Luther: Cae la noche

Luther: The Fallen Sun is a Netflix film that serves as a continuation of the BBC series Luther, starring Idris Elba as John Luther, a brilliant but troubled detective who breaks out of prison to hunt down a serial killer. While fans of the show might be excited to see Elba reprise his iconic role, they will likely be let down by this film's lackluster plot, weak villain and wasted potential.

The film suffers from a lack of originality and suspense, as it recycles many elements from previous seasons of Luther, such as Luther's relationship with Alice Morgan (Ruth Wilson), his former partner Justin Ripley (Warren Brown) and his new ally Angela Rose (Cynthia Erivo). The serial killer, played by Andy Serkis, is a cartoonish and unconvincing antagonist who has a vague motive and an unrealistic plan. The film also fails to explore Luther's character development or moral dilemmas, instead relying on clichés and contrivances.

The only saving grace of this film is Idris Elba's performance, which is still charismatic and compelling despite the weak material. He manages to convey Luther's inner turmoil and determination with subtlety and intensity. However, even he cannot elevate this film above its mediocrity. Luther: The Fallen Sun is a disappointing return for one of TV's most complex and captivating detectives.

Luther: The Fallen Sun is a solid film that delves into complex themes surrounding technology, humanity, and morality. However, while the film does a decent job of exploring these themes, it ultimately falls short in its execution.

Many of the themes explored in Luther have already been tackled more effectively by other films and TV shows. In particular, Black Mirror has done an excellent job of exploring similar themes surrounding technology and its impact on humanity.

Idris Elba is terrific in the role as always, and I'll always watch Andy Serkis, but can't help feel a little disappointed in this film.

I have but one thing to say: Police divers.

There is a plot convenience towards the end of this film that seems...well...totally stupid. In fact, there are several plot elements throughout the film that are ludicrous. But regarding the aforementioned 'convenience' in the third act; we see the police travelling, via helicopter, to an unknown snowy region to affect an arrest. Why would a last minute, 'time is of the essence', tactical operation in the snow have already geared up police divers?? In the snow? In helicopters? In wetsuits? It hurt my brain.

I have no issue with the occasional plot 'convenience' in order to propel the story forward, but this film takes tremendous liberties that insult the viewers intelligence. It seems lazy and ultimately does a disservice to our protagonist.

Having said all of this, it's still a watchable film. The first act is by far the strongest and most investing, whilst the second and third are serviceable, if not bloated - the film was 30 minutes too long. Our antagonist also lacks any realistic, discernable motivation. Andy Serkis is menacing and creepy in some scenes, whilst being laughably 'unmenacing' in others. I struggled to buy into his criminal 'genius' as well as his physicality in the fight scenes. Speaking of which, some of the fights are well choreographed and executed (particularly the prison scenes), whilst others look and feel fake.

All things considered, it's a solid if slightly forgettable outing for Luther. Elba is fantastic, as always, but is let down by a loose script.

I loved the first television series of this gritty and challenging police drama. Sadly, now we have reached a nadir for this charismatic and unorthodox character. The story is so ridiculously far-fetched that it reminded me of something Mark Gatiss might have written for "Sherlock" before he watched "No Time To Die" (2021) and thought - nah! It all starts when youngster "Callum" is dragged away from his night-time cleaning job by a mysterious phone call. Next thing we know, "Luther" (Idris Elba) is at a crime scene with no sign of the boy but with a victim in her car that has been missing for ages. Enter the completely un-menacing "Robey" (Andy Serkis) and pretty soon our favourite policeman is incarcerated for a career of systematic rule-bending/breaking and this rather evil monster now proceeds to prove that evil can prevail - and on a fairly spectacular scale. This story is, frankly, preposterous and as the film lumbers along for over two ours I really struggled to remain engaged as it moved from suicide scenarios to far more brutal killings - but what, exactly, is motivating this man is anyone's guess. He appears to have acquired control over a vast network of technology and people to effect his dastardly plan but none of that even vaguely rings plausible. The last twenty minutes are just plain silly and overall, the writing is all rather poor: "They'll kill you John" - "I can live with that!" - not an hint of irony there, neither. This is a pretty shameless attempt to capitalise on a strong character made memorable by a charismatic actor and a series of solid stories. This film has thrown all of those under the snowplough.

Not on the level of the Luther series and it does have its absurd moments but don't all police procedurals? Idris Elba is awesome as usual and Cynthia Erivo is a wonderful addition to the cast. I think the casting was inspired, even if the story was borderline absurd. It is a clear set up for additional stories about Luther and I look forward to more Luther films or a continuation of the very good series this film is based on. I don't get the hating on this film. It's not nearly as good as the series but it's better than some people are giving credit for. It's worth the little under 2 hours of your time.