Phullwanti

Padma vibhushan Babasaheb Purandare yanchya 'Phullwanti' hya marathi kadambarivr aadharit ek sundar marathi matitli katha ji khup sundar ritya sadar keli geli ahe Acting Dance Cinematography Music Direction Dialogues sagla ch khup sundar ahe

Buddhimatta va Kala hyatla hye yuddh ani hye kon jinknar hya palikde hi jaun ek sundar vichaar mandnara ha chitrapat A beautiful blend of Dance Music and Celebration of Marathi culture on a big scale It's a visual and cultural treat

It's a film about Grace Dignity Intelligence Art and Loyalty There is a thin line between confidence and arrogance which has been beautifully portrayed and even beyond everything this film will show you the beauty of unspoken love

Prajakta Mali is a Star 🌟 me Gashmeer chi fan mhnun geleli pn prajakta chya ch premat padli itka sundar perform kelay tine jevha jevha ti screen vr yete tichya ch kde bghavasa vatta itki sundar distey ani itka sundar perform kelay

Mla akkhya film mdhe Gashmeer Mahajani disla ch nhi disle tye fkt Venkatadhwari Narasimha Shastri BUDDHIMATTA HI NEHMI CH SHAANNTT ASTE hye patla film pahilya vr khi khi scenes mdhe phaar dialogues nastana suddha jya prakare emotions express kelet nobody could have played Venkatadhwari Narasimha Shastri better than him

I don't know how many box office numbers this film will generate but it will surely go down in the history of Marathi cinema as one of the well made and beautiful works of art.

Saw Phullwanti Marathi movie today... felt writing about "Phullwanti" especially due to its cinematography, a grand, emotionally rich narrative, performances and perhaps a visually stunning presentation with practical effects in the age of VFX.

I think more context about the main character Phullwanti would have added depth to her character but due to budget constraints makers might have kept her intro limited for the opening scenes... but the movie is one of a kind and each and every actor gave an emotionally invested and heartfelt performance, may it be Gashmir, Prajakta, Vaibhav Mangle, Kshitish Date, Jayvant Vadkar and Hasyajatra fame actors. Phullwanti made a strong impression, with each actor bringing something special to their role. This movie is a musical treet for the audiences. Phullwanti levels with the cinematic masterpieces like Sanjay Leela Bhansali's "Devdas" and Ashutosh Govarikar's "Lagaan". The songs and dance numbers in Phullwanti were exceptionally captivating and skillfully executed-almost like they had a magnetic charm. The music and choreography really stood out! Prajakta's dedication and passion for dance truly elevated this film! Phullwanti successfully captured the essence of the Peshwa era with practical effects, set designs, and attention to detail rather than relying heavily on VFX. This approach often creates a more immersive and authentic experience, drawing the audience into the historical setting. The limited use of VFX likely allowed the film's artistry, costumes, and sets to shine, making the depiction of that era feel more genuine and appealing. It's impressive when a film can bring history to life so vividly! Snehal Tarde's direction, Pravin Tarde's well-crafted script and dialogues, and Mahesh Limaye's stunning sets and cinematography seem to have come together beautifully which brought the Peshwa era to life in a remarkable way. Every frame feels like a painting, emphasizing the historical richness and the grandeur of that time period. It's rare to find a film that captures history with such artistry, making it a once-in-a-decade masterpiece! Being able to work on-set Marvel productions I have a unique perspective on the effort and artistry involved in creating immersive worlds on screen. Phullwanti resonates with me, especially as a Marathi film.

Phullwanti has done justice to PadmaVibhushan Babasaheb Purandare's novel. The relationships and struggles of Phullwanti, Shastribuva and his wife Laxmi were portrayed in a way that made them relatable and admirable. Their growth and the respect they earn by the film's conclusion is both moving and satisfying.

It's unfortunate that Phullwanti didn't receive the theatrical response it deserved, especially given its strong storytelling and production values. Limited promotion can really impact a film's visibility. Showcasing compelling cut scenes as a teaser on youtube, like Vaibhav Mangle's strong entry as a "Martand Bhairavacharya", could definitely help generate buzz and attract more viewers.

Reviving stories from the Maratha Empire and the Peshwa era can be a powerful way to celebrate and preserve Marathi culture. These historical narratives are rich with themes of valor, governance, and cultural achievements, which can inspire pride and connection to one's roots. It's important to keep these stories alive, as they can foster a sense of identity and belonging.

Prajakta Mali's ambition to adapt more novels into films could significantly contribute to bringing more stories from the Marathi culture to life. Her Phullwanti shows her talent and dedication, so it's wonderful to see her exploring new projects. Wishing her all the success in this endeavor!

Phulwanti is one of the cinema adding on to the list of top marathi films. This is the story of an artist who felt abused in the courtroom of peshwa by an top intellect. The storyline grips you from beginning. But many things falls apart as the film comes to an end, still that doesn't matter a lot. But the music, acting and overall performance of characters seems like those are handpicked perfectly. Looking at the budget and limited audience, I feel this film can succeed in other regional formats too. Dance performance of Prajakta is jaw dropping...Its not easy to dance like that on lavni folk song..she did it perfect.

An awesome screenplay ✌ A super-combo of amazing acting 🖖 An incredible direction ❤ A melodious music🔥 A beatific cinematography 🌹 This is a story of a female dancer, Phullwanti,(and a Vedic scholar, Venkatadhwari Narasimha Shastri, to be precise :D) in the eighteenth century CE. She is a renowned dancer throughout Bharat. She is one of the much sought-after dancers for the royalty. She performs in the Mughal Darbaar & mesmerizes the Baadashaah who honours her with a title and a gift, but puts one condition. The free spirited dancer declines it and unequivocally stresses the importance of an art.

A Vedic scholar insults the dancer during her performance at the Peshawe Sabhaa in Pune. She seeks the justice from the Peshawa & the fight between the dancer and the scholar ensues.

The story emphasizes the importance of a perspective. It does underline that going beyond a thought is the first step towards experiencing life to the fullest extent!❤ The end is beyond the scope of words! Speechless!😇 Anyone who has experienced deeper layers of life would feel ecstatic!!!

This was the film we were waiting for after the festivities. Gashmeer Mahajani shines through his performance as Shastri. Tol sambhalaycha ki taal ?? He looks the part too. Prajakta Mali also does a good job as Phulwanti especially in the last scene when she dances around the Tulsi Vrindavan, although her dance sequences could have been better. Also, she could have been more impactful in the scenes where she is potrayed as an arrogant dancer. At times she speaks fluent Marathi and at times she falters .A special mention for Chinmayee Sumit and Vaibhav Mangle who were massively impactful despite a small role.