Dragon

I didn't pay much attention when Return of the Dragon (Dragon in Tamil) was released a couple of days ago since it was a dubbed film. Though actor Pradeep Ranganathan became a sensation with his second movie Love Today, for some reason, I wasn't inclined to watch this one initially. However, after hearing good feedback, I decided to give it a shot and see what he had done differently this time. And he didn't disappoint.

After the massive success of Love Today, Pradeep has once again delivered a solid coming-of-age story that resonates with students and the general audience alike. It's refreshing to see a film set in a college backdrop that brings something new to the table. We've seen many college-based films before, some with similar themes-like Raghuvaran B. Tech and Aadavari Matalaku Arthale Verule-which made me wonder what more could be explored in this setting. Usually, college stories revolve around politics, romance, and struggles, but Pradeep and director Ashwath have managed to present a fresh perspective.

The film follows Raghavan, a once-brilliant student in his 12th grade who turns into a rebellious college student nicknamed "Dragon." Influenced by his high school crush's remark that girls prefer rugged guys over studious ones, he goes down the wrong path, accumulating 48 backlogs in his engineering course. Despite this, he secures a software job using fake certificates. The real story unfolds when his principal discovers the deception and gives him an ultimatum-clear his backlogs or face the consequences.

The narrative has multiple layers. One explores his breakup with Anupama Parameswaran's character and how it impacts him. Another focuses on his loving and supportive parents, who stand by him despite his declining academic performance. Then there's his close-knit group of friends, who stay together and support each other. The character of a junior student who idolizes "Dragon" and becomes a mini version of him adds another interesting dynamic. The title Return of the Dragon is beautifully justified within the story.

If you have studied engineering or medicine, you've likely encountered students who were toppers in school but lost their way in college, ending up with backlogs due to bad influences or habits. I've seen such cases in my own college-students with sharp minds but the wrong company leading them astray. The film also highlights a common reality: during college, girls often admire the daring, carefree boys who skip classes and appear cool, but when it comes to marriage, they prefer stable, career-oriented men, even if they look less appealing. This irony is depicted beautifully in the movie. Additionally, it touches on the impatience of today's youth, who look for shortcuts-like fake certificates and proxy interviews-to secure jobs. This aspect feels incredibly relevant in today's world.

The movie ends on a strong, philosophical note, delivering an important message: if you build your life or career on lies, you'll never find true happiness. Deep down, you'll always know it's fake, and it can all collapse at any moment. A college degree might not seem glamorous, but an honest life and career bring genuine satisfaction and peace.

Though the film is tailored for today's youth, it never crosses the line into vulgarity, double-meaning dialogues, or forced comedy. Instead, it subtly imparts valuable lessons. A couple of standout scenes include one where Raghavan refuses a tequila shot at a pub because he has to drive his fiancée home and another where he warns his friend "Chota Dragon" against driving drunk. These moments deliver important messages without feeling preachy. This proves that with creativity, filmmakers can craft engaging stories that connect with the youth without resorting to cheap gimmicks.

As for performances, Pradeep Ranganathan impresses once again. He reminds me of Tamil superstars like Rajinikanth and Dhanush-not because of his looks but due to his acting prowess and ability to express a range of emotions. He even throws self-deprecating satire about his lean frame, which adds to his charm. This film has earned him my respect for both his story choices and his acting skills, and I eagerly look forward to his future projects. Anupama Parameswaran delivers a stellar performance as his love interest, bringing depth to her role. Kayadu Lohar, the second female lead, also does well, capturing attention with her screen presence. Special mention goes to George Maryan (of Kaithi and Leo fame), who shines as Raghavan's caring and supportive father. The supporting cast, especially Raghavan's group of friends, have all done a commendable job.

Director Ashwath Marimuthu, in just his second film, has handled the subject beautifully. The only aspect that could have been better is the music-while the background score is decent, the songs could have been stronger.

Overall, in an era where people often complain about a lack of fresh stories and rehashed narratives, Return of the Dragon stands out. It delivers an engaging college-based story without exaggerated elevation scenes, over-the-top villains, or unnecessary grandeur. Instead, it remains entertaining, relatable, and meaningful, ending with a powerful message. If you liked Love Today, you'll likely enjoy this film even more. I highly recommend watching it.

"Return of the Dragon" (2025) offers a fresh narrative that, while reminiscent of "Don," stands out with its unique storyline. The film explores the journey of Ragavan, a student who, after personal setbacks, embarks on a path of redemption and self-discovery. Director Ashwath Marimuthu skillfully balances humor and emotion, delivering a thought-provoking experience.

Pradeep Ranganathan's portrayal of Ragavan adds depth, making his transformation compelling. While both films address student challenges, "Return of the Dragon" distinguishes itself with its mature themes and distinct message.

It's actually 8.5/10 for me - though some parts in the first half felt slightly extended and routine.

Only a few movies are better than their trailers, and when we saw the Dragon trailer, many of us thought it resembled Sivakarthikeyan's Don. While Dragon shares some similarities in its story and first half, it ultimately turned out to be something entirely different.

The story of Dragon (whose real name is Ragavan, and you'll find out why he's called Dragon when you watch the movie) revolves around him having 48 arrears during his college life. He is determined not to finish them unless his life reaches a critical situation.

Director Ashwath Marimathu, along with Pradeep Ranganathan, wrote this feel-good story and executed it well with his audience-friendly screenplay.

Pradeep's acting is much better than in Love Today, though his dance could still improve.

Anupama Parameswaran and Kayadu Lohar are the leading actresses in this movie, with Anupama playing a more prominent role than Kayadu. Both performed their roles well.

George Maryan, who played Pradeep's father, delivered a powerful performance, and the emotional scenes between them resonate with the audience.

Mysskin's role as the college dean is his best performance in his acting career.

Gautam Menon, Harshath Khan, V. J. Siddhu, and K. S. Ravikumar all performed well in their respective roles.

Leon James' music plays an essential part in shaping the emotional atmosphere of the movie, and overall, his BGM is a pleasant experience for the ears, instead of the harsh sounds like Dragon's roar.

On the technical side, the visuals are colorful and flawless.

The first half of Dragon is filled with the ups and downs of college life, love, and irresponsibility in fulfilling duties.

The second half of Dragon gives the movie real meaning, with emotional moments, plenty of comedy, and a perfect climax.

Dragon delivers a clear message about the importance of education.

All in all, Dragon is a must-watch movie that's best experienced on the big screen.

The masses will find this to be one of the most enjoyable Tamil films in recent times. At the very least, people who can't relate, will not have much to complain about, which automatically makes it one of the best Tamil films in recent times.

Nothing new story wise, but, the way in which its told makes all the difference. Youth makkall are about to take this film and PR to heights higher than Love Today did.

Whether you watch it in the theater, or watch it on Netflix once it's out, do so with a group of people (who liked Love Today type films) because the collective experience of this film is bound to make you enjoy it more. The more, the merrier, so theater I suppose. You will not be disappointed.

I watched the movie with high expectations, and I found the first half to be decent. There are a few scenes where the writing is impressive, particularly a scene in the hospital with the doctor, although it doesn't have a significant impact.

The second half is excellent due to its writing and emotional connection.

In terms of performances, Pradeep Ranganathan, George Maryan, Anupama Parameswaran, and Mysskin all did well.

The cinematography is also commendable.

The biggest strength of the movie is its writing.

PLOT :: Ragavan, infamous for his reckless ways and academic struggles, turns to fraud after a heartbreaking breakup, chasing wealth and power. However, his deceit leads him into perilous territory. Can he find a way out, or will his choices seal his fate?