Opiniones de usuarios

I first saw this in 2015 on a dvd. I am writing a review now without revisiting it.

The movie is very very distressing n doesn't require a second viewing.

I hate movies which depict violence towards kids and i can't even stand horror movies where they show onscreen kiddies' death scenes.

The only reason i am generous with the ratings cos it is a very well made film, specially the police investigation n its aided by a top notch acting by the lead actor.

The lead guy is so emotionally exposed on screen that we audiences also feel his turmoil.

The flashback story is poignant with a harrowing n ambiguous ending while the main story is very dark n distressing.

The only time i felt good n did phew was the scene where the lead cop keeps punching the pervert's face.

This movie will remind 8 mm, Prisoners, Bereavement.

"The Treatment" is very dark Belgian thriller, wonderfully directed, never boring, with great music and a brilliant damaged main character.

In the wrong hands, the movie could have turned out a big cliché, but narrative is so well done, that it pretty much keeps you guessing how it ends.

It's not a movie for the squeamish due to several scenes of abuse. Even the implied, off-screen brutality might not be for everyone.

I was very surprise of the high production quality. Until now, "Bullhead" was for me a Belgian film that set high standards in the dark crime genre, but "The Treatment" is a far more balanced and gritty movie.

If you like the "Prisoners", "Se7en", "True Detective" or "The Girl With The Dragon Tattoo", be sure not to miss this!

One of the best and most intense movies I have seen in a long time.

Martyrs (2008) comes to mind but this is much less gory and more psychological but probably as many twists and turns. Funny Games (1997) and its excellent remake also come to mind. The story develops gracefully, which is an odd word to use for a movie like this but I think the writing, the acting and the pace developed a flow that kept me along for the ride the entire time. It kept me guessing and thinking and I love movies that can do that for me. It is very disturbing subject matter so be warned. Not everyone will like this or even be able to watch it. It is not "literally" graphic but it is very emotionally graphic. I would like to only recommend this movie to those who enjoy dark films but this is such a well made movie I feel it deserves a larger audience. Just great cinema if you can challenge yourself to get past the subject matter. Strap in and go along for the ride. For me, it was one of those movies that I literally said "WOW" when the credits rolled.

A difficult film to sit through due to the subject matter it handles pedophilia, incest, assault, and murder, the Treatment is as hard-hitting as it can get. It's best visualized as four episodes with intertwining characters and storylines - a) Inspector Cafmeyer's personal tragedy where his brother supposedly gets abducted by a next-door-pedophile, the fact that he's not been found, and how it haunts him 25 years later. b) The horrific Simons family incident where someone tortures them for days, abducts the couple's young boy and leaves him bitten & murdered in a park. c) A repeat of the earlier mentioned event for another family in the neighborhood. d) The big reveal & the finale.

Geert Van Rampelberg is stupendous as the emotionally broken but smart investigator Cafmeyer, who has to hold himself together as cases echoing his brother's disappearance start to pile up. The unraveling of clues is where The Treatment solidly delivers, some having connections to past events and some requiring a forensic elucidation. While I expected this film to go the typical serial-killer route, it both held my attention and made me fleetingly look away as the case(s) started delving deeper into an underground pedophile ring.

The Treatment is the kind of film where bodily fluids (of its helpless victims) can be sensed from afar. The graphic nature of the film lies rooted in its emotional weights, not the blood-letting. The tension is sustained well, and in fact, lingers in your mind long after the credits start to roll.

The Treatment is a psychologically intense mystery-thriller directed by Hans Herbot. Unusually, it's a Belgian adaption of a British crime novel. Although it is from the Low Countries, it follows very much in the style of Scandinavian noir. It's a pretty uncompromisingly bleak, tense and very dark story that focuses on very troubling subject matter. A police detective is still haunted by the unsolved disappearance of his brother who was suspected of being a victim of a local paedophile. He is thrust into the middle of a new case involving another child abuser whose modus operandi is house invasions of families with a mother, father and young boy. He inflicts particularly horrible perverted actions on his victims, the detective wonders seriously if both stories are linked in some way.

It's quite rare for a film, far less a thriller, to focus on the very unpleasant subject matter of child abuse and paedophiles. The Treatment, therefore, walks a very fine line between being explicit yet stopping short of being exploitative. It's a path that it navigates very successfully though, for this is certainly a disturbing movie that shows enough to make the viewer very uncomfortable, yet knows how to do this without going too far. The mystery itself is layered and deep and draws you in further and further. Things are slowly revealed in sometimes unexpected ways. It wouldn't be right to reveal too much about the plot here, as the best way to approach this one is with as little prior knowledge as possible. It's helped considerably by some very strong acting, in some roles that could not have been easy and would have required some real skill. It is not a film that is going to be for everyone though, as despite the careful treatment it is still very grim stuff on the whole. But for those who like dark thrillers and especially ones who appreciate the northern European variety, this is a keeper.

Some films get a "free pass" i.e. an IMDb rating of 7 or higher (which makes the film a must-watch) because of their subject matter. Any film which deals with difficult subject matter such as child abduction, molestation etc. will automatically pull at the heart strings so you can't really go wrong with them in terms of audience investment in the characters and the story.

Yes, this film is worth watching because you will of course be emotionally impacted (unless you have no feelings) but I've rated the film a 6 based on the merits of the production and writing etc. The film definitely has Hollywood's production quality and the main actors are charismatic if a little hollow.

My main gripe(s) with this film are: movie realism. It is an accepted fact that police officers ALWAYS go off the deep end and break ALL the rules to solve crimes and hell, normal people would too! If I were confronting a paedophile and trying to get information, they'd at least lose a few fingers before I would give up - what the hell is this guy doing? There are so many scenes where you're expecting the lead guy to do something above and beyond to get what he needs but he doesn't and it's so frustrating! and unbelievable! Not just in movie land but in the real world too! Frankly, this guy's police work and deduction skills are appalling (not the actor's fault of course). There was one particular word which connected things but it made no sense that ALL the kids would be using the same word... why?! Did the guy have this word tattooed on his forehead or something??

Too many times I had to go 'urgh, as if' at the screen and the ending was infuriating. ¡It's not exactly Fort Knox though is it!

So it's worth watching just because of the subject matter... except it's not is it? Because the subject matter is revolting.

Truth be told, up until things started to get ridiculous, I would have recommended watching this film but now that I've seen the whole thing, I'm not going to. I still give it a 6 for the production quality and the acting and the (unfortunately) emotional storyline but take the latter out and it's just a glossy Hollywood type film with a lot of flaws in the story telling.

6/10

British crime novelist Mo Hayder's series of Jack Caffery potboilers have been gaining quite a fan following since 2000's inaugural entry Birdman. Surely even the author herself could hardly have hoped for a better introduction to cinema audiences than this Belgian adaptation of its 2001 follow-up The Treatment. Chauvinism aside, a concept largely alien to the majority of the Belgian population let me assure you, this ranks as one of the most accomplished thrillers produced worldwide this year. Underrated director Hans Herbots, most frequently employed in TV but also responsible for one of the more exciting domestic big screen debuts with the English language adaptation of Anne Provoost's popular young adult novel FALLING in 2001, has style to burn but wisely never lets it get in the way of a complex and compelling plot, expertly bowdlerized by respected screenwriter Carl Joos who also adapted Jef Geeraert's classic lowlands noir The Alzheimer Affair for Erik Van Looy's well-received THE MEMORY OF A KILLER.

The Jack Caffery character has been "Flemicized" into Nick Cafmeyer (Geert Van Rampelberg in what should be a star-making performance), hands on police detective carrying the heavy emotional burden of having been a near witness in his early teens to the kidnapping of his kid brother Bjorn. Pointing the finger towards a suspected local pedophile, the creepy Ivan Plettinckx (a devastating turn by Johan van Assche from another Geeraerts adaptation, Jan Verheyen's solid DOSSIER K.), but lack of evidence prevents his conviction. In the twenty-odd years since, Plettinckx has tormented Nick with every conceivable scenario of what might have happened to his sibling, whose body was never located. So when a home-jacking goes tragically wrong and the couple's 9-year old son is abducted, things are about to get profoundly personal for Nick who suspects a link to what happened some two decades ago.

To reveal anything more would be a crying shame as the film (at least for the source novel's non-readers) pulls one shocking surprise after another out of its magician's high hat with nary a false note credibility-wise. True, the culprit's nominal motive for his heinous deeds did strike as a little far-fetched, going as far as raising an unintended smile, but bearing in mind that this emanates from an extremely twisted mindset to begin with quickly puts the narrative back on track. While the movie pulls no punches in detailing the detective's downward spiral, much more is (strongly) suggested rather than explicitly shown, which is a good thing as it involves several unspeakable acts committed on young children, at least one of which is bound to hit you like an 18-wheeler cruising down the highway. The beyond bleak ending cynically bars all exits from this "hell on earth".

A major plus for domestic audiences is that Herbots recruited most of his cast among the reliable but faintly generic second stringers from his TV heritage where more instantly recognizable faces (such as the ubiquitous Jan Decleir or Koen De Bouw) would have harmed the film's brand of stylized semi-documentary realism. Handsome Van Rampelberg has been building an intriguing body of work since the turn of the millennium and brings a febrile intensity to the troubled anti-hero faced with an unbearable judgment call when he has to choose between upholding the law or finally learning what happened to his brother. Although he definitely gets into hot water morally, the viewer will root for him every step of the way. Burly Dominique Van Malder, following an indelible bit part in Peter Monsaert's uneven OFFLINE, equally impresses as a severely socially handicapped neighbor who may unwittingly (?) hold the key to the whole mystery. A prime suspect, scrawny swim teacher Chris Gommaer is played to twitching perfection by Michael Vergauwen whose arrest ranks among the film's most heartbreaking moments, a magnificently composed image shot overhead, indicative of the director's effortless technical brilliance.

Based on the British female thriller writer Mo Hayder's series of books this film makes a great attempt at realising the main character of the books and does not pull any punches with the subject matter.

This film is not for the squeamish; if you think Hannibal Lecter was sick then this one goes off the scale and I have not seen a movie with a more disturbing serial killer's modus operandi in a long time; it really is not for anyone with a faint heart!

Pacing is great, acting is superb from every cast member and I cannot recommend it highly enough - An impressive 7 hatchets out of 10!

The Treatment or originally "de Behandeling" is adapted from a serial novel by Mo Hayder with the help of screenwriter Carl Joos and beautifully directed by Hans Herbots.

The film opens with a flashback; two boys are walking alongside train track while a deep and melancholic voice reads letters aloud from a pedophile who claims to have kidnapped and killed one of the children. The letters are addressed to our main protagonist Nick Cafmeyer (Geert Van Rampelberg) and speak of his younger brother, now missing for 25 years.

In the present, Nick, a detective, faced with a case where a mother and father are found brutally tortured and their son is missing. Nick's determination to solve this case grows more and more personal as his pursuit of the truth borders on unhealthily obsessive. Could it be connected with his brother's unsolved kidnapping?

The Treatment is an expertly crafted mind-bender. The film seems to taunt and toy with the audience's anticipations and run it in circles to match our perplexity to Nick's confusion. The cinematography and score are very effective in shaping the mood and aiding in the psychological effect of this film. It's an intellectual piece and will definitely be enjoyed more by the audience who likes to think and not simply be guided by exposition. In fact, this film has very little exposition at all which is a precious attribute to have.

There are elements that were reminiscent of The Girl With The Dragon Tattoo, True Detective Season One, and Prisoners, perhaps most of all due to its brutally dark subject matter. Overall this picture is a very gritty and engaging story. You'll be trying to follow along, often times drawing the same conclusions as the characters only to be proved wrong time and time again. Much like as in life, The Treatment leaves doesn't simply hand us the answers.

The Treatment is a captivating and wholly original film adaptation of the most sinister persuasion. Evoking sentiments of unease and dread, it is unlike any American film and may be difficult for some to watch.

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This has a lot of what I want in a serial killer movie: lots of investigating, time pressure, weird MO, and moody direction. It easily earns three and a half stars for very skillfully executing a solid creepy killer flick. It could have been a much better movie, but it was held back by some irritating flaws.

Unfortunately the lead character is an angry cop with a traumatic past that makes this crime personal. That is just such an exhausting stock character and it really made the film tedious to watch at times. The loose cannon cop's traumatic background also generates a subplot that doesn't always work well with the main story, and has a rather ridiculous (although audaciously bleak) conclusion.

The Treatment, which I gather was based on a book, also has elements so similar to those in Red Dragon/Manhunter that they're closer to rip-offs than homages. Both prominently involve biting, and also feature a killer that thinks he's transforming and evolving. Both this guy and the Tooth Fairy also have big murder books, filled with visual exposition about their delusions.

There was so much potential in the core, horrifying story that it's a shame it was held back by poor characterization, overstuffed background, and borderline plagiarism.

Here is yet another movie I saw at Frightfest Glasgow 2015. Seeing a movie at Frightfest makes your impression of the movie a bit different than if you just watch it at home. Frightfest is 5-6 movies in a day, and not every one of them are equally well shot and "expensive looking".

Which in turn makes it very pleasant when a well shot, "expensive looking" movie comes on. And "De Behandeling" is just that!

This movie looks like a Nordic crime thriller, which it almost is too. Except it's European, not Nordic. It looks like a million bucks, the acting is spotless, the drama is good, all in all well made. It almost, almost dips into boring territory, but barely keeps out of it. It's rather unpleasant at times, some people thought it went over the line, hah, weak stomachs, but I think it did good.

Some minor gripes I have, keep it from being really good, but I can't say any of that, because spoilers. So, if you want a crime drama thriller with some pretty disturbing imagery, that at times will keep you on the edge of your seat, here you go!

I haven't written many reviews on here. I feel like I want to shout out about this movie. It left me with goosebumps! First Flemish movie I've watched and certainly now wont be my last.

Amazing movie. Very well directed and acted. Really liked the main male character and you could feel his torment from what happened in his past.

Don't want to give anything away but this truly is a must see movie but not for the feint hearted. Certainly not your typical run of the mill Hollywood movie which makes a nice change. Dark and disturbing....one of those movies that leaves you thinking... what if...

I am a big admirer of modern Scandinavian and British crime films, but, from time to time, it is fresh and broadening to watch similar films from other countries. Belgian/Flemish ones are rather uncommon, but as I know Dutch and have been to Flanders as well, some joy of recognition and background information (e.g., national characteristics as well as topics that shocked the country) did help to follow De Behandeling from the "intimate" point of view.

The script was smooth, the thrill was there, but I was not much impressed by the protagonist, Geert Van Rampelberg as Nick Cafmeyer - both performance-wise and character-wise, there were too many references to other individualistic policemen. Moreover, it was a clear a bit too early who the wrongdoer was and what was all about, so some distractions were not convincing and provided no additional value to the film, yet prolonging it... But still, if you like tense feature films without lots of shootings and chases, then De Behandeling is worth watching, at least for comparison.

Bare with me as this is my first review.

This is a film of the British author Mo Hayder's book of the same title. Having read the book I was aware of the uneasy subject matter. It is a difficult watch and content is extremely dark. but that said overall the film was very good. For those who haven't read the book i feel will be in suspense and hooked throughout, right the way to the climax at the end.I was very impressed with the acting especially the lead, who carried off the angst ridden detective extremely well.

The production values were high. The direction of the film was in keeping with the story being told with its solemn photography and use of lighting. It is definitely not your average film and I am not sure it would appeal to the average cinema goer, but i would highly recommend it. Even more so if you haven't read the book.

My only gripe, and it is only small, is that certain things were left out from the book, which would of enhanced this film but I guess that is down to time/budget constraints.

Lastly I would like to commend the director for taking on this film, being a fan of the Mo Hayder series of books involving this detective I can only hope someone else will take one of the other books. I thought maybe it might get picked up as a series like wire in the blood.

I had never heard of the film but had originally read the book of Mo Hayder and am very impressed by director Hans Herbots as a Belgian. It is clearly not much of a budget and looks really more like a TV, which I understand that he is more involved in. Funnily enough I notice he was also the director of The Serpent (2021) which was a splendid BBC TV series. The Treatment is rather complicated and very well told although I have to say it is rather distasteful and disturbing also involving pedophiles. It is also rather long but very interesting and thrilling throughout.

I haven't read the novel this is based on (I've been told the novel is better, but it's tough for a movie to live up to the expectations, especially because this is based on all the twists the story takes and the guessing of who the bad guy is amongst other things), but the movie is really great.

The central performance is amazing and unlike other crime movies it is not that easy to guess where this is going (if you haven't read the book). The twists and turns the story take are absolutely marvelous. Though that might not be the right word for it, we do get a movie that feels real. And even when we are a step ahead of the detective, it's not as if he's a bad cop. There is so much going on, he can't know everything ... sometimes not knowing can be tough though ...

A policeman with a personal back story of child abuse / abduction attempts to track down a paedophile who has attacked a family. The start of the film is deliberately unclear and it starts at a slow pace but stick with it. Note everything. Add one detail or take one detail away and this film would be less than it is. The pace steadily picks up with the increasing frustration of the brilliantly played investigating officer as he attempts, through official and increasingly unofficial means, to prevent another attack. The mood of the film is dark. The story line meticulous. This film doesn't spoon feed you. You really have to concentrate and even then I guarantee it will throw you off balance more than once. The subject matter couldn't be darker or more disturbing but is never shown directly on screen. The crimes are shown through the consequences, and the corrosive effects on the victims and the investigators. The perpetrator is a truly chilling creation. Entertaining isn't really an appropriate word for this film but, if you bear with it until the story begins to unfold and you can bear with the subject matter, you'll stick with it to the end and it will stick with you for a long time afterwards. Watch this genuinely stunning Belgian film before America goes for the almost inevitable remake. I cannot imagine America producing anything approaching this level of bleak brilliance. Reminiscent: Silence of the Lambs, Seven. My rating 9/10.