37 días

I admit some of the Geman characters were a bit one dimensional but I wouldn't be so hard on this series as others. I really enjoyed it and missed it when it ended. It was educational, informative and entertaining. I am a fan of history so I might be a bit biased I admit but it was right up my street.

It isn't meant to be a high-budget American blockbuster, but a serious look at a side of the First World War that usually gets little coverage. OK the odd bit of dialogue was less than authentic - but a darn sight more authentic than all the massive bloopers in Downton Abbey! We all know about the battles and the casualties, the assassination of Franz Ferdinand and the Treaty of Versailles, but it is politicians who make wars. Politicians and human frailties. This series focuses on the politicians involved and shows how we come to war by degree and mis-interpretation and not by some big event.

As stated, the performances by the actors playing the English characters were great - understated and probably accurate.

I learnt a lot. Perhaps an abridged version would be useful in schools so those studying GCSE History can see that there was more to it than 'a bloke getting shot in the Balkans'.

The writers of this lousy propaganda have never read any history book, so all series is full of dunno what. Wilhelm wears Iron Cross before the war - it is awarded only in wartime. Similarly, Nicholas wears St George. He was awarded 4th grade only 1915. He has stripes on trousers - in Russian army it is only for generals, and Nicholas was just a Colonel. German uniforms are not correct. Edward Grey acts and speaks as football hooligan. As the rest of British statesmen. Clerks in foreign offices are half-dressed - nobody would allow to show up wearing only a vest. Etc. Generally - watch with shock and awe. Then go to dark corner and weep about decline of education and civilization.

37 Days is an informative, well-paced, even thrilling piece of historical drama with some superb performances from the best of the British. Its approach to the causes of the First World War is both entertaining and educational. However, there are some problems which prevent this mini-series from becoming a true classic.

The greatest problem is that almost all character who are not British are portrayed in a manner most cartoonish; from the German Kaiser to Austrian and French ambassadors all non-British characters are ridiculously over-the-top caricatures, more ludicrous than the characters in Oh! What a Lovely War. And Lovely War is a musical parody.

I can't but wonder why a production which pays so much attention to detail and is slavishly faithful to historical facts makes its characters look one-dimensional caricatures? Especially when all the British characters are portrayed as completely normal and there is true emotion and humanity in the scenes taking place in London. Is portraying the Continental characters as buffoons some kind of a statement or a lousy attempt at comedy by the British production team? In this respect 37 Days brings to mind the Nazi version of Titanic in 1943 where all the English characters are baddies and the German one saves the day. (Another point which bothers me is the portrayal of the last Russian tsar Nicholas II. In this he is shown as an aggressive and stern military man rather than the sensitive and simple family man portrayed in every single film and history book concerning this topic. Could it be that the production team has confused Nicholas II with his father Alexander III because the character in 37 Days truly looks and acts like Alexander?)

Nevertheless, 37 Days is a fresh take on the First World War and includes some wonderful performances. Absolutely phenomenal is Ian McDiarmid as Sir Edward Grey who truly brings realism and humanity to the production which is in places in a danger of becoming a parody because of its cartoonish cavalcade of Continental caricatures or a boring history lesson since all the scenes take place in cabinet meeting rooms. Other great performances are delivered by Bill Paterson, Sinéad Cusack, Nicholas Farrell and Tim Pigott-Smith, to name a few.

This series shows how WW1 started. Nobody actually wanted war, but everybody thought someone else will stop it. When it started, there was no way back.

Talk about a fly on the wall! I was absolutely spellbound, and to just think that I was privy to the inner meetings that led up to this great disaster. The acting was superb, and although, I couldn't say whether the parts were played with accuracy, they were certainly played with an intelligence and real life perfection that would have put German high command to shame.

And this is why I was transformed into a fly. The script, the accessible truth of this fascinating situation, the acting – cor blimey. I'll be watching it again tomorrow.