Gui lai

In China, in the early 70s, Lu Yanshi (Daoming Chen), a political prisoner, is released at the end of the Cultural Revolution. When he returns home, he discovers that his wife Feng Wanyu (Gong Li) is suffering from amnesia: she waits every day for the return of her husband, without understanding that he is at her side.

I loved the infinite tenderness that emerges from this film. The rhythm of the film is intentionally slow and we feel a real chemistry between the three main actors (father, mother and daughter). The director Yimou Zhang immerses us in a beautiful love story with the poignant beauty and intense presence of the actress Gong Li, with the extraordinary talent of the actor Daoming Chen who plays soberly in the shadow of his wife, with a neat, delicate and graceful photography.

As a synthesis: behind a slight facade of political pamphlet, a delightful ode of lyricism. 8/9 of 10

Spielberg "cried for an hour" did not lie. I felt like I had been stabbed and watched, and I felt like I was dehydrated when I left the cinema. The Chinese love, which is not fast-paced, is surrounded by the times and shows two sides.

I had high expectation for Zhang Yimou's latest film Coming Home, because he finally went back to tell a simple and plain story. So when I heard there was an advanced screening on May 11, I immediately went to see it. However, after watching this 111-minute movie, I was disappointed. To be precisely, I had mixed feeling about the film, I think it is Zhang's best film since House of Flying Daggers, however it is still not a good film. The story is simple, the cinematography is simple, everything is simple in this film, just like what Zhang promised. He intended to make everything simple, trying so hard to drop his color- using style and maintain simple. However, such simpleness is intended, it is not natural. For simple life story movies (Yi Yi, Platform, The World, A Simple Life), the key to be a great movie is if it could give audience a special feeling and a deep theme through its simpleness. And such thing behind its simpleness is the soul of the movie. However, Coming Home didn't achieve that, I can barely feel anything behind its intended simpleness and schmaltz. Its soul is empty. Still, I have to admit, there are some good sides of the film, especially Gong Li and Chen Daoming's amazing acting. Their performances are superb, one of the best performances I've seen in recent years. Also, I love the well-crafted first 10-minute and the sentimental ending. All in all, I appreciated Zhang's trying of going back to the simple and I wish he could continue that. Coming Home may not be a fantastic film but it is still a well-crafted movie with some touching moments. My score: 7.1

(PS: To understand the film ,be sure to learn some background information and the history about the Cultural Revolution. Due to the censorship in China, Zhang can't tell something about the story too obvious, so if you know nothing about that history, you will be confused by something happens in the film.)

Some of the dialog at the very beginning not quite correct and right during the Chinese Culture Revolution. The Chinese people in that darkest ten years torment, many jargon would not be said like what we heard in this movie. If the protagonist is a "Spy" as his daughter called him, he would already have been shot instead of banished to a far away poor farm as a labor. Such labors at that time were tagged as "Anti-Revolutionist" , "The Left Extremist", "Stinking Old Nine" or "The 5th Black Category Member". There were many carelessly written labeling names or words that didn't comply with that atrocious era. I was just amazed how the billion Chinese would let go of such torturous and treacherous when the Culture Revolution lost its goal and suddenly ended after 10 years living hell. Most Chinese are not like the Jewish people who had suffered so much that they would never let it go and so easily forget what their ancestors suffered. But the Chinese people are such weird species with extremely short memory. When every absurd but cruel movement ended, what they had experienced was just like the old Western saying: "Water under The Bridge", they just took it for granted and awaiting the next movement coming up to torture them. This is also explained why the CCP regime still exists so far, and again, the Chinese people are suffering the prison-like deadly control during a lightweight Omicron virus crisis. They are whining, crying and complaining, but I guess when the CCP decides to end the siege, they would immediately forget what they once suffered, just like what their parents and grandparents had suffered during the Cultural Revolution. Living under the iron fist of the CCP, Short Memory, Letting Go and Moving On maybe are all must-have for the 1.4 billion Chinese subjects?

"Coming Home" (2014 release from China; 110 min.) brings the story of Lu, a "rightist bastard" during the Cultural Revolution. As the movie opens, we see a woman (Feng) and her daughter (Dandan) being called into the Propaganda Office of the girl's school, where they learn that Lu (the husband and father, respectively) has escaped from labor camp, and that they are not to see him. Feng and Lu nevertheless decide to meet up at the train station, where Lu gets captured again. We are then told "Three years later, the Cultural Revolution ends", and Lu arrives back home. Much to his shock, Feng does not recognize him. What caused Feng's amnesia? Will she ultimately recognize him? To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest movie from director Zhang Yimou (best known here for "House of the Flying Daggers"), Here he tackles a potentially sensitive topic in China, namely the horrible Cultural Revolution. But don't think that this is a political movie. Instead, it is a love story that happens to be set during and after the Cultural Revolution. Feng is played by the leading Chinese actress Gong Li (think of her as the Meryl Streep of China), and plays the role with restraint and visible hurt. Special mention also for the beautiful Zhang Huiwen in the role of Dandan (check out the ballet performances!). Last but not least, I couldn't help but notice that the piano you hear in the orchestral score is played by none other than Lang Lang. Bottom line: "Coming Home" is a slow-moving (in the best possible way) movie that examines the long shadows of the Cultural Revolution through the eyes of one particular couple.

This movie is now a year and a half, yet it recently showed up out of the blue at my local art-house theater here in Cincinnati. Better late than never I suppose. The weekday evening screening where I saw this at was attended poorly. A shame. If you are in the mood for a top-notch quality foreign movie that is light years away from your standard Hollywood fare, you may want to give this a try. "Coming Home" is HIGHLY RECOMMENDED!