Una precuela sobre la vida de la joven Cruella de Vil.Una precuela sobre la vida de la joven Cruella de Vil.Una precuela sobre la vida de la joven Cruella de Vil.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 28 premios ganados y 43 nominaciones en total
Opiniones destacadas
This is a film I did not see myself enjoying as much as I did. Serving as a (sort of) prequel to 101 Dalmations, Cruella is set in 1970s London during the punk rock movement and follows the character Estella (Emma Stone) as she attempts to make it in the fashion industry. She is taken under the wing of the vindictive and domineering Baroness von Hellman (Emma Thompson) and quickly learns secrets that will push her along the path to becoming the villainous Cruella De Vil.
First off I have to praise the performances of both leads. Emma Stone is wonderfully hammy yet charming and surprisingly nuanced as the titular Cruella, while Emma Thompson is cold and ruthless as the fashion mogul Baroness. There was also great support from Paul Walter Hauser as 'Horace', who serves as the main comedic output of the film, a role which he serves with aplomb.
I loved the Rock/Punk Rock style and aesthetic the film had, which is exemplified by the wonderful set and costume design and the excellent and unrelenting soundtrack. The original score from Nicholas Britell was also very effective at establishing the tone and mood and was quite Danny Elfman-esque.
My main problem with the film comes in the form of writing, with some aspects seeming cheap and overly reliant on coincidence and convenience. The latter stages are definitely weaker and the film doesn't end quite as strongly as it should have.
Overall, this is one of Disney's best live action outputs in recent memory although the sympathetic origin story seems tonally dissonant for one of Disney's most despicable villains.
First off I have to praise the performances of both leads. Emma Stone is wonderfully hammy yet charming and surprisingly nuanced as the titular Cruella, while Emma Thompson is cold and ruthless as the fashion mogul Baroness. There was also great support from Paul Walter Hauser as 'Horace', who serves as the main comedic output of the film, a role which he serves with aplomb.
I loved the Rock/Punk Rock style and aesthetic the film had, which is exemplified by the wonderful set and costume design and the excellent and unrelenting soundtrack. The original score from Nicholas Britell was also very effective at establishing the tone and mood and was quite Danny Elfman-esque.
My main problem with the film comes in the form of writing, with some aspects seeming cheap and overly reliant on coincidence and convenience. The latter stages are definitely weaker and the film doesn't end quite as strongly as it should have.
Overall, this is one of Disney's best live action outputs in recent memory although the sympathetic origin story seems tonally dissonant for one of Disney's most despicable villains.
The atoeynis a little thin but it's a fun feast if fashion, music and big performances. Emma Thompson seemed to be having a lot of fun with her character, I came away feeling glad I had seen it at the cinema and thinking of at least 3 friends to reccomend it to, enjoyed it!
When I heard that they we're going to make a live-action movie about Cruella de Vil, I thought: This is going to be a disaster.
The trailers looked good but still not really great.
This movie? Blows every live action (except Cinderella) out of the park! Cruella is brilliantly written, acted and portrayed. All the side characters are memorable and useful. The baroness is amazing and just pure evil. I love it.
The costume designs are the best thing in this movie. They are beautiful, diffrent and are a feast to your eyes.
This movie gives me hope for the future of Disney!
The trailers looked good but still not really great.
This movie? Blows every live action (except Cinderella) out of the park! Cruella is brilliantly written, acted and portrayed. All the side characters are memorable and useful. The baroness is amazing and just pure evil. I love it.
The costume designs are the best thing in this movie. They are beautiful, diffrent and are a feast to your eyes.
This movie gives me hope for the future of Disney!
It's dark, it's edgy, it embodies the punk rock movement of the 1970s and injects it into every aspect of this film with glorious results. Emma Thompson steals the show!
To be really honest, I had very low positive thoughts about this movie. But, boy was I in for a surprise. Emma Stone is the show stealer. It's really a fun dark movie. Did expect this from Disney. Loved it!!
¿Sabías que…?
- TriviaGlenn Close, who played the first live-action Cruella DeVil in 101 dálmatas (1996) and 102 dálmatas (2000), serves as executive producer for this movie.
- ErroresCruella crashes a car into an old-fashioned British red phone box, which buckles on impact. These phone boxes were made of cast iron which would, with sufficient force, break, not bend.
- Citas
Cruella de Vil: They say there are five stages of grief. Denial, anger, bargaining, depression, and acceptance. Well, I'd like to add one more. Revenge
- Créditos curiososThere are scenes in the closing credits: Anita and Roger receive a gift of two Dalmatians (one each) from Cruella. The dogs are named Pongo and Perdita, the parent dogs from 101 Dalmatians. Roger then starts to play the Cruella de Vil song from La noche de las narices frías (1961).
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: D23 Expo 2019 Extravaganza (2019)
- Bandas sonorasBloody Well Right
Written by Rick Davies (as Richard Davies) and Roger Hodgson
Performed by Supertramp
Courtesy of A&M Records
Under license from Universal Music Enterprises
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- How long is Cruella?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Cruella de Vil
- Locaciones de filmación
- Old Royal Naval College, King William Walk, Greenwich, London, Greater London, Inglaterra, Reino Unido(Rock Concert and Fountain at Regent's Park)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 100,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 86,103,234
- Fin de semana de estreno en EE. UU. y Canadá
- USD 21,496,997
- 30 may 2021
- Total a nivel mundial
- USD 233,503,234
- Tiempo de ejecución
- 2h 14min(134 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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