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IMDbPro

New #1 V/H/S Beyond

Título original: V/H/S/Beyond
  • 2024
  • Not Rated
  • 1h 54min
CALIFICACIÓN DE IMDb
5.8/10
10 k
TU CALIFICACIÓN
New #1 V/H/S Beyond (2024)
Six bloodcurdling tapes unleash horror in a sci-fi inspired hell landscape, pushing the boundaries of fear and suspense.
Reproducir trailer1:36
2 videos
42 fotos
Horror corporalHorror y metrajes encontradosHorror y monstruosTerror zombieCiencia FicciónTerrorThriller

Seis espeluznantes cintas desatan el horror en un paisaje infernal inspirado en la ciencia ficción, ampliando los límites del miedo y el suspense.Seis espeluznantes cintas desatan el horror en un paisaje infernal inspirado en la ciencia ficción, ampliando los límites del miedo y el suspense.Seis espeluznantes cintas desatan el horror en un paisaje infernal inspirado en la ciencia ficción, ampliando los límites del miedo y el suspense.

  • Dirección
    • Jay Cheel
    • Jordan Downey
    • Christian Long
  • Guionistas
    • Evan Dickson
    • Jordan Downey
    • Mike Flanagan
  • Elenco
    • Brian Baker
    • Trevor Dow
    • Gerry Eng
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.8/10
    10 k
    TU CALIFICACIÓN
    • Dirección
      • Jay Cheel
      • Jordan Downey
      • Christian Long
    • Guionistas
      • Evan Dickson
      • Jordan Downey
      • Mike Flanagan
    • Elenco
      • Brian Baker
      • Trevor Dow
      • Gerry Eng
    • 94Opiniones de los usuarios
    • 69Opiniones de los críticos
    • 65Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Videos2

    Official Trailer
    Trailer 1:36
    Official Trailer
    Official Teaser
    Trailer 0:46
    Official Teaser
    Official Teaser
    Trailer 0:46
    Official Teaser

    Fotos41

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 37
    Ver el cartel

    Elenco principal62

    Editar
    Brian Baker
    • Brian (segment "Abduction…
    Trevor Dow
    Trevor Dow
    • (segment "Abduction…
    Gerry Eng
    • Gerry (segment "Abduction…
    Sam Gorski
    • Sam (segment "Abduction…
    Phillip Andre Botello
    Phillip Andre Botello
    • Segura (segment "Stork")
    Mitch Horowitz
    Mitch Horowitz
    • Mitch (segment "Abduction…
    Niko Pueringer
    • Niko (Segment "Abduction…
    Wren Weichman
    • Wren (segment "Abduction…
    Thom Hallum
    Thom Hallum
    • Broome (segment "Stork")
    James C. Burns
    James C. Burns
    • Aubert (segment "Stork")
    Jolene Andersen
    Jolene Andersen
    • Bennet (segment "Stork")
    Tyler Andrews
    • Ivy (segment "Stork")
    • (as Tyler Joseph Andrews)
    Vas Provatakis
    Vas Provatakis
    • E.T. (segment "Stork")
    Michael J. Sielaff
    Michael J. Sielaff
    • Pale Face & Babysitter (segment "Stork")
    Morgan Chancelien
    • Giant Brooder (segment "Stork")
    • (as Morgan L. Chancelien)
    Dane DiLiegro
    Dane DiLiegro
    • Stork (segment "Stork")
    Christopher Lee Page
    Christopher Lee Page
    • Brooder (segment "Stork")
    • (as Chris Page)
    Alan Maxson
    Alan Maxson
    • Brooder (segment "Stork")
    • Dirección
      • Jay Cheel
      • Jordan Downey
      • Christian Long
    • Guionistas
      • Evan Dickson
      • Jordan Downey
      • Mike Flanagan
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios94

    5.810.3K
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    Opiniones destacadas

    5pedroquintaoo

    It had potential, but ended up being poor and limited

    The anthology V/H/S/ Beyond tries again with the found footage format, this time with a sci-fi approach. However, what seemed like an opportunity to revitalize the genre ended up limiting the creativity of the invited directors, resulting in a series of shorts that, overall, failed to surprise or leave a lasting impression.

    Here's my take on each of the short films:

    Stork: This short is quite simplistic. The plot is about 15 or 20 minutes of police officers killing strange creatures that look like zombies. There's an attempt at shock value in the end, with a bizarre moment, but honestly, it doesn't go beyond that. It felt like watching someone play a hyper-violent first-person shooter, where violence is the only focus. The final result is a short that doesn't challenge the viewer and sticks to the basics.

    Dream Girl: Among all the shorts in the anthology, this was the most eccentric. We follow two paparazzi trying to sneak into the set of an Indian artist, but, as expected, the plan goes wrong. This segment stands out for its extreme level of violence, which may shock more sensitive viewers. Although it's not an easy watch, the unpredictability of not knowing the next move and the subtle reflection on AI kept me mildly interested. However, in terms of innovation or impact, Dream Girl wasn't strong enough to leave a lasting impression.

    Live and Let Dive: This short film starts with an interesting premise: a group of friends goes skydiving but crashes into a spaceship. The possibilities for this narrative were vast, and it had the potential to be much more intriguing. Unfortunately, it ended up taking a lazy, cliché-filled path. I admit the scene where the protagonist falls through the open sky was visually interesting, but the rest of the short is let down by a weak narrative and, above all, terrible visual effects that looked like they came straight out of a PS2 game. I felt the segment didn't explore the originality of its premise, and it was a missed opportunity.

    Fur Babies: This segment left me genuinely confused about how it fits within the sci-fi theme. The plot follows a group of young people investigating a strange and eccentric dog breeder, but aside from this odd premise, the short doesn't go much further. There are bizarre moments that suggest the story could have gone deeper, but it felt like everything was only halfway developed. The potential was there, but it lacked the ambition to really explore its ideas. Despite being weird and eccentric, it wasn't memorable either.

    Stowaway: This was the short I was most looking forward to, mainly because it was directed by Kate Siegel, who I'm a fan of. The premise is interesting: a woman in the desert filming a documentary about aliens ends up entering a spaceship. The idea has a lot of potential, and you can tell the director had a vision for the project. However, the execution failed badly. The big issue is the cinematography: at a certain point, it becomes nearly impossible to understand what's happening on screen. I didn't expect it to be shot in IMAX, but the extreme commitment to realism ended up hurting the visual clarity of the narrative. In the end, it was frustrating because I felt there was a good story there, but the way it was presented made it confusing and hard to follow.

    Overall, V/H/S/ Beyond fails to take full advantage of the potential that the sci-fi genre could have brought to the found footage format. Even though there are some interesting ideas and moments that grab attention, the execution of most of the shorts is too basic, predictable, or just unremarkable. This anthology could have been a great opportunity to explore new approaches within the genre, but it ultimately fell short of expectations.
    7pensacolacomputer

    Solid

    I was a big fan of the VHS series of movies, but I've been very disappointed in the last two movies. HOWEVER, this one is pretty good! The first two movies in the VHS series were very well done, with some unique stories and good scares. I rated them an 8 out of 10.

    But the next two were near absolute garbage to me. Not sure what went wrong but something went very wrong with them.

    But, with this new movie they get back to what made the VHS series so great. This movie had very unique stories and a couple of decent scares. The main focus was aliens this time.

    So if you didn't like the last two movies, give this one a chance, I think it is very well done. 👍

    7/10.
    8Cynical_Critic_

    Always good to see they are keeping this saga alive

    I am a simple man, if I see found footage horror, I watch... Even though is hard to maintain good quality after so many movies the V/H/S cinematic universe keep driving me there, getting me back and excited to watch them, to see what they are coming up with this time. Maybe its the nostalgia as a 90s kid speaking or how amazed l got the first time l watched The Blair Witch Project (which definetly started my love for the found footage genre) I dont know.

    I have to say though, not as good as the last one in the VFX department, and the first "tape" especially the creature looks like an inflatable costume more than a monster and the babies there is no way you can take your mind off of how doll-like they look, but l liked the "Resident Evil-esque" approach. The camera shots were great, I loved them.

    The cameo from "VFX artist react" was a quite a surprise really been following their channel for years.

    The acting was good enough in general, maybe some over acting sometimes but nothing too "cringe" imo.

    The ending was weird and anti-climatic but whatever, you are not watching a Martin Scorsese film anyways.
    7herleifl

    for horror fans, actually yes

    This anthology series is a bit of a mixed bag, as they often are, but for horror fans, I almost reluctantly admit that I was entertained! I've seen a lot of horror but I had a blast with these varied stories. It's absolutely worth a look. While there's a theme threading through the segments, not all entries stick closely to it, which makes me think some of these may have been salvaged from earlier V/H/S projects, perhaps due to deadline or editing limits (I know what you're thinking but no - I dont think they were b-roll fillers). The UFO element doesn't resonate that much with me personally so for me it was no big deal. It's a solid horror, creatively executed.
    5Sanpaco13

    No story, no suspense, just shock and gore

    This is I believe the seventh of the V/H/S franchise to come out and this one has a theme focus on sci-fi horror and creatures from other planets. As with the other films, it is made up of several shorter segments telling various stories through the use of "found footage". The found footage horror genre is one that gets a pretty bad name from what I've seen, but I've personally found the V/H/S films to be some that do this better than most, however I felt this one fell a bit flat. I am actually quite surprised at the high rotten tomatoes rating on this. This is probably the least entertaining of the V/H/S franchise so far and the tie-in's with alien abduction tales was weak at best for most of the segments. The resorting to gore for most of the horror elements was a cheap replacement for telling a good story through the use of the found footage medium and style. Part of what made Blair Witch so terrifying was that you never saw the witch. You were terrified because the characters were terrified. I wasn't terribly engaged by these, nor was I disturbed as I have been from others. In other films I've found myself impacted and unable to stop thinking about at least one of the stories but for this one they each devolved into shock and gore and just left me bored.

    Intereses relacionados

    Jeff Goldblum in La mosca (1986)
    Horror corporal
    Manuela Velasco in [REC] (2007)
    Horror y metrajes encontrados
    Bill Skarsgård in It (Eso) (2017)
    Horror y monstruos
    Pedro Pascal in Long, Long Time (2023)
    Terror zombie
    James Earl Jones and David Prowse in El imperio contraataca (1980)
    Ciencia Ficción
    Mia Farrow in El bebé de Rosemary (1968)
    Terror
    Cho Yeo-jeong in Parásitos (2019)
    Thriller

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Jordan Downey's segment "Stork" is a live adaptation of internet horror artist Oleg Vdovenko's art piece by the same name.
    • Conexiones
      Followed by V/H/S/Halloween (2025)
    • Bandas sonoras
      Goddess
      Composed by Prassanna Vishwanathan and Daniel Cossu

      Lyrics by Virat Pal and Prassanna Vishwanathan

      Vocals by Hamsika Iyer

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de octubre de 2024 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Amazon
    • Idioma
      • Inglés
    • También se conoce como
      • V/H/S Beyond
    • Productoras
      • Shudder
      • Studio71
      • Cinepocalypse Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 600,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 54min(114 min)
    • Color
      • Color
    • Relación de aspecto
      • 1.37 : 1
      • 1.78 : 1
      • 2.39:1

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