La gran noche del pop

Simply and shortly put, this was incredible.

We are being introduced anew to this important piece of history.

Michael Jackson and Lionel Richie was a power duo in making this happen, for such an important cause.

Enjoy learning from A to Z just how impactful this really was, and still is.

Netflix needs to release more of these, so that the younger generations truly understand the value of music history, as it was. I wish music could still be like this, about something greater than yourself. The act of giving, caring and unity. Todays artist have a lot to learn from this.

Thank you... "We Are The World"

This is everything I want from a documentary. It was both informative and entertaining, and it gave me a brief glimpse into something raw and real. It effectively captures the feeling of being in that recording studio on that specific night in the company of the biggest names in music at the time - the exhilaration but also the pressure and tension felt by everyone in the room (Michael Jackson, Lionel Richie, Quincy Jones, Bruce Springsteen, Cyndi Lauper, Stevie Wonder, Bob Dylan, Diana Ross, the list goes on and on). I felt like I got to know each of these artists a little bit better because of their raw emotions and vulnerability that were on display in the footage.

I wasn't alive when "We are the World" was released in 1985. However, I distinctly remember when the 25th anniversary rendition was released in 2010 and being instantly enthralled by the sheer power of so many iconic voices united for one important cause. I've watched that video over and over, and I get the same visceral feeling every time. This documentary adds depth and context to that feeling, and I now have even more appreciation for the original song.

My kids were 5 and 10 when We Are the World was released. They couldn't get enough of it probably because Michael Jackson was a big part of it and they knew the money was going to feed kids in Africa. This behind the scenes account of how Harry Belafonte inspired Lionel Richie, Michael Jackson, and Quincy Jones to make it happen is beautiful and funny with some very personal commentary by many of the dozens of artists who did the marathon recording. Their effort seems like something that would never happen today even though we surely could use the love and selflessness they embodied the night they gathered in one studio to record the song. The reflections by Richie, Bruce Springsteen, Smokey Robinson , Cindy Lauper and others make this a special film. It's a little long but worth sticking with it.

In 1985, We Are The World was huge. We saw the video over and over and over again.

We all had the album and listened to it countless times. It was on the radio non-stop. It was an immensely powerful song.

Watching this documentary and learning how the song came about and how they managed to get all the biggest names in Music together, it let me re-experience it all. Watching it was both nostalgic and entertaining. But also sad watching the great artists who aren't around anymore.

It's a Must See for anyone who was around back in '85.

And, after nearly 40 years, I finally learned why Prince wasn't there.

I can't recall the last time I watched a film from beginning to end without taking a break or even thinking of taking a break. And this has nothing to do with the quality of the ultimate product, although the film made me appreciate "We Are the World" far more than I did at the time of its creation. The experience of seeing how this event was created, assembled and carried out was mesmerizing, engrossing and tremendously moving.

The film enlarged, exponentially, my knowledge and understanding of the individuals who participated in creating the song and video. For example, I appreciate, for the first time, the scope of Lionel Ritchie's talent, which extends far beyond singing. Wrangling pop stars is more difficult than herding house cats, but Ritchie proved to be a master of the art. He was the film's star, with Stevie Wonder and Quincy Jones close behind. The scenes showing Stevie's interactions with Ray Charles and Bob Dylan were, at the same time, hilarious and moving.

The film also enhanced my appreciation of the level of talent that participated in the project. As a contemporary of most of the participants, I realize now that they were a lot more talented than I might have thought back in the 1980s.

From a technical standpoint, condensing a ten-hour all night recording session into the last hour of a ninety minute film was no mean feat. The editing of tons of archival material into a coherent narrative was masterful. If Netflix can mount more retrospective documentaries of similar events from the late twentieth century, I would welcome the endeavor.

If I have one criticism, it is that I wanted to know more about the selection process, about the artists who elected not to participate, and about the one, Waylon Jennings, who walked out. Madonna was mentioned once. And maybe Waylon was there because he lost a bet to his pal Willie, and of course Prince was Prince. But Waylon and Willie were the only representatives of a genre that IS music to millions of Americans. Were any others asked?

But on the whole, the film was an Oscar level documentary and should be recognized as such.