Slow West

Don't be misled by the title: this western may start slowly but sure picks up pace with an explosive finale and, while it is set in 1870 Colorado, it is shot in today's New Zealand.

Like the twice-made western "True Grit", the story teams a younger person on a search with a cynical veteran: on this occasion 16 year old aristocratic and Scottish Jay Cavendish (Kodi Smit-McPhee), searching for his lost love, and the rough, middle-aged, Irish gunslinger Silas Selleck (a superb Michael Fassbender), seeking something more pecuniary.

First-time writer and director British John Maclean has crafted an admirable film with atmospheric music, fine pacing, colourful characters, terrific scenery and a compelling narrative. By turns touching, surreal and shocking, at just 84 minutes, every scene counts and drives the story westwards and onwards to a satisfying conclusion.

"A jack rabbit in a den of wolves."

After their collaboration together in two short films, John Maclean and Michael Fassbender team up for the director's feature debut in this originally fresh take on the Western genre. In Slow West we get a different glimpse of the West, avoiding the typical Americana style confrontation between cowboys and indians. Here we are introduced to a world where immigrants are trying to force their way through this lawless land. Surviving in this place has nothing to do with how well of a shot you are, it's more about luck and being at the right place at the right time. The story, which was written by Maclean, follows the journey of a 16 year old boy named Jay Cavendish (Kodi Smit-McPhee) who has traveled from Scotland to the West in search of Rose (Caren Pistorius), the woman he's in love with. Along with her father, John (Rory McCann), they had to flee from Scotland after an incident with Jay's father. Jay is clueless about the West, but determined. He runs into a former bounty hunter named, Silas (Michael Fassbender) who offers his service as his chaperon realizing he will need protection if he wants to survive in this place. What Jay doesn't know however is that there is a bounty for Rose and her father, and there are many people interested in collecting the reward. Among them there is the eccentric Payne (Ben Mendelsohn) who is an old acquaintance of Silas.

What the film does extremely well in Slow West is balance the western genre with a dry sense of humor. There are plenty of surprisingly funny moments in this film that help build the story. Through a series of fortunate (and misfortunate) events we follow these characters through their journey. Kodi Smit-McPhee and Michael Fassbender share strong chemistry together and keep us hooked during the slowly paced scene. There is a memorable scene that takes place in a store/bar during the first half of the film and a fantastic final shoot out at the end, which stands out from most Westerns. The film has a unique taste to it and some interesting characters, but the gorgeous cinematography is what stands out in this immense landscape. It's only 84 minutes long, but it is a perfect fit for this movie which ends in memorable fashion. It took its time to grow on me, but the more I think about it the more I end up liking this film. I've always been a huge fan of the Western genre, and adding Michael Fassbender to that mix only makes this an even more rewarding experience.

Slow West is stylish and uses its gorgeous landscape very well (it was actually filmed in New Zealand), but it also includes a dreamy atmosphere and plenty of humor. There is a scene during the beginning of the film where Jay is looking at the night stars and pointing his gun towards them and as he imaginarily shoots at them, they light up. There are plenty of dreamy sequences like this one, but there is also plenty of dry humor as well. There is a narration over a camp fire about an outlaw who wants his very own wanted poster. Ben Mendelsohn's eccentric coat is also a feast for the eyes which adds its comedic touch. Slow West has a great cast and it is a film worth recommending.

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Slow West may live up to it's title but it also proves that a slow pace does not mean it can't be action laced, fun and exciting.

Michael Fassbender does an old school style western that reminds me of Eastwood in his glory days. He portrays a man helping a boy from Scotland find his sweetheart who had to skip the country and head to America's West.

The movie was visually stunning as the filmmaker used a lot of cool camera tricks to make the Frontier look like colorful art work.

Went to see the movie cause Michael Fassbender was in it and I got real nervous as the picture started and I realized how slow it was going, but even though the pace staid slow the energy of the movie does not.

Slow west is filled with all the good stuff you loved, with Michael Fassbender playing the anti hero and Ben Mendelsohn playing the colorful villain. Even the fact that it was shot beautifully in New Zealand is a homage to the old school westerns that were shot in Italy.

Nothing but cool.

(2015) Slow West WESTERN ART HOUSE

Written and directed by John Maclean directing art house movie of young Irish teenage boy, Jay Cavendish (Kodi Smit-McPhee) attempting to find his young crush, Rose (Caren Pistorius ) when he used to live in Scotland, and hires bounty hunter, Silas Selleck (Michael Fassbender credited as co-executive producer) to locate the house she supposed to live in. You're basically watching it for the scenery and the picturesque landscapes regular movie watchers does not have time to do often. I'd put this movie in the same category as "Hostile" from 2017, "The Power of the Dog" made 2021 and "The Homesman" to name a few.

Slow West tells the story of Jay Cavendish (Kodi Smit-McPhee), a naive and courageous kid who embarks on a dangerous journey to the West, determined to find his love, a beautiful young woman, Rose (Caren Pistorius). He meets and accepts the guidance of Silas (Michael Fassbender), a laid-back gunslinger versed in the ways of the West.

Jay, an idealist and a neophyte to the perils of the wilderness, illustrates a touching contrast between his educated, delicate nature and the wickedness around him.

The director (John Maclean) controls and carefully addresses all his characters, adds purpose and exquisite emotion, portraying the fragile yet ambitious Jay in a story set with a glance of surrealism.

It is not a typical action-packed western, but it is a treat with its stunning cinematography, framing intimate and colorful scenes, both subtle and vivid comical situations and characters, a well-paced feel-good experience.