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Dahomey

  • 2024
  • 1h 8min
CALIFICACIÓN DE IMDb
6.8/10
2.8 k
TU CALIFICACIÓN
Dahomey (2024)
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Reproducir trailer1:21
2 videos
99+ fotos
Documentary

El viaje de 26 tesoros reales expoliados del Reino de Dahomey, expuestos en París, que ahora se devuelven a Benín. Diop expresa artísticamente las reivindicaciones de una nueva generación.El viaje de 26 tesoros reales expoliados del Reino de Dahomey, expuestos en París, que ahora se devuelven a Benín. Diop expresa artísticamente las reivindicaciones de una nueva generación.El viaje de 26 tesoros reales expoliados del Reino de Dahomey, expuestos en París, que ahora se devuelven a Benín. Diop expresa artísticamente las reivindicaciones de una nueva generación.

  • Dirección
    • Mati Diop
  • Guionistas
    • Mati Diop
    • Makenzy Orcel
  • Elenco
    • Lucrèce Hougbelo
    • Parfait Vaiayinon
    • Didier Sedoha Nassangade
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    2.8 k
    TU CALIFICACIÓN
    • Dirección
      • Mati Diop
    • Guionistas
      • Mati Diop
      • Makenzy Orcel
    • Elenco
      • Lucrèce Hougbelo
      • Parfait Vaiayinon
      • Didier Sedoha Nassangade
    • 15Opiniones de los usuarios
    • 84Opiniones de los críticos
    • 85Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 13 premios ganados y 50 nominaciones en total

    Videos2

    Trailer
    Trailer 1:21
    Trailer
    Dahomey: Q&A From NYFF 2024
    Interview 21:37
    Dahomey: Q&A From NYFF 2024
    Dahomey: Q&A From NYFF 2024
    Interview 21:37
    Dahomey: Q&A From NYFF 2024

    Fotos134

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    Ver el cartel
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    Elenco principal48

    Editar
    Lucrèce Hougbelo
    • Voice
    • (voz)
    Parfait Vaiayinon
    • Voice
    • (voz)
    Didier Sedoha Nassangade
    • Voice
    • (voz)
    Sabine Badjogoumin
    • Voice
    • (voz)
    Dowoti Desir
    • Self
    Micheline Ayinon
    • Self
    Bicarel Gnikpo
    • Self
    Nadia Vihoutou Kponadou
    • Self
    Carlos Ounsougan
    • Radio Univers
    Saturnin Olou
    • Radio Univers
    Michael Vogbe
    • Radio Univers
    Pricette Zannou
    • Radio Univers
    Armel Anagonou
    • Radio Univers
    Amour Amoussouvikpo
    • Radio Univers
    Alexandre Viakinnou
    • Radio Univers
    Willyam Klikan
    • Radio Univers
    Wilfried Kiatagan
    • Radio Univers
    Sarkis Gounon
    • Radio Univers
    • Dirección
      • Mati Diop
    • Guionistas
      • Mati Diop
      • Makenzy Orcel
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios15

    6.82.8K
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    Opiniones destacadas

    8JvH48

    Broadening our scope beyond looted art. It showed that we deprived former colonies not only from their natural riches, by also suppressing their local culture

    Saw this at IDFA 2024, the documentary film festival in Amsterdam. It reminded me of a recent visit to Rosenburg Castle in Copenhagen, where lots of ornaments and furniture was displayed, samples out of the collection of former Danish kings. As a not-so-frequent visitor of museums, this was my first confrontation with looted art. (I knew the term in a WW II context, but that is a totally different issue.) And it was by far not my last confrontation, as Denmark was no exception.

    I am now perfectly aware that more countries acted similarly in their colonies. In hindsight I should have known better: names like Ivory Coast and Gold Coast are given for a reason to some parts of Africa. Since then, it stayed on my radar, knowing that the inhabitants at the time were not properly paid for those locally made handicraft, nor for mining materials coming out of their soil. Since then, I see contemporary movements to return those artifacts to the original countries, things I was less aware of before.

    (Along the same line are parallel movements to offer excuses for past misdeeds around grabbing men and women from African countries, shipping them under harsh circumstances over the ocean, and letting them work under even so harsh conditions without proper pay. It seems a different matter, but it comes forth from a similar abuse of power over former colonies, accompanied by a condescending attitude against other races, and supported by the church, e.g. Pope Nicolaas V writing Dum Diversas in1452.)

    It is easy to blindly applaud the return journey of 26 artefacts, going back from Paris to Benin (as the country is called nowadays). This is what we witness in the first half of the documentary. Rather than applauding France's generosity to facilitate this return journey, the 2nd half of this movie shows that it is by far not the last word. Firstly, there is the fact that merely 26 artefacts are just a small fraction of the thousands taken away in past centuries.

    Secondly, there is much more to it, like their native languages and cultures that were "stolen" in the past, by actively suppressing all dialects and forcing everyone to speak French, the language of the ruling colonial country France. The current generation in Benin demonstrates this in open discussions on the matters at hand.

    All in all, this movie is a welcome contribution to our social perception, at least to mine. It worked for me as an eye opener, broadening the scope of how we utilized our colonies, not only by taking away their natural riches but also by suppressing their local culture.
    7vitinhaoriginal

    A necessary debate

    A vital reflection on colonialism and the loss of identity of nations plundered throughout history, and the plundering nature of countries that rose from the suffering of others.

    Dahomey raises important questions about cultural assimilation and the wounds of colonialism that remain open in many cultures exploited by European powers that shield themselves from responsibility in a society that does not care much about the impact of the exploitation of first world countries on the rest of the world.

    Despite the short duration, the dense theme makes the experience a little longer than it seems, but this discomfort is necessary.

    The film captures very well how artifacts from our culture tell our story.
    6mckraut13

    Mostly missed opportunity

    Even though this is a short film it seemed to me to contain a lot of filler. It gained some interest about halfway through with in the public forum segments. With such an interesting subject matter, I felt myself wanting to learn more about the artifacts, the process that got them back to Benin, how and why they were stolen. I found myself annoyed with so many lengthy shots of security cameras, hallways, airports, and moving equipment.

    Listening to Beninese talk about the significance of gaining these pieces back and all of the relics still in France was the meatiest part of this film and the most engaging for me. Often, I feel that a unsubstantial film could be edited for improvement. In this case, I feel that a lot of substance could have been added.
    8Hans_Grob

    Dahomey 1960

    Based on critiques, I was not sure whether I should dislocate to the next cinema to watch this film. One compelling reason: around 1960, the then called Dahomey was the focus of developmental aid by a Swiss supermarket cooperative, as depicted in that bi-weekly magazine. So by watching, I hoped to revive this past experience. Professional ratings are also quite good, and the short duration of only 1h+ would make a bad surprise bearable. It is anyway a weakness of contemporary film-makers to try to give 'substance' by making films of 2hours or more.

    Contrary to some critiques here, the final scene with the discussions by the students was everything else than boring. The question is: what is the truth behind their assertions 'Only some dozens have been brought back, but there were thousands robbed'? I assume, the majour works have been returned.
    8OhmSpectator

    Echoes of Heritage: A Poetic Journey of Artifacts from France to Benin

    The documentary, elevated by poetic undertones, narrates the journey of historical artifacts returning from France to Benin. It highlights the debates among the Beninese about the significance of this event, showcasing a broad spectrum of perspectives. Particularly captivating is the technique of narrating from the artifact's point of view, adding depth and complexity to the audience's understanding. From a technical standpoint, the project is exceptionally well-crafted, impressing with its image quality, thoughtful pacing, and mesmerizing sound.

    As a viewer from Europe, I felt a slight lack of explanation about what modern Benin is like beyond its capital, which would have helped form an opinion on the discussions presented by the Beninese in the film. However, it's clear that the filmmaker did not set out to provide a comprehensive overview of the country's current state.

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    Argumento

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    • Trivia
      Official submission of Senegal for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
    • Citas

      [first lines]

      Voice of Artifact #26: As far back as I can go, there has never been a night so deep and opaque. Here, it is the only possible reality. The beginning and the end. I journeyed so long in my mind but it was so dark in this foreign place that I lost myself in my dreams, becoming one with these walls. Cut off from the land of my birth as if I were dead. There are thousands of us in this night. We all bear the same scars. Uprooted. Ripped out. The spoils of massive plundering. Today, it's me they have chosen like their finest and most legitimate victim! They have named me 26. Not 24. Not 25. Not 30. Just 26.

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de septiembre de 2024 (Francia)
    • Países de origen
      • Francia
      • Senegal
      • Benín
      • Singapur
    • Idiomas
      • Inglés
      • Francés
      • Fon
    • También se conoce como
      • Дагомея
    • Locaciones de filmación
      • Abomey, Benin
    • Productoras
      • Les Films du Bal
      • Fanta Sy
      • Arte France Cinéma
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 100,959
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 25,960
      • 27 oct 2024
    • Total a nivel mundial
      • USD 593,052
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 8 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Surround 5.1
    • Relación de aspecto
      • 1.78 : 1

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