La viuda de Clicquot

Relatively dry period drama "Widow Clicquot" is the true story of how in the late 16th century the titular Barbe Nicole Clicquot (rising star Haley Bennett - excellent) inherited the Clicquot vineyards of Champagne from crazy genius husband Tom Sturridge, and with steely determination (and the support of Sam Riley) fought off largely chauvinistic pressure from those around her (including Ben Miles & Paul Rhys) AND oppressive Napoleonic laws, to forge a legacy living on today through Veuve Clicquot. Thomas Napper directs solidly, and Erin Dignam's screenplay (cut with flashbacks) is interesting, tho perhaps only REALLY interesting to wine enthusiasts.

Combining all of the elements that go into making a fine film and blending the various ingredients in just the right proportions is akin to the practice of crafting a fine wine - and quite an irony here given the subject matter of this engaging cinematic biography of Barbe Nicole Ponsardin Clicquot (1777-1866) (Haley Bennett), the French winemaker who became better known as "the Grand Dame of Champagne." Having inherited the business of her husband, François (Tom Sturridge), after this death, she vowed to continue operating the winery, carrying on his vision for innovation in the face of stiff competition from the rival Moet organization. But doing so was quite the challenge in light of financial difficulties, vintage failures, the questionable business practices of competitors, the responsibility of raising a young daughter (Cecily Cleeve) as a single mother, onerous operating conditions during the Napoleonic Era and the profound doubts of others (most notably her skeptical sexist father-in-law, Philippe (Ben Miles)) about whether a woman could successfully run an organization like this. Director Thomas Napper's latest chronicles the Widow Clicquot's inventive efforts to address these issues, as well as her ambitious initiatives to live up to the dreams of her late husband, in large part with the assistance of her loyal distributor, Louis (Sam Riley). In telling this story, the filmmaker seamlessly blends challenging events of everyday operations with flashbacks of a more personal nature, exploring the heartfelt feelings that provided the basis for the Clicquot philosophy of winemaking. The picture's superbly crafted narrative and screenplay, combined with exquisite period piece production values and excellent performances (particularly Bennett in one of her best on-screen portrayals), make for an involving, multifaceted watch. Admittedly, there are times in the second half where the story meanders somewhat, and some may find that this release gets a little too detailed when discussing the technical particulars of vinification. However, much of this offering is evenly balanced, effectively holding viewer interest about a subject that's not especially common in the annals of filmmaking. What's more, though, on a more philosophical level, this release celebrates the inherent joy and passion involved in the act of creating, ideas applicable to the manifestation of any artform, be it wine or painting or whatever else we're capable of envisioning and bringing into being. And, if that's not worth drinking a toast to, I don't know what is.

Haley Bennett performs the role of Cliquot quite admirably. The supporting cast is fine but aside from her performance no other actor or actress is memorable. There is a lot of dead time in this movie which is likely because the only real point of the movie is to show that she had to overcome the politics of the time with Napoleonic laws and men believing she wasn't cut out to run the vineyard. I would have liked to see more scenes showing how hard she had to work aside from just constantly watching her mix ingredients in vials. There are some parts of her facing men who doubted her, but I wanted more so you could really root for her.

The court scene at the end I thought had so much potential to be used to tell her story of what she had to go through in greater detail, but instead it was decided to just be an exclamation point for her story.

As a side note, all of the accents are very British which is confusing to me considering they're supposed to be French.

Overall, it's not a bad film, and shows that individuals have the ability to overcome their political surroundings. However, it certainly isn't one that will wow you either.

Haley Bennett turns in a reasonable effort here as the eponymous lady who has to keep control of her late husband's vineyards at a time in history when Napoleon's wars were raging throughout Europe - and France wasn't doing so well, by this point - and his laws prohibited women from managing so much as a dinner party. The death of François (Tom Sturridge) has left her a property that her former father-in-law Philippe (Ben Miles) is keen to sell to the neighbouring Mr. Moet but with a bit of help from accountant "Edouard" (Anson Boon) and roguish distributor "Droite" (Paul Rhys) she is determined to develop her own brand of Champagne and, probably more precariously, get the stuff to the well-heeled markets readily prepared to pay through the nose for wine without the "frog-eyed bubbles". The framework is here for a good story, depicting the struggles of a woman - and a father - coming to terms with an untimely death amidst a wartime environment. We do learn a little, via flashback, that her marriage was loving but that her husband became mentally ill putting huge stress on this woman and on their young daughter but the dramatisation is rather let down by a typically uninspiring performance from Sturridge and some quite weak storytelling. Certainly, the film looks great and it illustrates well the difficulties in getting the vintage grown in the first place before bottling these mobile explosive devices and taking them, by wagon, to market and it's quite richly scored by Bryce Dessner, but director Thomas Napper has over-relied on the aesthetics of the film and put too little into the characterisations of a woman who clearly knew her own mind and was not going to let her beloved husband's legacy disappear - even at the risk of bankruptcy. It's worth a watch, but a cinema screening doesn't really add much value to this undercooked period drama that just lacked, well, fizz.

Widow Clicquot is an adaption of a true story about Madame Barbe-Nicole Ponsardin Clicquot, who was to become known as the "Grande Dame of Champagne". Widowed after her mentally ill husband commits suicide, Barbe-Nicole must take on the male hierarchy to have control over her deceased husband's vineyard and in doing so continue with their quest to create something great, during a time when Napoleon had blocked trade routes. Haley Bennet was superb as Barbe-Nicole, you felt her power and her grief. I have to say she reminds me of Jennifer Lawrence in looks. The whole cast was fantastic, if you love historical dramas about strong women, I highly recommend it.