Feng Shen 2: Zhan huo Xi qi

"Creation of the Gods II" is a glaring example of how to ruin a promising franchise. The film shamelessly distorts its source material, turning a rich mythological tapestry into a chaotic, nonsensical mess. Characters, once compelling and nuanced, now act in ways that defy logic, making baffling decisions solely to advance a convoluted plot. The sequel abandons the emotional depth and careful storytelling of its predecessor, opting instead for empty spectacle and superficial drama.

The pacing is erratic, with key moments rushed and less important scenes dragged out, leaving viewers disengaged. Subplots are introduced and dropped haphazardly, adding to the confusion. The film's attempt to expand the universe feels forced and poorly executed, lacking the coherence and charm that made the original captivating.

Worst of all, "Creation of the Gods II" betrays the goodwill earned by the first film. Fans who were drawn to the series for its faithful adaptation and rich character development will find little to appreciate here. Instead of building on the strengths of its predecessor, the sequel undermines them, leaving a bitter taste and a sense of missed opportunity. A disappointing follow-up that fails to honor its roots or satisfy its audience.

Creation of the Gods 2 delivers a visually stunning and ambitious continuation of its epic saga, blending ancient Chinese mythology with modern cinematic flair. For fans of grand storytelling and immersive world-building, this sequel offers a compelling mix of action, drama, and artistry that makes it a standout in the fantasy genre.

What Works:

Breathtaking Visuals: The film's production design and CGI are a feast for the eyes. From towering celestial palaces to intricately choreographed battle sequences, every frame feels meticulously crafted. The mythical creatures and godly realms are rendered with vivid detail, making it a must-watch on the big screen.

Expansive Storytelling: The narrative dives deeper into the conflicts between mortals, immortals, and demons, weaving together themes of power, loyalty, and destiny. While familiarity with the first film helps, the sequel does enough to engage newcomers with its dramatic tension and character dynamics.

Strong Performances: The cast, led by seasoned actors and rising stars, brings emotional weight to their roles. Standout moments include nuanced portrayals of moral dilemmas and alliances, adding depth to the larger-than-life plot.

Pacing and Scale: The film tightens its pacing, balancing quieter character moments with adrenaline-fueled set pieces. The final act, in particular, builds to a crescendo that leaves audiences eager for the trilogy's conclusion.

Not as good as the first one, but definitely worth watching!

It baffles me how the writer and director managed to make a movie this bad with such a big budget.

If you're paid a ton of money to direct a movie, at least make something passable.

I liked the first movie, but this one... My wannable youtuber friend would've made a more coherent movie.

Plot, pacing, character behavior, all trash. The CGI, even though it's not that good, is the least of my complaint.

With the all-conquering "Shang" dynasty looking as if it's about to die out, their ailing King commands his young general "Deng" (Nashi) to attack the fortified city of Xiqi and retrieve something that might just prevent their extinction. Meantime, the folks in that city are ruled by a young man "Ji Fa" (Yosh Yu) who is enthusiastic and honourable, but not exactly a tactician. Despite his best efforts, the encroaching army arrives at the walls of his city aided by four powerful giants, all equipped with magical talisman. It's during this battle that the lines are truly drawn with a few immortals coming to the aid of the city and with both "Ji" and "Deng" finding themselves facing a new scenario for which neither are prepared, and which tests their mettle and their loyalties as an angry denouement looms. This is my kind of film: mixing mystery and mythology with superb special effects and a solid story that, though maybe a little predictable towards the end, has all the ingredients of a stylish and engaging acton-adventure. There's imagination a-plenty gone into the production and the characterisations offer us a little more than just the usual linearly flat persona. The green flying ogre works hard for his living here, and the last twenty minutes are lively and colourfully delivered. Might their be a trilogy? It does need a cinema, a big screen makes all the the difference.

What a movie to start off the New Year with! Continuing the first movie's box office success and technological breakthroughs, Creation of Gods II returns with more VFX shots than the total amount of shots in the previous. Whether the flock of dragons at the Kunlun Mountain, the paralyzing light beams afloat moonless sky, or the mythical gadgets of deities and giants, the film does not fail to entertain with its cinematic interpretation of classical figures, warfare, and anecdotes. The climactic battle of the "ten deadly formation" greatly balances quests of individual characters with the story's progression and involves numerous ancient tactics of war by Sun Tzu, such as sowing dissension, sowing discord, extraction, espionage, and assassination. All the meantime, director Wuershan is able to maintain quality narrative and aesthetic control of the coloring, lighting, costume, production design, and music accompaniment.

Performance wise, everyone except the two young protagonists from last film is terrific. Huang Bo, Kris Phillips, and Hsing-Kuo Wu --- all reputable actors and obvious carriers of their parts. Nashi's General Deng Chanyu veritably surprised me: a fierce warrior bound to war and honor who gradually reveals her capacity to love, compassion, and dancing by the fire. Even trivial side characters with less than minutes of screen time shine in their sequences.

The pacing of the movie's first half and some of the CGI (the blue giant) could definitely be improved, but overall a laudable success for a commercial film.