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En chance til

  • 2014
  • TV-MA
  • 1h 42min
CALIFICACIÓN DE IMDb
6.8/10
7.3 k
TU CALIFICACIÓN
Nikolaj Coster-Waldau in En chance til (2014)
A conscientious police officer who investigates a violent case of domestic dispute in the squalid apartment of a drug addict has to make the most contemptible decision in his life. Just how far would a parent go to get a second chance?
Reproducir trailer1:41
1 video
22 fotos
DramaThriller

Un policía concienzudo que investiga un violento caso de violencia doméstica en el miserable piso de un drogadicto debe tomar la decisión más despreciable de su vida. ¿Hasta dónde llegaría u... Leer todoUn policía concienzudo que investiga un violento caso de violencia doméstica en el miserable piso de un drogadicto debe tomar la decisión más despreciable de su vida. ¿Hasta dónde llegaría un padre para tener una segunda oportunidad?Un policía concienzudo que investiga un violento caso de violencia doméstica en el miserable piso de un drogadicto debe tomar la decisión más despreciable de su vida. ¿Hasta dónde llegaría un padre para tener una segunda oportunidad?

  • Dirección
    • Susanne Bier
  • Guionistas
    • Susanne Bier
    • Anders Thomas Jensen
  • Elenco
    • Nikolaj Coster-Waldau
    • Ulrich Thomsen
    • Nikolaj Lie Kaas
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    7.3 k
    TU CALIFICACIÓN
    • Dirección
      • Susanne Bier
    • Guionistas
      • Susanne Bier
      • Anders Thomas Jensen
    • Elenco
      • Nikolaj Coster-Waldau
      • Ulrich Thomsen
      • Nikolaj Lie Kaas
    • 22Opiniones de los usuarios
    • 106Opiniones de los críticos
    • 35Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 5 nominaciones en total

    Videos1

    Official Trailer
    Trailer 1:41
    Official Trailer

    Fotos22

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    + 17
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    Elenco principal50

    Editar
    Nikolaj Coster-Waldau
    Nikolaj Coster-Waldau
    • Andreas
    Ulrich Thomsen
    Ulrich Thomsen
    • Simon
    Nikolaj Lie Kaas
    Nikolaj Lie Kaas
    • Tristan
    Thomas Bo Larsen
    Thomas Bo Larsen
    • Klaus
    Roland Møller
    Roland Møller
    • Mand på klub
    Maria Bonnevie
    Maria Bonnevie
    • Anna Thomsen
    Sarah Juel Werner
    Sarah Juel Werner
    • Pige på legeplads
    Peter Haber
    Peter Haber
    • Gustav
    Mille Lehfeldt
    Mille Lehfeldt
    • Østeuropæisk danser
    Ewa Fröling
    Ewa Fröling
    • Ingrid
    Molly Blixt Egelind
    Molly Blixt Egelind
    • Pige på klub
    Bodil Jørgensen
    Bodil Jørgensen
    • Retsmediciner
    Charlotte Fich
    Charlotte Fich
    • Dommer
    Henrik Noël Olesen
    Henrik Noël Olesen
    • Fuld mand
    • (as Henrik Noél Olesen)
    Kirsten Lehfeldt
    • Julie
    Claus Riis Østergaard
    Claus Riis Østergaard
    • Betjent på parkeringsplads
    Nastja Arcel
    • Politibetjent
    May Andersen
    May Andersen
    • Sanne
    • (as Lykke May Andersen)
    • Dirección
      • Susanne Bier
    • Guionistas
      • Susanne Bier
      • Anders Thomas Jensen
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios22

    6.87.2K
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    Opiniones destacadas

    8lornespry-72116

    Picturesque Drama

    I think this is a very good film, but I can understand how it struck negative chords with kevjfarrell (see the above review). There is a pedestrian quality about the plot. In some places we can almost imagine the filming of a scene. Transitions are seamless, but they have a seemingly manufactured quality about them. Perhaps it is all a matter of a frame of mind. Perhaps I am tired of guns, noise, furious action and the hyperventilating in today's popular entertainment. So I just let myself go and became immersed in the drama.

    I disagree with Mr Farrell in regards to the acting. Far from seeing it as sophomoric posturing for entry into film school, I found it natural, gripping and well-paced. In a word, realistic.

    I have noted that photography has not been mentioned in the above reviews. The camera is very much a part of this film. The cinematography contains a full pallet of colour and texture with intriguing, grainless resolution and depth of field. Scenes shift between chromatic hues to almost monochrome where light and shadow replace contrasting colour. You are neither jarred nor bullied by these changes. There is a gentleness, which is complimentary to the subject.

    The argument in the film is staged by gentleness vs violence, understanding and compassion vs reactive predilection. It is difficult to rate this film on a purely technical level. It could be rated less than my 8, and it could be rated more highly. I'll settle on 8 and just say that I am very glad I watched this film, and I hope to watch it again. I recommend the Danish version with subtitles.
    8Reno-Rangan

    When the GOOD is as bad as the BAD it become.

    I was not sure about watching this film, but like usual ignoring the critics made me realise how much it was underrated. From the director of the Oscar winning film 'In a Better World'. After that great feat which ignited her international career, quite did not go well accordingly, including one project in the Hollywood. So she went back and made this Danish thriller-drama. Very strongly written screenplay, but feels it has flaws and then on its progress, they had all patched so brilliantly to make you think yourself you had got so wrong. It was not based on any book, but looks it could make one fine.

    This is a story of 'the good' and 'the bad', and when 'the good' turns very bad, what would 'the bad' decide to do. A decent middle class couple who can do anything for their newborn child and another couple who are drug addicts whose newborn was completely neglected. When the tragedy strike in one of these families, the nightmare begins for another. A series of events follows where they all go for an extra mile to get a second chance. So see it to believe what people are capable when they are in the desperate situation.

    Like the title and its tagline indicating, the narration carefully and intensely built the plot in the first act. That is the part you have to be watchful to learn the characters which is obviously a bit slower than the rest of the film. In the second half where it all turns to one direction to move on with a couple of quick twists. Totally unpredictable stuffs, because they were silly or maybe kind of familiar and you won't expect that to happen, but it does. I think that was the very clever, beside the powerful performance had brought a good balance between the pace and the contents of the film.

    "People look different when they are dead. That's just how it is."

    It did not win any big awards internationally or contended for the Oscars, but still the film is worth a watch. No matter what the critics say, this is one of the best films of the year. Like I said the story might look stupid in the paper, but the filmmakers stunning presented it on the screen. I won't be surprised if an improvised versions were made in other languages including Hollywood. After those fine progress it made in the middle part, the conclusion was somewhat ordinary. It suddenly skips a couple of years forward with one final short scene before the credits roll up which will make us feel good. That was a nice way to end after the shock the narration had given to us.

    From the actors, Nikolaj Coaster-Wakdau was the screenpace ruler and did not fail to deliver. If this film is winning an award means he should be on the top of the list from the film followed by the direction and screenplay. In one of the film posters he just looks alike the current James Bond, the film was a lot better than the impression the posters give. His co-stars were not bad either.

    There is sentiment in it, but not that effective, so the lack of melodrama is the big drawback. A theme like this should have bettered that part in order to make the overall film even better. Because the characters do not count when the subject it dealing with was has much higher priority. So the viewers always would be busy looking for what might happen to the story rather thinking its characters all the time. And that is because of the neutrality. Like I said before when 'the good' is as bad as 'the bad' it become, then everything end in an equal position and you might stop backing anyone particularly. There are many films like this, but this is kind of refreshing and very realistic. Definitely, I must end my review recommending it. So I hope you all enjoy it as I did.

    8/10
    6gallagherkellie

    So sad

    Wow it was just one deep, sad thing after another. But a well acted good movie. Cross between a thriller and drama, don't watch it if you can't deal with bad things happening to babies.
    9anne07876

    excellent Danish film

    We were left speechless at the end of this film. great story and acting. perfect danish film.
    8DimitrisPassas-TapTheLine

    A heart-rending story about parenthood and loss in today's Copenhagen.

    This is a really sad film, directed by one of the most prominent female Danish directors, Susanne Bier (''Brothers'', ''The Night Manager'', ''In a Better World'') and starring an all-star cast with names such as Ulrich Thomsen, Nikolaj Lie Kaas and Nikolaj Coster-Waldau. There is also a brief appearance by Peter Haber, known mainly from the legendary ''Beck'' television series and the cinema adaptation of the first Stieg Larsson's novel in the ''Millenium'' trilogy (''The Girl With the Dragon Tattoo''). The story revolves around Andreas (Coster-Waldau), a police officer who is facing a tragedy in his personal life as he loses first his infant son in an accident and after awhile his wife commits suicide leaving him alone and desperate. Andreas will kidnap the son of a junkie couple and in a way, try to replace his dead offspring with the, neglected by his real parents, baby. This is a slow-burning movie which retains its suspense and interest as far as the main abduction plotline is concerned, but emphasizes on the characters' emotions and reactions, specifically focusing on Andreas tormented soul and the viewer finally identifies with a baby kidnapper, a difficult achievement for a crime film. Susanne Bier is an experienced and talented auteur who prompts the audience to ponder on the film's main themes, that is the question of what really is a good parent and the nature of grief as well as its dire consequences to the human beings. This is a film that will appeal mainly to European audiences and it is nothing like the typical films of the crime genre that the American audiences -mainly- are used to. So, if you are expecting tons of actions or high levels of suspense, better skip it. If, on the other hand, you believe that entertainment is something more than mere enjoyment, try to watch ''A Second Chance'' (original -Danish- title: ''En chance til'') pronto.

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    Selvmordsturisten
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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      This was model May Anderson's first acting role. Suzanne Bier met her at a party and cast her as Sanne. She resisted making Anderson audition because she thought the audition would be bad, but that Anderson would be right for the role.
    • Citas

      [repeated line]

      Ingrid: It's not him.

    • Bandas sonoras
      Grown Up
      By Emilie Nicolas

    Selecciones populares

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    Preguntas Frecuentes16

    • How long is A Second Chance?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de enero de 2015 (Dinamarca)
    • Países de origen
      • Dinamarca
      • Suecia
    • Sitio oficial
      • Official site (Japan)
    • Idiomas
      • Danés
      • Sueco
    • También se conoce como
      • A Second Chance
    • Productoras
      • Zentropa Entertainments
      • Danmarks Radio (DR)
      • Det Danske Filminstitut
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • DKK 35,000,000 (estimado)
    • Total a nivel mundial
      • USD 12,468,099
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 42 minutos
    • Color
      • Color
    • Relación de aspecto
      • 2.35 : 1

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