Agrega una trama en tu idiomaA live telecast of the famous Rodgers and Hammerstein musical.A live telecast of the famous Rodgers and Hammerstein musical.A live telecast of the famous Rodgers and Hammerstein musical.
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Sophia Anne Caruso
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So viewers are aware, this is not a remake of the 1965 movie. This is a television production of the Broadway show.
This was old-fashioned TV. In the 1950s, much television was broadcast live, and performances of musicals were frequent. This was essentially a televised stage performance, with simple sets and no special effects. The company performed the 1959 Broadway version of "The Sound of Music," with one exception: the song "An Ordinary Couple" from the original production was removed and replaced with "Something Good," which was written for the 1965 film version.
Viewers unfamiliar with the stage version might not recognize two other songs from the Broadway show not included in the 1965 film (but included in this production), "No Way to Stop It" and "How Can Love Survive." The latter song is one of the most well-crafted lyrics of Oscar Hammerstein II.
The cast did a very good job, but there is no question that it could have been better with a prerecorded format instead of performing live for the sake of novelty.
If television broadcast more musicals in this format, it would be most welcome.
This was old-fashioned TV. In the 1950s, much television was broadcast live, and performances of musicals were frequent. This was essentially a televised stage performance, with simple sets and no special effects. The company performed the 1959 Broadway version of "The Sound of Music," with one exception: the song "An Ordinary Couple" from the original production was removed and replaced with "Something Good," which was written for the 1965 film version.
Viewers unfamiliar with the stage version might not recognize two other songs from the Broadway show not included in the 1965 film (but included in this production), "No Way to Stop It" and "How Can Love Survive." The latter song is one of the most well-crafted lyrics of Oscar Hammerstein II.
The cast did a very good job, but there is no question that it could have been better with a prerecorded format instead of performing live for the sake of novelty.
If television broadcast more musicals in this format, it would be most welcome.
I've read most of the reviews coming out and am surprised: why, and how, do you compare a live performance on television to a carefully filmed and edited movie? I don't think you can, nor do I think it's fair. Be closer to compare this to the live Broadway production of The Sound of Music with Mary Martin, but that ran for many performances, allowing ample time to work out the rough edges.
I thought it was fantastic. I haven't seen a live production on TV like this in decades. Kudos to everyone who produced it, I thought Carrie Underwood was fantastic, if slightly out of breath early in the movie from the hectic costume changes and dance/singing routines. Mother Superior was fabulous in both acting and singing. I love the sets. I'd like to see a WHOLE lot more TV like this.
I thought it was fantastic. I haven't seen a live production on TV like this in decades. Kudos to everyone who produced it, I thought Carrie Underwood was fantastic, if slightly out of breath early in the movie from the hectic costume changes and dance/singing routines. Mother Superior was fabulous in both acting and singing. I love the sets. I'd like to see a WHOLE lot more TV like this.
When I first saw the promos for this show, I thought sarcastically 'oh great, a country version of a classic. Just what we need.' I never particularly like the singing of Ms. Underwood, finding her voice rather harsh at times. But, as I flicked through the channels and noticed it was on (I had no intention of watching it), curiosity got the best of me and I tuned in. Well, I stayed until the end. While all of the performances were excellent, I want to give special recognition to Ms. Underwood. This was an extraordinarily brave undertaking in the face of preconceived notions, and she basically said 'in your face' people. Whatever voice training she went through worked, and the harshness and twang that accompanies some of her country stuff was virtually gone. So, congrats to all involved, and especially to Carrie Underwood. Many would never have attempted what she accomplished.
As a 40-something would-be tough guy, I like to think I'm Han Solo stuck in the 21st century so I sure as hell ain't gonna watch a girly show like The Sound of Music. After avoiding this program all these years I finally sat down and watched Carrie Underwood's version on Thursday night after seeing it advertised on my local NBC news. I figured I should make an effort to get in touch with the world of performing arts.
This presentation of The Sound of Music was wonderful. Now, I didn't know the storyline nor the original music, so for me, this was a blessing. Great singing, sets, costumes; just a fantastic production all around. I thoroughly enjoyed it. Carrie Underwood is really pretty, too.
This presentation of The Sound of Music was wonderful. Now, I didn't know the storyline nor the original music, so for me, this was a blessing. Great singing, sets, costumes; just a fantastic production all around. I thoroughly enjoyed it. Carrie Underwood is really pretty, too.
First, kudos for creating a live television presentation.
Please please please... more. I and I know many would flock to this kind of live performance.
Next, too easy to do the comparison thing. But unavoidable... so must qualify this by declaring the obvious intimacy of film versus the live TV/stage adaptation. And there it is... intimacy of film. One is hard pressed to not draw those comparisons in spite of this.
So let's... first Ms Underwood. Most excellent to give this a go. She is also not an actress. It was obvious. There is no substitute for having worked on stage, as an actress. There was a distinct lack of depth to the character. And the vocal performance that is markedly different from people with great voices as Ms Underwood has, and seasoned stage actors and actresses as for instance Ms MacDonald has. Ms Underwood hit her marks. And her voice is superb. But the performance lacked that *it* thing. If she would commit to doing more stage work, her depth would grow. As it was, it was a thin performance.
All the other performances were serviceable, and some good. Or as in Ms Audra McDonald, she was superb. Ms McDonald of course is a trained stage actress, and it screams so.
The production quality not the least of which was the musical production was top shelf. And choreography. Well done here.
There was one huge mistake that overtook the entire production however. It must be pointed out. The lack of a live audience was a huge misstep. The 1965 version had the huge advantage of the intimacy of film. In choosing to do a live TV version, what would have bridged that difference would have been to honor what live stage productions have... and that is a living breathing audience. The energy, the ambiance, everything would have been greatly influenced by this. Not having it in my opinion crippled the experience. If there is a future attempt at a live TV production of anything.... do not make this same mistake. You must must must have the energy that a live audience brings to a production. This would have without question made a significant difference in this current production. Am not sure why there was a choice NOT to have a live audience....
Still, that this happened at all is big. Pleeeeeeeeeeeeeze take on another one, and another one. As the ratings would show, this art, this craft, is alive and quite well. I give mega props for taking this on and hopefully the learning experience will go into future productions...
Please please please... more. I and I know many would flock to this kind of live performance.
Next, too easy to do the comparison thing. But unavoidable... so must qualify this by declaring the obvious intimacy of film versus the live TV/stage adaptation. And there it is... intimacy of film. One is hard pressed to not draw those comparisons in spite of this.
So let's... first Ms Underwood. Most excellent to give this a go. She is also not an actress. It was obvious. There is no substitute for having worked on stage, as an actress. There was a distinct lack of depth to the character. And the vocal performance that is markedly different from people with great voices as Ms Underwood has, and seasoned stage actors and actresses as for instance Ms MacDonald has. Ms Underwood hit her marks. And her voice is superb. But the performance lacked that *it* thing. If she would commit to doing more stage work, her depth would grow. As it was, it was a thin performance.
All the other performances were serviceable, and some good. Or as in Ms Audra McDonald, she was superb. Ms McDonald of course is a trained stage actress, and it screams so.
The production quality not the least of which was the musical production was top shelf. And choreography. Well done here.
There was one huge mistake that overtook the entire production however. It must be pointed out. The lack of a live audience was a huge misstep. The 1965 version had the huge advantage of the intimacy of film. In choosing to do a live TV version, what would have bridged that difference would have been to honor what live stage productions have... and that is a living breathing audience. The energy, the ambiance, everything would have been greatly influenced by this. Not having it in my opinion crippled the experience. If there is a future attempt at a live TV production of anything.... do not make this same mistake. You must must must have the energy that a live audience brings to a production. This would have without question made a significant difference in this current production. Am not sure why there was a choice NOT to have a live audience....
Still, that this happened at all is big. Pleeeeeeeeeeeeeze take on another one, and another one. As the ratings would show, this art, this craft, is alive and quite well. I give mega props for taking this on and hopefully the learning experience will go into future productions...
¿Sabías que…?
- TriviaChristian Borle was terrified that he was accidentally going to break his teacup during the live broadcast.
- ErroresMembers of the Kriegsmarine(Navy of Nazi Germany) did not wear Swastika armbands. Only members of the Nazi party and Hitler Youth wore armbands. Members of the regular military were prohibited from joining any party.
- Citas
Captain Von Trapp: Before you meet the children, you will put on another dress.
Maria Rainer: I haven't any other dress. When we enter the abbey, our worldly clothes are given to the poor.
Captain Von Trapp: What about this one?
Maria Rainer: The poor didn't want this one.
- ConexionesFeatured in Chelsea Lately: Episode #7.186 (2013)
- Bandas sonorasPreludium
(uncredited)
Written by Richard Rodgers and Oscar Hammerstein II
Performed by Audra McDonald, Christiane Noll, Jessica Molaskey, and Elena Shaddow
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