main reasons this film really works is the strong performances from Nicolai Coaster-Waldau, Ulrich Thomsen and Maria Bonnevie. Nicolay Coaster-Waldau plays a husband and a father, Bonnivie his wife. The film give an example of how a "perfect life", suddenly can turn into a living nightmare. And how the wrong choices can be devastating for everyone involved. The couple really pull it off in this film. Without their strong presence and convincing characters, the film would not been as good as it actually is. They make it a strong and powerful drama. Othervise the story in the film is very simple, and I must admit, not the strongest and most interesting. It is too straight forward, with few surprises. But the actors make it worth Your while to watch it, and they manage to lift this drama. (Sorry about my English)
To say much about the plot of Suzanne Bier's film about parenthood would be to risk depriving it of its power - the less you know going in, the better. The film is a succession of well-timed punches to the gut, and the cast is good enough to make the characters' difficult choices understandable. Nikolaj Coaster-Waldau carries a lot of the weight of the film, but he's well-supported - May Andersen is impressive as Sanne in her first acting role, and Bier's previous collaborator Nikolaj Lie Kaas does well to avoid making his character a one-dimensional.
Not an easy watch by any means, and not an entertainment, but a very well-made and powerful social drama.
Not an easy watch by any means, and not an entertainment, but a very well-made and powerful social drama.
I think this is a very good film, but I can understand how it struck negative chords with kevjfarrell (see the above review). There is a pedestrian quality about the plot. In some places we can almost imagine the filming of a scene. Transitions are seamless, but they have a seemingly manufactured quality about them. Perhaps it is all a matter of a frame of mind. Perhaps I am tired of guns, noise, furious action and the hyperventilating in today's popular entertainment. So I just let myself go and became immersed in the drama.
I disagree with Mr Farrell in regards to the acting. Far from seeing it as sophomoric posturing for entry into film school, I found it natural, gripping and well-paced. In a word, realistic.
I have noted that photography has not been mentioned in the above reviews. The camera is very much a part of this film. The cinematography contains a full pallet of colour and texture with intriguing, grainless resolution and depth of field. Scenes shift between chromatic hues to almost monochrome where light and shadow replace contrasting colour. You are neither jarred nor bullied by these changes. There is a gentleness, which is complimentary to the subject.
The argument in the film is staged by gentleness vs violence, understanding and compassion vs reactive predilection. It is difficult to rate this film on a purely technical level. It could be rated less than my 8, and it could be rated more highly. I'll settle on 8 and just say that I am very glad I watched this film, and I hope to watch it again. I recommend the Danish version with subtitles.
I disagree with Mr Farrell in regards to the acting. Far from seeing it as sophomoric posturing for entry into film school, I found it natural, gripping and well-paced. In a word, realistic.
I have noted that photography has not been mentioned in the above reviews. The camera is very much a part of this film. The cinematography contains a full pallet of colour and texture with intriguing, grainless resolution and depth of field. Scenes shift between chromatic hues to almost monochrome where light and shadow replace contrasting colour. You are neither jarred nor bullied by these changes. There is a gentleness, which is complimentary to the subject.
The argument in the film is staged by gentleness vs violence, understanding and compassion vs reactive predilection. It is difficult to rate this film on a purely technical level. It could be rated less than my 8, and it could be rated more highly. I'll settle on 8 and just say that I am very glad I watched this film, and I hope to watch it again. I recommend the Danish version with subtitles.
¿Sabías que…?
- TriviaThis was model May Anderson's first acting role. Suzanne Bier met her at a party and cast her as Sanne. She resisted making Anderson audition because she thought the audition would be bad, but that Anderson would be right for the role.
- Bandas sonorasGrown Up
By Emilie Nicolas
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Detalles
Taquilla
- Presupuesto
- DKK 35,000,000 (estimado)
- Total a nivel mundial
- USD 12,468,099
- Tiempo de ejecución1 hora 42 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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