Animals

Jude (David Dastmalchian) and Bobbie (Kim Shaw) are drug addicts. They steal and pull small cons in order to get the next fix. They drift through the world on their own struggling to get by. They suffer illnesses and get robbed by avenging cops. Sometimes their cons don't go well. Jude gets hospitalized and they must face their impending fates.

This is a simple druggie couple movie without too much flash. Dastmalchian doesn't write big scenes in this and he has the feel of a drug addict. Shaw brings a little vulnerability to her role. It's a well made indie with good solid performances on a well worn story path.

The woes of a young couple addicted to cocaine and drifting through a homeless existence in Chicago may not sound like an enticing piece of entertainment. In fact, it threatens to be one of those earnest but dreary "social problems" dramas you might go to only out of a vague sense of obligation. And the title, "Animals," doesn't help matters.

Surprisingly, and pleasingly, "Animals" proves to be not only a movie that's "good for you" but also a movie which engrosses and entertains in an easy manner which seems deceptively effortless. Much of this credit goes to the two leads, David Dastmalchian and Kim Shaw, and to the script (by Dastmalchian) which shows us the various ways these two survive through guile and petty crime. You don't approve of what they do and you certainly don't envy their lives and yet they retain a likable quality and don't seem to be that far removed from our own selves.

Each of the supporting characters is well-cast and effective.

Those seeking a movie which veers from the usual multiplex offerings would be well-advised to consider "Animals."

It's not often that a film comes along that accurately captures the incredibly bleak and painful world of heroin addiction. Critically acclaimed films like Trainspotting and Requiem For a Dream are quick to come to mind, but fifteen long years have past since the subject has been hit so emotionally and true to life. David Dastmalchian, the film's writer and lead actor opposite of Kim Shaw, has taken his own past experience and personal struggles with addiction and used it to create a film that captures the day to day struggle an addict faces in a fashion that is second to none.

I've been on methadone maintenance successfully for eleven years and over that time I've forgotten the horror's of my past or maybe buried would be a better term. So this film was real on a very personal level to me, it was as if I was reliving past experiences as events unfolded within the film. I've read that Dastmalchian worked with director Collin Schiffli for a number of years on this project and their devotion to the film shows in its execution. While it's not quite as artistic and visually spectacular as Trainspotting and Requiem for a Dream, it held its own and it didn't romanticize the subject like certain films do. This film is just a small slice out of the life of an addict, what you see here is perfectly normal and it's a cycle of hell that just repeats itself daily. Nothing is stable, you're never ahead of tomorrow. It's nice to see that Dastmalchian has been one of the rare few who has escaped the trappings of addiction and went on to much better things in life. In this case writing his first script and taking the lead in Animals, a film that is certainly worth a look.

"I eat your tears and I save them right up in my belly. I'm Popeye. Your tears are my spinach. They make me strong. That's not fair. I'm the one who might have cancer. I need spinach."

Are you looking for a movie that'll make you instantly happy or that'll make your heart beat faster because of the tension? Look further, because "Animals" doesn't fulfill these requirements whatsoever. What a tremendously depressing and slow film this is. A sketch of two hopeless cases living on the edge of society and whose desolate life only consists of committing petty crimes in order to provide money for their basic needs : a daily dose of heroin or a line of coke. They drive around all day in a dilapidated car and try to kill their time with useless activities such as their daily visit to the zoo. The only thing you wonder after a while is whether or not their relationship is solely based on their stubborn addiction.

I remember being shocked after watching "Christiane F. - Wir Kinder vom Bahnhof Zoo" when I was younger. This was also such a depressing film about the devastating effect of heroin and the certainty that those who used it would eventually die from an overdose. "Animals" didn't leave me unmoved either. Even though it sometimes felt more easy-going and you'll be spared from sickening images of withdrawal symptoms. Jude (David Dastmalchian) and Bobbie (Kim Shaw) have a whole series of scamming tricks they use regularly on innocent people, to get some money. And when they succeed in it, the money is gone in the shortest time. All spent on some precious bags full of white powder. And every time when they've used the drugs, they realize that life can't continue like this. That they should find a way out. This was the last time they used again. Especially when they bump into a couple of corrupt policemen who expropriate their hard-earned money and little bit of drugs. But when the first withdrawal symptoms appear, it's back to the same old routine.

I do like survival films, but not exactly this kind of survival films. Ultimately, this is nothing but a portrait of two people trying to survive. It was terrible to see how far they would go out of despair. They both realize all too well what state they are in. They even wonder how they've ended up in this situation. Two white Americans with a proper education and both reasonably intelligent. In the end they compare it with the stupidity of birds that keep flying into the same window time after time. So it's dismissed as just their own stupidity and that's that. So despite the awareness and sometimes rising urge to quit, the two of them can't make that crucial step towards salvation from this deadly sh*t.

Fortunately I don't have any experience with such drugs. Though other experiences are kind of similar to Jude's and Bobbie's hopeless addiction. The renditions of David Dastmalchian and Kim Shaw seemed to me realistic enough. Superb acting and wonderful to see how they shift between different moods all the time. Even the physical appearances of these two addicts changes in a convincing manner as they exhibit withdrawal symptoms. Jude is an intelligent young guy, but he's also unreliable and selfish. Bobbie usually looks like a real slob, until they are doing the call girl trick and she starts to dress up. At that moment she reincarnates into a wonderful and beautiful looking woman. The supporting roles are of secondary importance as they come and go. The entire film focuses on the two main characters only.

Eventually, the whole film is just a series of fragments about human decay, despair and misery. And this interspersed with brief flashbacks (with drugs always in a leading role) and moments when the duo tries to get money. Until disaster strikes and then it goes straight to the denouement. And that's where this movie moved me. That specific moment proves that there's indeed still a close and intimate bond between those two. An endearing gesture. Perhaps a glimmer of hope for success. "Animals" is a moving film that contains a kind of twisted love story, showing how an animal instinct seizes a human being whose body screams for drugs. What a sublime movie!

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A drama about the relationship of a young couple, Jude and Bobbie, who live in their car and support their drug habit in a matter-of- fact way through shoplifting and scams, until their situation turns sufficiently sour for them to re-evaluate. It sounds bleak, but there's enough humanity and compassion shown to carry it through so we don't give up on them.

There are fantastic performances from the leads, writer/producer David Dastmalchian and Kim Shaw, who convince as a couple who care deeply for each other despite the occasional flashes of selfishness that ring true as symptoms of addiction. The supporting cast are all good too, including John Heard in a small but significant role as a security guard.

Director/producer Collin Schiffli and DP Larkin Donley also do great jobs. I loved an early transition from a view out from an apartment window to the reality of the car windshield.

Be warned, there are graphic images of drug use, including injecting into the neck and groin, and a desperate moment on a filthy bathroom floor that made me wince.