To mikro psari

I saw it last night with my wife, so it still plays in my mind.From the technical side it is completely professional.The sound quality amazing.The synchronism and the tremendous clarity of it creates an unusual impression of space where the viewer is absorbed until the last ,righteous moment. The story follows the laws of classic noir narration. So, though the protagonist is a payed killer, a certain ethic guides the story. The action is dense and not always foreseeable. All actors play naturally and very well.

An unusually good film for the Greek standards until now, not a film for the whole family because of some strong language , but certainly a film I highly recommend .

Stratos (To Mikro Psari) is a Greek Neo-Noir and it perfectly captures the corrupted and underground life of our protagonist who struggles to find his way into life after jail. The directing is unique, fresh and a perfect match for the style of the movie, making Greek cinema noticable in an ocean of "European Art Films". The cinematography is almost excellent for the film and matches perfectly the directors vision and the feel of the script. The actors are all doing a great job with what they're given and if I had to nitpick and find a flaw(which is not easy) I would probably say that the runtime sometimes feels kind of slow at times but if you're really immersed into the plot, you won't even notice the 137 min passing. In conclusion Stratos is excellent for what it was going for and it really adds something to the genre. Don't miss out on it!

The movie tells the tale of Stratos, a weathered hit-man, who more-or- less wants to leave the past behind him. But as we know from other gangster-stories, once you get in it's hard to get out.

This is a very slow-paced crime drama. Well directed, with an impressive lead actor and good, believable cast. There are many well-composed scenes that create a desolate world, and one has to wonder how close to the real Greece that is.

The only (but important) element that bothered me was the length, which is mostly due to an exaggerated amount of minimalistic long scenes. The story was compelling enough, I wish it was just edited-down a bit. But I respect the director and his vision.

After the screening, here at the Ghent Film Festival, I've overheard someone say "this is like the Greek Drive, but at least Drive had style". I disagree with that remark and would not compare the two films at all.

Yannis Economidis, the director, started his career by doing something really extraordinary. Something new and daring. His movies do not follow the conventional rules of a "product" that has to sell. His movies have to say something and that's it.Of course sometimes this turns out bad, so Yannis had to do a few things for the first time. Like choosing actors with a very different approach. The team of actors were some well known and recognizable faces, merged with actors that are appropriate in a Yannis Economidis film. If I would be a director, I would have the same aesthetics as Yannis has. I love the photography of the movie. Starting with abandoned places, rust, dirt, same aesthetic as the incredible "dirty street light" scene for a few seconds on Soul Kicking. The sound is nicely layered to the whole film. Keeps realism flowing through the whole film. The music. Well I have to state that there is no fanfare without reason. It is simple and minimalistic yet it is solid and well fit to the whole feeling of the movie. I take the movie as a noir gangster film, that focus on ethics. Stratos is a really nice anti-hero. Well made, having a background, a present situation and finally a redeeming thing to do. The movie plays with the spectator's feelings. It is empty and silent, like a desert of Strato's heart. Yet in the end, it seems that feelings come back to life inside Strato. He is capable to love purely and that makes him do something out of his feelings. Strato's feelings got him into trouble in the past. Now for the second time his feelings will put an end on all of this, but the feelings are different and that is what redeems him.

A full story, well made, with Yanni's signature placed well inside it. Yannis had to deal with the fact that he had to make something more... commercial than his art. He had to care about drawing people to watch his movies. It is irritating I suppose. But yet it is needed. The good thing is that he kept his character and personal signature of his movies into this one too.

I would put a 10/10 because it surpasses every Greek movie I have ever seen, but i still expect more by the director. This is not his peak. So Yannis, I put an 8/10 just to make you do that leap that might make you direct an award winning movie in the end.

Do I recommend it? Of course I do. But it isn't for everyone. It is not a pleasant movie you are gonna enjoy with your girlfriend, drinking cola and eating tortilla dips, no. Such movies, like "Το Μικρό Ψάρι" make you think and feel hard. And that is what I like about them.

I watched "Spirtokouto" with friends. All his next movies, were watched by me into a cinema room, from a seat, just to support and show my respect to one of the greatest and most daring directors Greece has.

It is generally a well-made film with an interesting plot, very good directing, and excellent acting by every one of its actors, even those playing minor characters. The strikingly empty, unpopulated spaces that predominate throughout the film seem to reflect well the inner emptiness and lack of feelings of the characters, and they are in contrast with the colourful, noisy scene towards the end, which I perceived as reflecting the fact that the last act of the protagonist was the only one driven by his emotions. On the negative side, I found that some repetitions were unnecessary and made me a little bored halfway through the film. In the last 45 minutes, however, the narration flows swiftly again and, by the end, my full interest was back again. Overall, the story is that of violence and crime that does not make you leaving the theatre with a grin on your face, but the more you think of it afterwards the more you like it. Certainly worth seeing.