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7.9/10
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Con el telón de fondo de un palacio tradicional coreano, este drama de fantasía cuenta la conmovedora historia de amor entre un rey y una chamán.Con el telón de fondo de un palacio tradicional coreano, este drama de fantasía cuenta la conmovedora historia de amor entre un rey y una chamán.Con el telón de fondo de un palacio tradicional coreano, este drama de fantasía cuenta la conmovedora historia de amor entre un rey y una chamán.
- Premios
- 6 premios ganados y 19 nominaciones en total
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Opiniones destacadas
sure, a fairy tale. a Korean one, with the entire flavor of spices and scents and beauty and bitter joy. with slices of drama in brilliant clothes. with delicate romanticism and links between so different worlds. but, in same measure, chronicle of a fight. for love. and for self definition. the young king looking the right manner to solve the crisis. the young woman looking be herself and, in same measure, the good answer to the challenges around her. so, a film who preserves many ingredients from the historical films from South Korea cinema. but , in same measure, who remains special. for its delicate and precise use of poetry
I am finding this show good in storyline and visuals, but excruciatingly slow and painful to watch. Each episode could be cut in half and still achieve the same goal. The switch of characters in the time jump baffled me as they looked nothing alike and it took me 3 slow episodes to figure it out. While i feel like I've complained a lot, the storyline is good and interesting and the costumes and sets are beautiful. I just wish i didn't fall asleep midway through every episode.
it is an inspired mixture between grace of fairy tale and force of cultural message. a seductive love story and remember of values, naive and profound. the feelings and the power. the sacrifice and the force of emotion. the past as veil and the pressure of duty. the meetings and the transformation of universe. at first sigh,nothing new. the Korean movies are masters of this kind of magic. but something seems be different. maybe,the subtle details, the precise performance of the young actors,the tension circles and the carefully made of the end. a film who can be more than a show. who is not exactly memorable. but it has the art to be, like a small river, good occasion to rediscover the beauty behind the reality of every day. and that fact represents, not doubt, a precious virtue.
Who the hell decided to cast Han Ga-In as a grown-up Kim Yoo-Jung ? It was a terrible mistake and totally destroyed the show! With all due respect to her, she looks nothing like Kim Yoo-Jung and frankly her acting was mediocre at best. Funny thing is, Nam Bo-Ra would have been so much better for this role as one could easily believe thats a grown up Kim Yoo-Jung. Han Ga-In would have suited much better as a grown-up Joon Bo-gyeong.
It was a great storyline but the bad casting spoiled the show for me. I still gave it 6 because of Kim Yoo-jung in first 8 episodes and wonderful performance by Kim Soo-Hyun as the King in remaining episodes.
It was a great storyline but the bad casting spoiled the show for me. I still gave it 6 because of Kim Yoo-jung in first 8 episodes and wonderful performance by Kim Soo-Hyun as the King in remaining episodes.
The younger cast had 6 episodes and really built a solid base for the drama. Their acting range were far superior to all the adults, except Kim Soohyun that reprises their roles.
The female lead was like a card board cutout that utters only the dialogues. She had just one emotion: Act Surprised!
There was no chemistry between her and the male lead. And their love story felt flat. The only saving grace was the Lee Hwon character, which was greatly built up by Yeo Jingoo and successfully continued by Kim Soohyun. The character is absolutely iconic! Props to the actors and the writers.
The story was sweet too (if not for the female lead for ruining it for me). I loved the comedy between the King and his servant, as well as the bromance between the brothers.
This is a solid drama. And would have been a masterpiece had they casted an actress who can actually act.
The female lead was like a card board cutout that utters only the dialogues. She had just one emotion: Act Surprised!
There was no chemistry between her and the male lead. And their love story felt flat. The only saving grace was the Lee Hwon character, which was greatly built up by Yeo Jingoo and successfully continued by Kim Soohyun. The character is absolutely iconic! Props to the actors and the writers.
The story was sweet too (if not for the female lead for ruining it for me). I loved the comedy between the King and his servant, as well as the bromance between the brothers.
This is a solid drama. And would have been a masterpiece had they casted an actress who can actually act.
¿Sabías que…?
- TriviaBased on the novel "The Moon that Embraces the Sun" by Jung Eun Gwol.
- Bandas sonorasThe moonlight is setting
by Heora
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Moon Embracing the Sun
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