Suburban Gothic

I went to see Excision, Richard Bates Jr.'s debut, knowing almost nothing about it. All I had read was a 5-star Empire review. I'm so glad I trusted said review: Excision is a funny, original, sometimes horrifying, and also disturbing film. I'll never forget its ending (a true rarity: a profoundly sad ending in a horror movie). And it made me very excited about future films from writer and director Bates.

Well, to put it mildly, Suburban Gothic is a disappointment. The goal here is obviously to pay homage to John Waters' trash/filthy/defying humor (no wonder Waters himself shows up in one of the best scenes of the film), but the result seems more like not-really-inspired Waters (Cry-Baby, Pecker) than excellent Waters (Polyester, Pink Flamingos). Close-up shots of feces, vomit, and sperm add nothing to the story - and unfortunately most of the humor of the film doesn't go much higher than this.

But it'd be unfair to classify Suburban Gothic as just scatological humor. There are some truly funny scenes, Matthew Gray Gubler is charming as the protagonist, and he makes a good team with Kat Dennings. (The cast is the best thing about the film, including Leland Palmer himself, Ray Wise, and Barbara Niven as the parents) But the story is so generic I couldn't believe it came from the same man who wrote Excision. There's not a single scary moment - which wouldn't be a problem if the film was a riot, like Shaun of the Dead. Unfortunately (for me), I wasn't laughing nearly as much as the girl behind me, who was almost dying of laughter every time Gubler gave a high-pitched scream - and he does it a lot.

I guess I'll have to wait for the next film from Bates. Or watch Excision again.

Decent watch, could watch again, but can't recommend.

I watched this excited to see Kat Dennings in a movie again, but she really ends up playing second fiddle to Matthew Gray Gubler who basically carries the movie. While he actually seems like a good actor and was able to add a flavor to his character that I couldn't tell that if it was just him shining through, the truth of the character or he elevated the character with a special twist, so this puts him on my to watch out for list.

The story itself is really lackluster. There are a lot of familiar faces, and the minute to minute is generally pretty entertaining, but the weirdness of finding a hidden kiddie coffin and trying to lay a ghost to rest gets weird when it's stretched over a long period of time without getting intense.

I'm all for different, and I can't call this bad, but there are so many other good things to watch instead.

Matthew Gray Gubler is perfect in this. Ray Wise is at his best. Kat Dennings is underutilized, though. She has great comedic timing and presence and is not given enough of it to perform. The editing could have been tighter, giving it more flow. But I like that this movie is exactly what it wants to be and is unapologetic about it.

If you like quirky movies, this is for you. If you like your horror straight, best to skip this one.

Matthew Gray Gubler from the television crime series Criminal Minds gets to let loose in this comedy-horror movie. At the same time, Ray Wise from the classic Twin Peaks television series (1990) also gets to expand on his former character again as the father figure, this time as Gubler's character's dad. What sets this rather conventional movie apart from other comedy-horrors is the script which delightfully expands and enhances those stylistic characters of Gubler and Wise and transforms them into a comedic parody upon which both actors take to their roles with a feverish outpouring of electric sophisticated humor. At the same time, the script at a few points seems to cross the line of parody and seemingly endless excessive mimicry making the movie almost overly burdened with pretentious acting (possibly the fault of the movie's director). The movie also sharply turns pretty dark later in the movie straining the carefully crafted balance of the tone of the movie. Nevertheless, Suburban Gothic offers an entertaining spark to the comedy-horror genre, making it rise above the many mass of ordinary movie titles.

I adjusted my rating multiple times. I might change it again before I finish typing this.

Ranking aside, I really enjoyed this movie, and will happily watch it again.

Every character in this movie is an absolute tool. I loved these tools. I tend to be tool-phobic, but I'll meet up with these tools again, and I'll enjoy it.

The best way I can find to describe this movie is: Millennial screws up his life with the aid of his horrible excuse-for-a-human father, and his Permanent Denial, Where's Mommy's Little Helper mother, and has to move back in with said parental units. Then it turns into Daria: Millennial Version, who happens to be haunted by some Other-Side Creeps.

It was more like watching a hilarious Snapchat or Vines compilation from internet friends than a produced, scripted, and rehearsed movie. Part of that was the actors really filling out their roles, and part of it was the hilarious realness of the dialogue and reactions (adjusting for the oomph of polished comedy and drama).

While I can't shout from the rooftops for all comedy horror fans to watch this, I -can- add it to my Official Halloween Month Movies List, and will likely coerce my bestie to watch it with me during one of our movie nights.