Bada Naam Karenge
- Serie de TV
- 2025–
CALIFICACIÓN DE IMDb
8.6/10
1.3 k
TU CALIFICACIÓN
El matrimonio arreglado de Rishabh y Surbhi enfrenta dificultades cuando surgen secretos del pasado. Su creciente vínculo se mezcla con humor mientras equilibran deseos y tradiciones.El matrimonio arreglado de Rishabh y Surbhi enfrenta dificultades cuando surgen secretos del pasado. Su creciente vínculo se mezcla con humor mientras equilibran deseos y tradiciones.El matrimonio arreglado de Rishabh y Surbhi enfrenta dificultades cuando surgen secretos del pasado. Su creciente vínculo se mezcla con humor mientras equilibran deseos y tradiciones.
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Opiniones destacadas
Plot Overview:
Set against the vibrant backdrops of Ratlam and Ujjain, the narrative follows Rishabh (Ritik Ghanshani), an MBA graduate aiming to modernize his family's traditional sweet business, and Surbhi (Ayesha Kaduskar), an ambitious biology student from Ujjain. Their paths cross during the COVID-19 lockdown in Mumbai, leading to an unexpected bond. Fate reunites them later through an arranged marriage proposal, unbeknownst to their families about their prior acquaintance. The series delves into their journey of balancing personal aspirations with familial expectations, exploring themes of love, tradition, and self-discovery.
Performances:
Ritik Ghanshani and Ayesha Kaduskar deliver compelling performances, capturing the essence of modern youth grappling with traditional values. Their on-screen chemistry brings authenticity to the evolving relationship between Rishabh and Surbhi. The supporting cast, including Kanwaljeet Singh, Alka Amin, Rajesh Jais, Chitrali Lokesh, Rajesh Tailang, and Anjana Sukhani, enrich the narrative with their seasoned portrayals, adding depth to the family dynamics depicted in the series.
Direction and Writing:
Director Palash Vaswani successfully blends traditional storytelling with contemporary themes, maintaining the signature warmth associated with Rajshri Productions. The screenplay thoughtfully navigates the complexities of arranged marriages in modern times, highlighting the interplay between generational perspectives. While the narrative is engaging, certain subplots, such as the backstory of Rishabh's aunt, feel slightly prolonged, but they do not significantly detract from the overall storytelling.
Music and Cinematography:
Anurag Saikia's musical score complements the series' emotional tone, with nostalgic tracks like "Mere Rang Mein Rangne Wali" and "Tum Ladki Ho Main Ladka Hoon" evoking memories of classic 90s Bollywood romances. Cinematographer Shiv Prakash Rathour captures the charm of small-town India with poetic elegance, enhancing the visual storytelling.
Critical Reception:
The series has garnered positive reviews for its heartfelt portrayal of love and family. The Times of India describes it as "a heartwarming reminder that tradition and ambition can coexist beautifully," appreciating its blend of old-school family values and modern sensibilities. However, some critiques, like from IWMBuzz, suggest that the series may feel overstretched, with predictability in its narrative arcs.
Conclusion:
"Bada Naam Karenge" offers a refreshing take on the arranged marriage trope, presenting a narrative that resonates with both traditional and modern audiences. Its exploration of love, family, and personal growth makes it a compelling watch for those seeking a blend of nostalgia and contemporary storytelling.
Set against the vibrant backdrops of Ratlam and Ujjain, the narrative follows Rishabh (Ritik Ghanshani), an MBA graduate aiming to modernize his family's traditional sweet business, and Surbhi (Ayesha Kaduskar), an ambitious biology student from Ujjain. Their paths cross during the COVID-19 lockdown in Mumbai, leading to an unexpected bond. Fate reunites them later through an arranged marriage proposal, unbeknownst to their families about their prior acquaintance. The series delves into their journey of balancing personal aspirations with familial expectations, exploring themes of love, tradition, and self-discovery.
Performances:
Ritik Ghanshani and Ayesha Kaduskar deliver compelling performances, capturing the essence of modern youth grappling with traditional values. Their on-screen chemistry brings authenticity to the evolving relationship between Rishabh and Surbhi. The supporting cast, including Kanwaljeet Singh, Alka Amin, Rajesh Jais, Chitrali Lokesh, Rajesh Tailang, and Anjana Sukhani, enrich the narrative with their seasoned portrayals, adding depth to the family dynamics depicted in the series.
Direction and Writing:
Director Palash Vaswani successfully blends traditional storytelling with contemporary themes, maintaining the signature warmth associated with Rajshri Productions. The screenplay thoughtfully navigates the complexities of arranged marriages in modern times, highlighting the interplay between generational perspectives. While the narrative is engaging, certain subplots, such as the backstory of Rishabh's aunt, feel slightly prolonged, but they do not significantly detract from the overall storytelling.
Music and Cinematography:
Anurag Saikia's musical score complements the series' emotional tone, with nostalgic tracks like "Mere Rang Mein Rangne Wali" and "Tum Ladki Ho Main Ladka Hoon" evoking memories of classic 90s Bollywood romances. Cinematographer Shiv Prakash Rathour captures the charm of small-town India with poetic elegance, enhancing the visual storytelling.
Critical Reception:
The series has garnered positive reviews for its heartfelt portrayal of love and family. The Times of India describes it as "a heartwarming reminder that tradition and ambition can coexist beautifully," appreciating its blend of old-school family values and modern sensibilities. However, some critiques, like from IWMBuzz, suggest that the series may feel overstretched, with predictability in its narrative arcs.
Conclusion:
"Bada Naam Karenge" offers a refreshing take on the arranged marriage trope, presenting a narrative that resonates with both traditional and modern audiences. Its exploration of love, family, and personal growth makes it a compelling watch for those seeking a blend of nostalgia and contemporary storytelling.
Watched the show this weekend. Have been eagerly searching for new Rajshri content and as soon as found the show couldn't wait to watch. Love the way they entertain you yet keep the traditions alive.
Pure emotions of elders, their concerns and thought process of youngsters. They bring everything in one frame.
A must watched show. Will watch it again as you can watch their content endless number of times. Like don't know how many times I have watched Hum sath sath hain, vivah, ek vivah aisa bhi, hum apke hai kaun, isi life mein. Once again thank you Rajshri productions for entertaining us with neat, emotional, family content.
Pure emotions of elders, their concerns and thought process of youngsters. They bring everything in one frame.
A must watched show. Will watch it again as you can watch their content endless number of times. Like don't know how many times I have watched Hum sath sath hain, vivah, ek vivah aisa bhi, hum apke hai kaun, isi life mein. Once again thank you Rajshri productions for entertaining us with neat, emotional, family content.
10rvktydv
Just binge watched this show the whole night. The story is fresh and beautiful. It will make you laugh and will make you cry. 90s kids will love this show. It's about two people already in love meeting in an arrange marriage setup and the family drama afterwards. The story focuses on love and bonding instead of intimacy. It also teaches this generation the value of family and giving respect to elders. Plain and simple characters but very beautifully portrayed. Every character is wisely chosen with enough screen presence. However the main characters have done an outstanding job. Rajashree Productions at its best again with a family entertainment show🙂
After a very long time there is a show that can be watched and enjoyed with the family..! Without any riffraff and unnecessary drama.
The direction is superb and would give full credit to Palash Vaswani for capturing the true emotions and life of people in tier 2 towns with amazing ease and great simplicity. The whole team has put in their heart in the show and it's visible in the awesome result achieved.
The chemistry between the leads is also so relatable. The way this series captures and potrays relationships is what makes it truly outstanding. This is an easy watch with the whole family.
The direction is superb and would give full credit to Palash Vaswani for capturing the true emotions and life of people in tier 2 towns with amazing ease and great simplicity. The whole team has put in their heart in the show and it's visible in the awesome result achieved.
The chemistry between the leads is also so relatable. The way this series captures and potrays relationships is what makes it truly outstanding. This is an easy watch with the whole family.
10gjoshius
I made my 11 year old see this to understand and feel where we come from. It's difficult for today's generation or I should say members of nuclear family to figure out why TauJi has all the authority in this show. It's interesting and refreshing to talk about our values with next generation. Great story, well executed and music is awesome.
So many life lessons are spread across 9 episodes. Each relationship gets tested and has strength and weakness of their own. If there is an audience for Mirzapur then more people are interested in such gems from Rajshri productions.
Writing is good , they were able to close all the open ends. Only flip side is that it becomes annoying to keep track of presents vs past all the time as chronological order is not maintained.
So many life lessons are spread across 9 episodes. Each relationship gets tested and has strength and weakness of their own. If there is an audience for Mirzapur then more people are interested in such gems from Rajshri productions.
Writing is good , they were able to close all the open ends. Only flip side is that it becomes annoying to keep track of presents vs past all the time as chronological order is not maintained.
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