CALIFICACIÓN DE IMDb
5.7/10
2.3 k
TU CALIFICACIÓN
Inquieta y atormentada por el pasado, Mai es recibida por un nuevo amanecer cuando se hace amiga a regañadientes del donjuán del vecindario. Pero cuando su ayer la alcanza hoy, ¿qué será de ... Leer todoInquieta y atormentada por el pasado, Mai es recibida por un nuevo amanecer cuando se hace amiga a regañadientes del donjuán del vecindario. Pero cuando su ayer la alcanza hoy, ¿qué será de su mañana?Inquieta y atormentada por el pasado, Mai es recibida por un nuevo amanecer cuando se hace amiga a regañadientes del donjuán del vecindario. Pero cuando su ayer la alcanza hoy, ¿qué será de su mañana?
José Alvarez
- Liquor Store Cashier
- (as Jose Alvarez)
Kashyap Harsha Shangari
- Mysterious Man at Restaurant
- (as Kashyap Shangari)
Amit Grover
- Motorcycle Taxi Driver
- (as Amit Rajindar Grover)
Deshraj Gurjar
- Taxi Driver to Airport
- (as Deshraj)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Inheritance is the new thriller by the talented Mr. Burger with an international setting which was shot with an iPhone.
The film was fun in parts, with an interesting premise and a tense chasing scene being the highlights.
Unfortunately i found the writing lazy with stereotypical characters, predictable twists and a "gotcha" finale that you can see coming from miles away.
What i didn't "get" also was the "shot with an iPhone" choice. It didn't add anything new in the handheld camera style cinematography. On the contrary, the image quality on the big screen, especially during the dark scenes and scenes with high contrast was problematic and distracting, looking cheap instead of realistic.
I would recommend this film, if you don't have anything more interesting to see.
The film was fun in parts, with an interesting premise and a tense chasing scene being the highlights.
Unfortunately i found the writing lazy with stereotypical characters, predictable twists and a "gotcha" finale that you can see coming from miles away.
What i didn't "get" also was the "shot with an iPhone" choice. It didn't add anything new in the handheld camera style cinematography. On the contrary, the image quality on the big screen, especially during the dark scenes and scenes with high contrast was problematic and distracting, looking cheap instead of realistic.
I would recommend this film, if you don't have anything more interesting to see.
This director also made Limitless, one of my all time guilty pleasure. The movie is better than what they say, I was on the edge of my couch for the first hour, it's more than can be said than most blockbusters these days, and cost not much to make by the look of it. Then, just like Limitless, the whole thing becomes improbable towards the end, any suspension of disbelief will be tested. Special mention to the chick, what a talent! Watch this on a rainy day and if nothing else, you'll be grateful you're not runing from Interpol in the slum Delhi. If you pay attention in the end credits you'll get the info that reveals how much is the inheritance.
Forgettable film from start to finish , besides being in Egypt, India and South Korea. It is true that there is no tension sauf a little in Egypt and more of it in India. I don't know why this movie was made considering what happens in the end.
Is it iPhone filming prowess advertisement? Does it bear a hidden message? Is it a sort of wicked encouragement?
At least, I got to travel without a visa to three beautiful countries glued to Maya.
Is it iPhone filming prowess advertisement? Does it bear a hidden message? Is it a sort of wicked encouragement?
At least, I got to travel without a visa to three beautiful countries glued to Maya.
- Screenplay/storyline/plots: 5
- Production value/impact: 4.5
- Development: 6.5
- Realism: 5
- Entertainment: 6
- Acting: 6
- Filming/photography/cinematography: 7
- VFX: 7.5
- Music/score/sound: 6
- Depth: 3
- Logic: 2
- Flow: 7
- Drama/mini thriller/conspiracy/mini action: 5
- Ending: 3.
Inheritance feels like it was made on a modest budget, but that actually works in its favor. The handheld, action-cam style gives it a gritty, immersive feel without being distracting. The story is fine; nothing groundbreaking, but it holds your attention, and the ending ties it all together nicely. The cast delivers solid performances, and the locations are visually interesting. But the real standout is the soundtrack. Seriously impressive work by Paul Leonard-Morgan. It's layered, tense, and adds so much atmosphere. Overall, it's a decent watch with just enough mood and momentum to make it worthwhile.
I enjoyed how the camera was weld for this film. Other reviewers I've read seem displeased by the "held camcorder" style, however I found this attempt to be a different and fresh way to use it. For instance, the shots of how pedestrians looked at the main character as she's walking through the streets. It focused on how others perceive her rather than how she perceived her surroundings. Which for the India sequences was true to form. The men are known to gawk at American women and cat call them profusely. Also, never have I felt like an actual tourist to to the many different countries visited in the movie. The tone, pace, shots, extras, and all together vibe made me feel as if I was actually visiting the pyramids in Egypt, travels a train through India, and walked the streets of South Korea. I watch a lot of film and never have felt what it must be like to be a tourist in the locations the movie was at.
¿Sabías que…?
- TriviaFilmed entirely on an iPhone.
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 192,223
- Fin de semana de estreno en EE. UU. y Canadá
- USD 124,817
- 26 ene 2025
- Total a nivel mundial
- USD 425,035
- Tiempo de ejecución
- 1h 41min(101 min)
- Color
- Relación de aspecto
- 1.78 : 1
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