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. It tells you stories not to teach you a lesson but to make you sit with your discomfort. It explores how people express loneliness, trauma, and longing through things bikes, bags, phones, and even strangers. Every item in the film holds emotional weight. Every theft is a symptom of something deeper This is a film that trusts its audience. It doesn't explain everything, and it doesn't apologize for its pace or ambiguity. If you give it your time and attention, it'll reward you with reflection, empathy, and maybe even a bit of self-awareness.

In a sea of predictable OTT content, this one stands out quietly but confidently.

Debutant director has done a nice job in this slick thriller movie.plot has good twist and turns keeping viewer engaged. The second half does get a bit tedious at times. Of course there are some places where director takes audience for granted. The cast has done a nice job especially Gautam Vasudev Menon as a cop. The climax with Gautam is a nice work! Enjoyable fun film to watch w First of all it's not only romance but also crime,drama,thriller. I've never expected this film to this muchith family.

Everyone thinking that every movie must have to end like giving some moral for peoples? It's the way it is. That what we have to get from this!. Watch it for twist and turns which you never expect.

"NVNJ is a captivating family film, blending suspense with heartfelt moments. It's a perfect movie to enjoy with your loved ones, and the multiplex experience makes it all the more special!" "The movie takes you on a thrilling ride, filled with unforgettable characters and emotions. Watching it in a multiplex enhances the grandeur of its storytelling." "With its gripping storyline and powerful family themes, NVNJ is a standout film. Watching it on the big screen adds to its immersive experience." "NVNJ strikes the perfect balance between drama and suspense, keeping you engaged from start to finish. The big-screen experience in a multiplex makes it even more enjoyable." "Emotional, thrilling, and packed with life lessons, NVNJ is a cinematic gem. Experience the magic in a multiplex for an unforgettable movie night."👍

Provoking "I didn't expect to be thinking about this film hours after watching it. Each story made me reflect on how materialism and emotions are intertwined. The performances are subtle, no overacting. It's not everyone's cup of tea - the pacing is slow and the endings are open. But for me, it worked. One of the better Kannada OTT films in recent times Dileep Raj totally carried the third story with class. I appreciated that the film didn't preach, but instead just showed people as they are. Very watchable." Need support 💪 for this kind of experiments

Must watch 💯 definately a Narrative mosque.

Worth watching, give it a watch... Felt the rare blend of dibakar bannerjee and sriman raghavan with a touch of maniratnam. No u can't imagine this combination..., which is so raw, I am sure its coming from the Devine place....!! Dont miss to witness and experience this combination on the big screen with the crowd

hardwork is seen in the movie and hats off to the team, defenitely a must watch in theatres, Best Film Of This Year #SuperDirection #WowMusic #AwesomeStory #Blockbuster #Wellmade NVNJ isn't just a movie; it's an experience! Family drama, suspense, and a cinematic brilliance you HAVE to witness in a multiplex. Go book your tickets now!"

An Unconventional Experience If you go into Nimmavastu Galige Neeve Javabdararu expecting a typical Kannada commercial flick - action, romance, or heavy drama - you'll likely be surprised. This film doesn't shout to get your attention. It sits quietly and lets its characters, their mental states, and subtle conflicts do the talking.

At its core, the movie is about the strange emotional bonds we develop with our possessions - sometimes out of habit, sometimes trauma, sometimes control. The title literally means "You are responsible for your belongings" - and the film builds on this concept in a surprisingly profound way.

This movie gently explores how everyday belongings like a bicycle or a phone carry parts of who we are. These objects often hold memories, habits, even fragments of our identity. So when they're lost or stolen, it's not just about the item itself. It feels personal, almost like losing a part of yourself. The film captures this with quiet power, using subtle, intentional visuals and an immersive soundscape that brings the world to life.

There's a stillness to the storytelling that invites you to slow down, observe, and reflect. It leaves you with a quiet ache and a deeper appreciation for the seemingly ordinary.

Nimma Vasthugalige Neeve Javaabdaararu (NVNJ), a Kannada crime anthology directed by debutant Keshav Moorthy, defies conventional genre expectations. Rather than focusing on thrills or dramatic heists, it invites viewers into intimate, slow-burning explorations of what it means to possess something-be it objects, relationships, or even personal identity-in a sprawling, restless city like Bengaluru.

The film is divided into three segments, each with a distinct narrative tone, character palette, and thematic focus. Despite their differences, the stories share a common thread: the frailty of human attachments, and the emotional costs when those attachments are threatened or broken.

Watching NVNJ on OTT platforms like Sun NXT suits its reflective pace. Unlike a packed theater where some nuances might be lost, OTT viewing allows audiences to pause, absorb, and revisit moments. This slow unfolding rewards attentive viewers who appreciate cinema as a meditation rather than mere entertainment.

The film's greatest strength lies in its thematic coherence. Through stories of stolen bikes, kleptomania, and honeytraps, NVNJ probes deep questions about possession: What does it mean to own something? When does love become possessiveness? How do emotional attachments shape our identities? These are universal concerns, and the film's intimate storytelling style makes them feel fresh and urgent.

Nimma Vasthugalige.... is a gripping cinematic experience that blends emotion, drama, and stellar storytelling. The film follows on a journey filled with unexpected twists, raw emotions, and deep conflicts. The performances are outstanding, bringing authenticity to the narrative. The cinematography and background score elevate the mood, making each scene visually and emotionally impactful. While the pacing slows in parts but it is crucial for this kind of narration, the climax delivers a satisfying payoff. Overall, NVNJ is a must-watch for fans of light hearted crime genre, offering a compelling and memorable!!

That's what I thought stepping out of 'Nimma Vasthugalige Neeve Javaabdaararu' (NVNJ). This ain't your typical masala flick, no sir. This film is like a slow-cooked biryani - you gotta let the flavors sink in. It's not about grand gestures or heroes saving the day; it's about the little things, the forgotten things, and the quiet ache of everyday lives. The way they show how a simple stolen phone or a lost bag can unravel a whole person's world, it's just brilliant. It's not just about the theft, you see, it's about what that item means to someone. The director doesn't spoon-feed you, which is a breath of fresh air. You're left to connect the dots, to feel the unspoken emotions. The cinematography, especially, is top-notch, painting a picture that stays with you long after the credits roll. And the sound design? Oh, it's so subtle, yet it pulls you right into the heart of Bengaluru's streets, making you feel every rustle, every distant honk. This isn't just a film; it's an experience, a mirror reflecting our own hidden vulnerabilities. Definitely a must-watch for those who appreciate cinema that makes you think and feel.

The director's debut film showcases a compelling vision that is both fresh and bold. With a keen eye for visual storytelling, they skilfully create a deeply immersive world that pulls audiences in. The narrative, though complex, is handled with confidence, making clear the director's understanding of pacing and emotional depth. Their ability to capture nuanced performances speaks to their potential to work with actors in powerful ways. While some elements feel like they could benefit from refinement, the film stands as a strong start, suggesting that this director is one to watch as they continue to grow and evolve in the industry.

And seeing this from a different country I can see my place where I spent my life where we grew up and had much fun. Thank you for showing the originality of the Bangalore and keeping it local. I am so glad to see natural place instead of the setting and some foreign countries. We love to see Bangalore naturally.

In Nimma Vasthugalige Neeve Javaabdaararu, the most dangerous weapon isn't a gun, a knife, or even a lie-it's silence. And not the poetic, liberating kind. This is the silence of the overlooked, the silence of those spoken around but never to, the kind of quiet that grows in the lives of people reduced to background noise in their own stories. Keshav Moorthy's film is not about theft as a legal offense-it is about theft as existential response. The theft of time. The theft of identity. The theft of self.

What Moorthy achieves is rare: a crime film that doesn't use crime for suspense, but for sorrow. The stealing that happens here isn't about desire or greed; it's about hunger for acknowledgment.

Watching Nimma Vasthugalige Neeve Javabdararu on OTT gives the film a personal touch that a theatrical release may not afford. It's the kind of movie that thrives in a quiet, undistracted environment where you can truly engage with its themes of personal responsibility, societal expectations, and moral dilemmas.

It's not a film for everyone-its slow pacing and introspective nature demand patience-but for those looking for a thought-provoking, character-driven experience, it's a rewarding watch. The film is an invitation to reflect on the choices we make, the consequences that follow, and how we deal with them. Highly recommended for viewers who enjoy philosophical narratives that don't rush to tie everything up neatly.

When I first came across Nimmavastu Galige Neeve Javabdararu on OTT, I didn't expect much. No major hype, no mainstream stars dominating the posters - just a Kannada title that piqued my interest. But what I got was a film that's far more thoughtful, personal, and quietly impactful than most commercial thrillers.

This is an anthology film - three separate stories with no obvious narrative connection, but all exploring the theme of human attachment to material possessions. That idea may sound abstract, but the film presents it in simple, grounded ways through very human characters. It's not preachy or symbolic for the sake of it. It just tells stories of people and the strange relationships they have with the things they own... or steal.

Keshav Moorthy's direction in this film is truly commendable, showcasing his strong storytelling vision and attention to detail. He skillfully brings out the emotional depth of the characters, guiding the actors to deliver nuanced performances. His pacing is precise, allowing moments to breathe and build tension where needed, while never losing sight of the narrative's core. Moorthy's ability to blend visuals with the script is impressive, creating a captivating cinematic experience. His direction ensures that the film resonates long after the credits roll, cementing his position as a talented filmmaker.

This movie is amazing , it has all the elements for great movie drama , suspense , comedy and romance . It starts with comedy and rides you through series of emotions. Totally worth the watch , keeps you glued through out the whole movie.

Amazing songs , the direction and cinematography is really good . All the actors have played their part on point. Theft is expressed in many ways .This movie makes you laugh , makes you think , educates you, showcases romance.

The plot twist is really good , it surprises everyone , you would have not imagined the climax. Great watch, don't miss out on this movie.

The film is refreshingly performance-driven. Keshav Moorthy's direction gives actors room to act without overselling moments. Long takes, close-ups, and silence are used effectively-especially in the first and third stories. It's rare in commercial cinema to see actors not just delivering lines, but embodying themes.

If there's one critique, it's that the third segment perhaps asks too much from its cast in the final twist. The motivations become blurred, and performances can't quite bridge the narrative logic gap. Still, the tension and moral ambiguity created through performance is impressive.

Ultimately, NVNJ is a film that uses its ensemble cast not as props in a message-driven vehicle but as carriers of emotion, tension, and truth. In a world where style often trumps substance, this film reminds us that actors-when given space-can make the simplest moments unforgettable.

The narratives are simple but hold emotional weight. The absence of violence is refreshing in the crime genre. Direction and performances are top-notch. A film that speaks to the heart."A film that proves you don't need gore to tell a good story. It's subtle, thoughtful, and full of relatable moments. Each story flows naturally, keeping the audience engaged. The cinematography and music complement the narrative perfectly. A delightful and meaningful experience"Keshav Moorthy's debut is a breath of fresh air. It focuses on the simplicity of human emotions and actions. The stories feel personal, yet universally appealing. No exaggerated drama, just realistic storytelling.

A commendable attempt that deserves recognition. A perfect mix of light-heartedness and sincerity.

The stories focus on human connections more than crime itself. The direction is smooth, and the performances are natural.

A crime drama without violence, yet impactful.

A delightful watch for thoughtful viewers."

There's a strange kind of silence in Nimma Vasthugalige Neeve Javaabdaararu-not just in its sound design, but in its soul. It is a film about theft, yes, but not in any conventional sense. What is stolen here is dignity, time, identity, and trust. Keshav Moorthy's directorial voice doesn't scream these themes. Instead, he carves them into silence, into glances, into long takes that feel like slow exhalations. The result is a film that doesn't entertain so much as it gently confronts-asking not, "What would you do?" but rather, "What have you already lost without noticing?" On its surface, NVNJ appears to present a loosely structured crime drama.

Nimma Vasthugalige Neeve Javaabdaararu is a quietly ambitious Kannada film that sidesteps traditional anthology tropes in favor of something more cohesive and resonant. While structured around multiple characters and situations, it operates as a single emotional arc that explores the ethics of ownership, control, and invisibility in urban life. What begins as a simple narrative about theft evolves into a reflective study of human behavior, shaped by isolation, desire, and digital decay.

There's a noticeable shift in palette and tempo as the film moves through its phases, but it doesn't feel episodic. Instead, the entire narrative feels like a continuum of one truth refracted through different lives.

NVNJ doesn't rush; it sits with you, allowing every single scene to truly breathe. This deliberate and unhurried pacing isn't a flaw but a profound strength, creating an incredibly immersive experience that deepens viewer engagement on every level. It's a true testament to the power of thoughtful storytelling, letting crucial moments unfold organically and resonate long after the credits roll.

The meticulous scene construction ensures audiences actively absorb the narrative, characters' emotions, and themes. This unique approach allows for a richer exploration, resulting in a memorable and impactful viewing experience that prompts reflection and appreciation for its subtle artistry.

"Nimma Vasthugalige Neeve Javaabdaararu": A Proper Mass Flick, Guru!

Last weekend, I finally managed to catch "Nimma Vasthugalige Neeve Javaabdaararu" at the nearest multiplex, and what a ride it was! Seriously, if you're looking for a Kannada film that breaks away from the usual melodrama or a run-of-the-mill action flick, this one is definitely worth your time. The title itself, which translates to "You are responsible for your own things," hints at some wisdom, but trust me, it's far from preachy.

Story and Direction Without giving away too many spoilers, the story revolves around a common man, played by our very own, who gets caught in a hilarious yet thought-provoking web of events. The director has done a fantastic job of blending social commentary with genuine humor. There were so many moments where the whole theater was just bursting into laughter! The dialogues, especially, are incredibly relatable; you'd think they picked up conversations from a chai shop in Jayanagar or a bus stop in Majestic. It's a true "Ka-nglish" treat - proper Bangalore English meets pure Kannada.

Performances The performances were top-notch. The lead actor, as usual, delivers a stellar performance, beautifully bringing out his character's vulnerability and resilience. The supporting cast also shines, especially the actor who plays his best friend - he delivers some killer one-liners that land perfectly. The chemistry between them is superb and feels incredibly natural, just like your own gang.

Technical Aspects Technically, the movie is pretty solid. The cinematography captures the essence of Bangalore, from its bustling streets to its quieter corners, without making it look like a tourist brochure. The background score is peppy and complements the narrative without being intrusive. And the editing? Crisp, absolutely crisp! There are no dragging scenes and no unnecessary songs popping up out of nowhere, keeping you engaged from the first frame to the last.

Pacing and Message Now, some might say the pacing slows down a bit in the second half, but I felt it was necessary to build emotional depth. It's not just a comedy; it genuinely makes you think about personal responsibility and the choices we make. The underlying message is delivered with such a light touch that it never feels heavy.

Overall Verdict Overall, "Nimma Vasthugalige Neeve Javaabdaararu" is a refreshing watch. It's got heart, humor, and a message that resonates. If you're from Bangalore, you'll appreciate the nuances and the local flavor even more. So, yen guru, don't just sit there, go watch it! You won't regret it. It's proper paisa vasool!