Agrega una trama en tu idiomaA beautiful young woman is driven into a dark underworld of demonic possession, desire, and extreme indulgences when she learns she may be the devil's kin.A beautiful young woman is driven into a dark underworld of demonic possession, desire, and extreme indulgences when she learns she may be the devil's kin.A beautiful young woman is driven into a dark underworld of demonic possession, desire, and extreme indulgences when she learns she may be the devil's kin.
- Dirección
- Guionista
- Elenco
- Premios
- 4 premios ganados y 10 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Is this a masterwork? No. Is it a steaming clod of crap? No again. MARK OF THE WITCH aka ANOTHER is best approached from the indie mindset. The fact that several reviewers have labeled or described the movie as a "giallo" is helpful, for it gives me a perspective from which to base my review, one that has particular implications. Giallos, generally speaking, place emphasis on style over narrative coherence, and this film is no exception. There's something about an 18-year old girl learning her birth mother is a witch who wants to take over her body as some sort of renewal ritual. She has lived with her aunt, an ex-nun who seems to have once been a witch herself. Said girl has a number of quasi-psychedelic hallucinations, punctuated by blackouts during which she does horrible things to the people in her life. It all culminates in a showdown between the girl's mother and aunt, with a bleak ending. Breakdowns in logic abound, like why and how a girl who's just turned 18 is allowed to work and dispense drugs at a pharmacy, and why the pharmacy, that appears to be no bigger than a good-sized walk-in closet, has a janitor. It doesn't matter, because details like these take a back seat to stylized visuals,lurid colors, oddball camera angles, weird imagery, and (normally) copious amounts of gore. This film has most of these things to burn (excepting the gore). Leading lady Rojas is strikingly gorgeous: slender and leggy, with huge dark eyes, she reminds me of the sexy European actresses that appeared in many a late 1960s/early 1970s giallo. If you can appreciate the visual style of the movie--which is what I believe the filmmaker was focusing on--then there's much to appreciate.
Besides the crow motif, this film is nothing like the Omen films. It is at best, artistic soft porn - without much porn. The plot and the acting are atrocious. Don't waste your time. Antichrist - with William Defoe is a much better horror film.
Besides the crow motif, this film is nothing like the Omen films. It is at best, artistic soft porn - without much porn. The plot and the acting are atrocious. Don't waste your time. Antichrist - with William Defoe is a much better horror film.
Besides the crow motif, this film is nothing like the Omen films. It is at best, artistic soft porn - without much porn. The plot and the acting are atrocious. Don't waste your time. Antichrist - with William Defoe is a much better horror film.
Besides the crow motif, this film is nothing like the Omen films. It is at best, artistic soft porn - without much porn. The plot and the acting are atrocious. Don't waste your time. Antichrist - with William Defoe is a much better horror film.
Besides the crow motif, this film is nothing like the Omen films. It is at best, artistic soft porn - without much porn. The plot and the acting are atrocious. Don't waste your time. Antichrist - with William Defoe is a much better horror film.
I seen this one under the title Mark Of The Witch because marketers still need to ride the witch wave for sales. The film has a young lady celebrating her 18th birthday which begins to set in motion her true destiny of becoming Satan's sorcerer. Dreams and reality are soon blurred as her transition begins.
The effects were pretty bad but for a low budget I guess they tried. They were doing some kind of Matrix witchery when everything was slowed down and the witches were fighting each other. The acting wasn't bad for this flick The story was screwed up the way they conveyed it, even worse when we watch five minute intervals of slow motion scenes. Someone had a wonderful vision but I just didn't see it.
My other bitch about this witch is it ended after 69 minutes and then 10 minutes of credits. The credits were even done slow motion. Do not bother with this one.
The effects were pretty bad but for a low budget I guess they tried. They were doing some kind of Matrix witchery when everything was slowed down and the witches were fighting each other. The acting wasn't bad for this flick The story was screwed up the way they conveyed it, even worse when we watch five minute intervals of slow motion scenes. Someone had a wonderful vision but I just didn't see it.
My other bitch about this witch is it ended after 69 minutes and then 10 minutes of credits. The credits were even done slow motion. Do not bother with this one.
Despite the various flaws associated with a modest budget, there is much to like about this movie
Engrossing performance by the lead Paulie Rojas, visual styles that play with various media and harkens back to the 1970s era of gothic erotic horror, and a half decent score puts this film in potential cult classic territory.
Engrossing performance by the lead Paulie Rojas, visual styles that play with various media and harkens back to the 1970s era of gothic erotic horror, and a half decent score puts this film in potential cult classic territory.
This is a film about a pretty young lady (Jordyn) who was told that her mother died when she was born. She has been brought up with her aunt, and has two friends (whose appearances in the film are as props for the horror rather than as part of any proper plot). Her aunt is a former nun who dies at the start of the film. Jordyn is haunted in various ways after her aunt dies.
I struggle to find any upside to this film. There is hardly any plot. The horror starts early on and carries on at almost the same pace throughout. A good horror film has changes of pace. If the horror is continuous, then you don't get that shock that makes you jump up in your seat. There's nothing very original here. Many of the scenes are reminiscent of other films in the horror genre. The attempt to include religion was very clumsy. In addition, ridiculing Christianity feels a bit old-fashioned now. We're not living in the 1960s any more.
I struggle to find any upside to this film. There is hardly any plot. The horror starts early on and carries on at almost the same pace throughout. A good horror film has changes of pace. If the horror is continuous, then you don't get that shock that makes you jump up in your seat. There's nothing very original here. Many of the scenes are reminiscent of other films in the horror genre. The attempt to include religion was very clumsy. In addition, ridiculing Christianity feels a bit old-fashioned now. We're not living in the 1960s any more.
¿Sabías que…?
- Créditos curiososAfter the slow motion end credits, there is a slow motion scene of a woman taking a box out of a glass cupboard.
- Bandas sonorasMessiah Part 3 - No. 46 (Since By Man Came Death)
Music by George Frideric Handel (as Handel)
Performed by Robert John Richardson
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- How long is Another?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Mark of the Witch
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 20 minutos
- Color
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