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6.7/10
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TU CALIFICACIÓN
Unos gemelos se mudan a un nuevo hogar con su madre después de que ella se somete a una cirugía estética que cambia la cara, pero debajo de sus vendas hay alguien que los niños no reconocen.Unos gemelos se mudan a un nuevo hogar con su madre después de que ella se somete a una cirugía estética que cambia la cara, pero debajo de sus vendas hay alguien que los niños no reconocen.Unos gemelos se mudan a un nuevo hogar con su madre después de que ella se somete a una cirugía estética que cambia la cara, pero debajo de sus vendas hay alguien que los niños no reconocen.
- Dirección
- Guionistas
- Elenco
- Premios
- 23 premios ganados y 36 nominaciones en total
Michael Ande
- Werner von Trapp
- (material de archivo)
- (sin créditos)
Ruth Leuwerik
- Baronin von Trapp
- (material de archivo)
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Movie Gems' Review of a modern horror film ... Goodnight Mommy (aka Ich seh, Ich seh) {2014}. No spoilers!
When the trailer for Austrian horror flick "Goodnight Mommy" hit the Internet not that long ago it promptly went viral. The intriguing trailer, blessed with superb editing, got hardcore horror fans majorly "excited" ... but ... the trailer somewhat skews the real "character" of the film.
Horror fans that crave in-your-face, major scares in a movie within the genre will be very disappointed with Goodnight Mommy. It is plain and simple not that kind of horror film: in many ways it is an intensely creepy psychological-thriller with intense horror moments thrown in. The movie too is very typically European in its execution: a leisurely pace in the story telling, very controlled camera movement and the insightful framing of shots.
It is Summer and in an isolated and beautiful house in the countryside, between woods and corn fields, live nine-year-old twin brothers, Elias (Elias Schwarz) and Lukas (Lukas Schwarz). The twins are inseparable; they are very enigmatic; they keep large bugs as pets. They live with their mother (Susanne Wuest) who has recently returned home from apparent cosmetic surgery and her face is heavily bandaged. However, as far as the boys are concerned, nothing is like it was before she went away. They quickly begin to seriously doubt that this woman is actually their mother. And ... so begins their weird quest to find out the truth, a quest that involves the bizarre, the creepy and eventually the truly horrifying!
The tone, style and atmosphere of the piece blend cohesively to create feelings of unease and creepiness from the first frame to the last. Lacking any background soundtrack for most the film and any real over-the-top scares, it still has quite a few very disturbing moments especially in the last ten minutes or so.
The acting, from which is mostly an ensemble cast of three, is uniformly sound, particularly from the boys as there emotions are so frequently communicated via facial expressions and gestures rather than words.
And ... is there a twist? Of course there is! Unfortunately for me, I worked out what would eventually be revealed in the first ten minutes or so. That is not to say that I am ultra- perceptive; it's just that another early 70's film (one of my all time faves actually) used precisely the same premise so I had a "heads up" so to speak. I do admit that the film was spoiled for me because of this, but I still enjoyed it immensely! When the twist is revealed, however, it clearly shows that the film (despite its harrowing complexities) is really only about one thing ... and that one thing is very sad indeed!
Goodnight Mommy is pure Art-house horror as far as I am concerned because of the way the story is told and the cinematic techniques employed to showcase it. For example directors Severin Fiala and Veronika Franz have "done a Kubrick" in the final shot: it is far too long, it breaks all the cinematic rules, it makes no sense and then (in the hands of competent direction) it makes complete sense!
Goodnight Mommy is for the discerning horror movie lover who doesn't want everything dished up on a plate and who wants an intense psychological "journey" with a plausible payoff at the end.
When the trailer for Austrian horror flick "Goodnight Mommy" hit the Internet not that long ago it promptly went viral. The intriguing trailer, blessed with superb editing, got hardcore horror fans majorly "excited" ... but ... the trailer somewhat skews the real "character" of the film.
Horror fans that crave in-your-face, major scares in a movie within the genre will be very disappointed with Goodnight Mommy. It is plain and simple not that kind of horror film: in many ways it is an intensely creepy psychological-thriller with intense horror moments thrown in. The movie too is very typically European in its execution: a leisurely pace in the story telling, very controlled camera movement and the insightful framing of shots.
It is Summer and in an isolated and beautiful house in the countryside, between woods and corn fields, live nine-year-old twin brothers, Elias (Elias Schwarz) and Lukas (Lukas Schwarz). The twins are inseparable; they are very enigmatic; they keep large bugs as pets. They live with their mother (Susanne Wuest) who has recently returned home from apparent cosmetic surgery and her face is heavily bandaged. However, as far as the boys are concerned, nothing is like it was before she went away. They quickly begin to seriously doubt that this woman is actually their mother. And ... so begins their weird quest to find out the truth, a quest that involves the bizarre, the creepy and eventually the truly horrifying!
The tone, style and atmosphere of the piece blend cohesively to create feelings of unease and creepiness from the first frame to the last. Lacking any background soundtrack for most the film and any real over-the-top scares, it still has quite a few very disturbing moments especially in the last ten minutes or so.
The acting, from which is mostly an ensemble cast of three, is uniformly sound, particularly from the boys as there emotions are so frequently communicated via facial expressions and gestures rather than words.
And ... is there a twist? Of course there is! Unfortunately for me, I worked out what would eventually be revealed in the first ten minutes or so. That is not to say that I am ultra- perceptive; it's just that another early 70's film (one of my all time faves actually) used precisely the same premise so I had a "heads up" so to speak. I do admit that the film was spoiled for me because of this, but I still enjoyed it immensely! When the twist is revealed, however, it clearly shows that the film (despite its harrowing complexities) is really only about one thing ... and that one thing is very sad indeed!
Goodnight Mommy is pure Art-house horror as far as I am concerned because of the way the story is told and the cinematic techniques employed to showcase it. For example directors Severin Fiala and Veronika Franz have "done a Kubrick" in the final shot: it is far too long, it breaks all the cinematic rules, it makes no sense and then (in the hands of competent direction) it makes complete sense!
Goodnight Mommy is for the discerning horror movie lover who doesn't want everything dished up on a plate and who wants an intense psychological "journey" with a plausible payoff at the end.
And one of the most depressing. Just like last year's the Babadook, it's interested in a lot of the same themes, But, unlike The Babadook, it's also so hard to watch that it stops being very exciting or entertaining. It really puts back the meaning in "horror", for better or worse. It's so not a fun time in any way shape or form, and I think at the end of the day that really does differ it to many other horror films. But it also makes it much harder to rate as a whole. It's so incredibly bleak and there's no stylization of any kind. I don't get the criticisms of the twist being obvious though... it IS obvious, but I thought that was the point. I kind of saw it more like the film giving so many clues throughout the film so we could come up with what was going on and see and perceive the film in a different level. I don't see the mother mentioning it explicitly at the end as some sort of "AHA! Got you" moment at all. I mean, anyone who's paying attention to the film would've deduced that far before the ending. Fun? No. Effective? Yes, almost devastatingly so.
A Austrian psychological drama horror that might not suit everyone just because it is a little bit on the slow side for the first half in particular and is then merely suggestively unsettling than a full on scare.
But the slow build-up kept my interest and it definitely paid off in the end.
I've read here that some people thought it was too predictable, but I must disagree because there were elements to the story that I had to go here to the message-boards to properly understand, and by then it all made sense of course.
It could be because I am currently sick so my brain isn't working properly lol but I really don't think so, and I can usually tell how a horror movie is gonna end half asleep anyway.
So yeah, recommended for patient viewers who's looking for a horror that isn't all about cheap jump scares but more of a psychological one.
But the slow build-up kept my interest and it definitely paid off in the end.
I've read here that some people thought it was too predictable, but I must disagree because there were elements to the story that I had to go here to the message-boards to properly understand, and by then it all made sense of course.
It could be because I am currently sick so my brain isn't working properly lol but I really don't think so, and I can usually tell how a horror movie is gonna end half asleep anyway.
So yeah, recommended for patient viewers who's looking for a horror that isn't all about cheap jump scares but more of a psychological one.
This is an absolute gem of a movie. It is a foreign film, so subtitles are a must if you're not Austrian. It starts out a little slow, but somehow keeps the viewer intrigued by the boys odd disposition. The film is filled with great scenery and the character development is done with a somewhat artistic taste showing what young boys get into. There are some great uses of cinematography especially during dream sequences. I would once again, reiterate that the movie is a little slow paced, but don't let that discourage you...You are in for a real treat. The film possesses one of the best endings I have seen in a long time. It a unique movie, and I absolutely loved it. I think a 7 is a fair assessment. Once again, hang in there. WATCH THIS MOVIE.
I love movies that try to be original and do something new, that's why Goodnight Mommy caught my interest right off the bat. It sets a very nice tone and had me excited to see a dark/stunning story unfold. Unfortunately this movie was mostly build up with a very mediocre third act.
It's obvious that this movie was going for an artsy feel but it's like they completely bailed on that about 70% through and that really ruined the whole film imo. Plus through the whole film I kept thinking "Man I really hope they aren't going to try and do that, because if they do this will just turn into a clichéd mess" and they absolutely do what I didn't want them to.
Goodnight Mommy is a decent effort, and I'm sure it will be praised by many people who are desperate for a good horror movie, but I find it hard to give in to the hype because this really just wasn't that great of a movie.
5/10
It's obvious that this movie was going for an artsy feel but it's like they completely bailed on that about 70% through and that really ruined the whole film imo. Plus through the whole film I kept thinking "Man I really hope they aren't going to try and do that, because if they do this will just turn into a clichéd mess" and they absolutely do what I didn't want them to.
Goodnight Mommy is a decent effort, and I'm sure it will be praised by many people who are desperate for a good horror movie, but I find it hard to give in to the hype because this really just wasn't that great of a movie.
5/10
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Kevin Smith chats with Riley Keough at Sundance 2019, and she shares why she was fully unprepared for her first meeting with The Lodge directors Severin Fiala and Veronika Franz.
¿Sabías que…?
- TriviaThe actors were not given the script, and the movie was filmed chronologically.
- ErroresTodas las entradas contienen spoilers
- Créditos curiososThe Cat (Katze) = Leo
- ConexionesFeatured in FoundFlix: Goodnight Mommy (2015) Ending Explained + Analysis (2017)
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- How long is Goodnight Mommy?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Goodnight Mommy
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,178,196
- Fin de semana de estreno en EE. UU. y Canadá
- USD 63,641
- 13 sep 2015
- Total a nivel mundial
- USD 2,193,474
- Tiempo de ejecución1 hora 39 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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