Opiniones de Metacritic

It’s a reinvented romantic comedy, sassy and fun, that doesn’t necessarily rely on obvious tropes and is worth the wait.

Emotionally layered, culturally specific, and frequently hilarious, Crazy Rich is a transportive delight, with food montages to die for (the film offers a splendid showcase of Singapore’s justly celebrated street-food scene) and a wedding processional so exquisite I started crying at its sheer beauty.

Fans of Kwan’s books will not be disappointed by Chu’s adaptation, as “Crazy Rich Asians” lovingly brings to life some of the novel’s standout scenes, even as Chiarelli and Lim’s screenplay snips away subplots that detract from Rachel’s journey.

Ultimately, Crazy Rich Asians doesn’t need to subvert all its predictable elements, because even if we know where it’s going, we’ve never seen that story told this way.

It's both a relief and a pleasure to report that this high-gloss rom-com — based on the bestselling novel of a Singaporean author, directed by an Asian-American and featuring an all-Asian cast — is such a thoroughly captivating exploration of the rarefied question of whether true love can conquer head-spinning wealth.

In a crisp, authoritative, sometimes startlingly vulnerable performance that never lapses into dragon-lady stereotype, Yeoh brilliantly articulates the unique relationship between Asian parents and their children, the intricate chain of love, guilt, devotion and sacrifice that binds them for eternity.

Jon M. Chu’s film certainly delivers on the lavish trappings of the former interpretation, but if the latter is meant to be the mood of the film, it falls a little short. I wanted things to be a little crazier, I guess, wild high-society intrigue staged with the satisfying bite of mean, wicked satire.

If the storyline is strictly something old and borrowed, though, a peek at the crazy-rich rainbow of Asian experience — even one as razzle-dazzlingly too-much as this one — feels not just new, but way overdue.

Director Jon M. Chu (“Step Up 2: The Streets”) has crafted a broadly appealing charmer in which practically anyone can identify with Wu’s character as she’s whisked into this elite milieu.

To be sure, there are meaningful observations here about the ways that money warps relationships and how children struggle with their heritage. But by trying so hard to concoct a blowout party, the movie exhausts and frustrates as much as it enlightens and delights.