Saat po long 2

It has taken slightly more than a decade for someone to pull off an 'SPL' sequel, but not for a lack of trying. Hey, it isn't quite so straightforward to make a sequel to a movie which had the balls to kill off each one of its three main characters played by Donnie Yen, Hung and Yam, and this long-awaited sequel is even more gratifying because it is in many ways as good as, if not better, than the original.

Rather than be tied down by the events of the first movie, incoming writers Jill Leung Lai-yin and Wong Ying have gone for a completely new narrative that honours the themes in the original. Yes, for the uninitiated, 'SPL' stands for the names of the three stars in Chinese astrology that signify destruction, conflict and greed, and just as these elements drove the characters in the first movie to their fateful end, so too do they propel the destinies of the main characters here – Kit (Wu Jing), a drug-addicted Hong Kong undercover cop in an organ trafficking syndicate who finds himself in a Thai prison after his cover is blown; Wah (Yam), his uncle and handler also assigned to the same case; and Chai (Tony Jaa), a guard at the prison Kit is locked up in whose daughter Sa is suffering from leukaemia and needs a bone marrow transplant soon.

As it turns out, the potential donor which the hospital has identified for Chai's daughter happens to be Kit, though both will remain unaware of that stroke of fate until much later. It is a somewhat implausible coincidence no doubt, one that we would readily scoff at in any other movie, but which you'll have to accept as being central to 'SPL 2's' very premise. The other intertwining thread of events has to do with Hung (Louis Koo), the ailing leader of the aforementioned syndicate which he runs with the corrupt prison warden Ko (Max Zhang) at the penitentiary Kit has been sent into. Hung himself is in need of a life-saving heart transplant, although because of his rare Bombay blood type, his only hope lies in his younger brother Bill (Jun Hung), whom he resorts to kidnapping when the latter refuses to donate his very organ.

Whereas the emphasis was very much on Yen's action and action choreography previously, this sequel pays a lot more attention to both character and storytelling. Indeed, each one of the many characters is distinctly defined by their proclivity to preserve their own life and/or that of a loved one, while being forced to confront how far they are willing to go to compromise their own sense of morality, justice or duty. In particular, Jaa gets his meatiest role yet playing a father who is forced to choose between a human cure for his daughter's blood ailment in exchange for his silence on the illegal skin trade happening right under his watch, and the actor gives probably his most nuanced performance to date. Also noteworthy is Koo's villainous turn, whose character justifying his selfish deed by the countless other lives he has saved before.

It is to Cheang's credit that the various narrative threads never get confusing, especially so at the start when he jumps back and forth to explain how Kit landed in prison. Though it may seem like a gimmick, the non-linear manner in which Cheang introduces us to his disparate characters eventually makes for a surprisingly compelling plot for a film of its genre, which often treats the latter as no more than filler in between the crowd-pleasing action sequences. Not that Cheang neglects the latter though – it is for its hard-hitting action that its predecessor was known for, and with action director Li Chung-Chi, this sequel honours that spirit with some truly exhilarating fights of its own.

Because Wu Jing, Zhang Jin and Tony Jaa are martial artists in their own right, there is no need for that sort of distracting camera-work that Hollywood action movies seem to be very fond of in recent years. Yes, Kenny Tse's cinematography is clean, simple and crisp, conveying the balletic moves of the stars who are front and centre in each and every one of the sequences. Li choreographs the poetic mayhem with flair, which consists of impressive set-pieces, such as a shootout at Hong Kong's new cruise terminal following a sting operation and no less than a full-scale prison riot filmed in one single unbroken tracking shot, as well as intimate mano-a-mano fights between the principal characters.

The best is saved for last, as Kit and Chai make their last stand against Ko and his henchmen in the penthouse of the Lotus Medical Centre in Thailand. The scenes towards the end where Kit and Chai tag-team to take down Ko are especially exhilarating, and most certainly match up to the sheer thrill of watching Donnie Yen and Wu Jing go at each other in a narrow alleyway in the first movie. Yes, those wondering if this sequel lives up to the action orgasm of its predecessor need not worry; the combination of Tony Jaa, Wu Jing and Zhang Jin makes for just a lethal concoction of bare-knuckle fights and bone-crunching violence.

But more than just a pastiche of well-staged action sequences stitched together, this sequel is a better film on the whole than the original thanks to an engaging story and some genuinely empathetic characters. Yes, the premise itself guarantees a certain degree of narrative contrivance, but Cheang's film preserves the no- holds-barred spirit of its predecessor while delivering a compelling crime/ morality thriller. It's as good a follow-up as fans will get, and well-worth the decade wait for one of the best action films you'll see this year.

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SPL 2: A Time for Consequences (2015) (Chinese Action/Drama).

Tony Jaa has been on a streak of underwhelming movies lately. I have yet to see his collaborations with Dolph Lundgren, but I can say that "Ong Bak 3" and "Tom Yum Goong 2" were not up to his previously established levels of quality martial arts action. Thankfully, he's back in form here. Wu Jing's manager wasted his talents on middling films for the past half decade, but he's back on track as well. SPL 2 is here.

I'm sorry, but you can have your Batman v. Superman movie, because Tony Jaa v. Wu Jing is every contemporary martial arts lover's dream come true . . . and it friggin' delivers! A drug-addict (Jing) and prison security guard (Jaa) try to save themselves and/or loved ones while trapped within a black market organ theft organization. This film spends quite a bit of time developing the story and characters, and is mostly successful at doing so despite a few improbable coincidences. The performances are good all-around, and both leads give what is likely the best performances of their careers. But what about the action? Well, it's very impressive and plentiful enough to satisfy. The choreography is fast and precise, with only marginal use of wires. Watching Jing and Jaa fight within the same camera frame is both orgasmic and exciting.

This movie is incredible. It's significantly better than the first (which I thought was awesome). There is much more action, done more creatively, shot amazingly. You can see everything, wide shots, and long takes. The action scenes are infinitely intense. You can't take your eyes off the screen.

But the thing that separates this movie is the story and characters. The story is phenomenal. It gave me The Departed vibes. I cared so much about the characters and their wellbeing. And the music was perfectly fitting.

This movie played with my emotions so many times. It knew exactly what it was doing. I knew exactly what it was doing. And I didn't mind. It did it so well. The emotional moments hit hard.

I would normally give it 8 stars and wait until the second viewing to confirm if it should be a 9, but I feel like some of the tension might be missing when I know the general outcome. As a first time viewing experience, I had a BLAST. I clapped in excitement numerous times (even though I watched it alone lol).

EDIT: On second viewing, it hit JUST AS HARD. I absolutely love this movie. Not only am I confirming 9 stars, I came close to bumping it to a 10, a rating I almost never give. I still might on third viewing.

(2 viewings, 2/16/2021, 7/9/2023)

A little misleading with Tony Jaa on the poster. He plays a prison guard whose trying to get help for his sick child, but his character is not as forefront as you'd expect, but it's all good cause Jaa brings the heat.

Most of Jaa's movies are designed like video games, with Jaa fighting a few random henchmen and then fighting the master of the level (sometimes more like a fighting game where Jaa fights one kung fu master, after the other). In this movie he's more dramatic than action oriented, which is why he keeps the marshal arts real basic.

But basic turns out to be good. Not brushing off what a huge fan I am of Jaa, but there is a certain gimmick he's going for in films like Ong bak as he showcases all he's capable of, but there was something about Jaa just doing the basic kicks and punches that felt more electrifying.

Plus he got to show that he has slightly a little more acting skill than we think (although the love he shows for his daughter is no different than the love he showed for the elephants in the Protector)

As for the rest of the film, it was certainly a well done crime drama. It's a very complex story filmed well and with great action sequences that keep you interested. Good watch.

An unrelated sequel that sees Wu Jing and Simon Yam returning in new roles. Actually "SPL 2" had a strong cast with all round solid performances. For me Louis Koo stood out as he simply oozed of creepy menace as the mastermind of the major crime syndicate in urgent need of a heart transplant that only his unwilling brother could provide, causing the ripple effect to what was to implode.

To start off I was kind of lukewarm, but steadily the characters and story, which heavy on context and definition began to grow on me and eventually come on big. There's no trying to connect the dots, as each thing is laid out in front of you in a careful, deliberate manner involving undercover police operations, organ trafficking, kidnappings, corruption and a sick little girl in need of a bone marrow donor. This leads to everything coming around 360 degrees in a real twist of fate when all these pivotal elements collide beyond their control and the usage of the action felt more in line with the story.

The action choreography on the other hand won me over from the get-go. No camera tricky, and few quick edits in what was technically flawless in the picturesque framing of the high risk stunts, bone crunching martial arts, or hyperbolic shootouts and lethal blade work. Each exhilarating set-up seemed to up the ante, although for me it peaked at the midway point with the prison riot. But still the ballistic showndown finale between Tony Jaa, Wu Jing and Zhang Jin is nothing short than spectacular including the backdrop where it takes place. In spite of some clunky story-telling, it's riveting HK action cinema