Tekka

This is a good thriller film based on a hostage situation. The film starts with showing the self respect of Iqlakh Alam (Dev), who works as a janitor on contract basis at a corporate office in Kolkata. Suddenly his job is snatched away by the service manager of the office as Iqlakh protested on the event of passing some communal comments to him by some employess in the lift.

On the next day, Iqlakh kidnaps a kid from a nursery school makes her hostage in the same office where he used to work. The baby girl is the daughter of Ira (Swastika Mukherjee) an employee of some other office.

To rescue the babu girl, CP (Kamaleshwar Mukherjee) of Kolkata Police gives responsibility to ACP Maya Khastogir (Rukmini Maitra).

ACP Maya tries her best to rescue the child by having continuous conversation with the kidnapper. But on the other hand, Ira kidnaps Guddu (son of Iqlakh) and makes him hostage at the same building.

We see Bristi (Sreeja Dutta) & Tintin (Aryan Bhowmik), reporter-camerman duo of Sky News, recording some exclusive footage of the hostage scenario by hiding somewhere in the floor. They play a pivotal role in the later part of the story.

We also see Anubrata Adhikary (Paran Bandyopadhay) as local politician cum business tycoon in a very cunning attitude.

The climax of this film is totally unexpected. It turns the plot 180 degree suddenly.

Talking about the technical aspects of the film, Rukmini & Swastika is fantastic in their respective roles. Dev is also brilliant as lower middle class helpless person.

Sreeja Dutta & Aryan Bhowmick have shown some good bonding of their friendship throughout the film.

Sujan Mukherjee as TV channel editor-director is good in his role.

Paran Bandyopadhay is also very good with his expressions. His vast experience in acting helps him to play this role effortlessly.

Tota Roy Chowdhury is also fine in his role of Mr Sanyal (husband of ACP Maya). But his screentime is very less.

Kaushik Sen as Altaf Alam is good. His character was totally unexpected as that wasn't mentioned in the trailer. Although personally I think Kaushik Sen could be placed as elder brother of Iqlakh.

The BGM & songs support the screenplay of the story. They don't hinder the progress of the story.

Camerawork & screenplay is very good.

Throughout the film, there are subtle comedy punches.

Well well well,I am shocked how bangla movie industry has improved in their production quality, cinematography and all. I started the movie movie with zero expectations but I am impressed at the end.well there was nothing new in the story and we have already watched movies on the same concept but still after interval you will somehow like the movie.i won't say it's a must watch but your can watch it once.byt the surprising thing for me was that I was watching a regional bangla movie but its standard was too good.

Movie was ok ok but the way they have picturised it for that only it deserves atleast 6star.

When a movie establishes its own rules, only to break them later, and still manages to make every prior event work in context-only few films manage to pull this off satisfyingly. *Tekka* is one of them.

It's been a while since a film had my jaw hanging down to the floor. Srijit Mukherji expertly crafts a series of events that feels like a well-executed magic trick, leaving you in disbelief.

The tension is palpable, with sharp dialogue exchanges and standout performances. The set design immerses you fully. Madhura Palit, the Cannes-winning cinematographer, uses minimal yet powerful techniques to shoot the same location through thousands of lenses. The script is tastefully witty, with almost every joke hitting its mark.

However, Mukherji seems to hold back, perhaps intentionally to cater to the commercial Puja crowd. Some plot points are deliberately dumbed down for accessibility. There's a bit of spoon-feeding in the exposition, along with a few jarring editing choices and camera angles that feel out of place. The sound design also feels unpolished-dubbing is often out of sync, and sound effects are not properly panned across the theatre. The score weirdly mimics Nolan's Tenet, with one section lifting the chord progression directly from Ludwig Göransson's "Rainy Night in Tallinn" unchanged.

Despite its few but present flaws, *Tekka* is an exhilarating ride. Avoid spoilers and trailers-going in blind is the best way to experience this. Highly recommended.

Unless the climax part. It was a hostage comedy. The climax was also somehow predictable, following a similar pattern to other movies of Srijit- "chotuskone" "baishe shrabon" etc. The pattern - 90 % of the movie will be slow, you can leave it at any point without any further interest in watching and then you would have a good climax- okay.

Rukmini never looks like a police officer, let's assume she is a "mindhunter". But the problem never seems too tough which needs a great solution.

The screenplay was inadequate in many places. For example, The security forces came out of the police van, with a great drill from outside of the building to meet inside with the police officer. SO WHY YOU NEED TO START WITH A DRILL FOR THAT?

In the first scene where dev and his child were eating together, it describe he can't afford his children's school fees. Now after the climax, this looks illogical.

Both Dev and Swastika were watching TV News during the hostage situation. I can't even imagine this unless it is a comedy.

This film depicts a cop and kidnapper chasing tale with some amazing twists.

The co-screenplay, dialogues and direction by #SrijitMukherji is brilliant. He is a bit leniant to his craft this time and his narrative style is simple and linear mostly.

The story & co-screenplay by #BhaskarChattopadhyay is engaging.

#ModhuraPalit being the cinematographer steals the show.

#PronoyDasgupta's editing is crispest to the core.

Music Director #RanajoyBhattacharjee has presented some situational chords, but none of them are worth-humming.

Costume Designer #JayantiSen & assistant costume stylist #SampurnaBasu has done a fab job, but the continuity jerk of the hairstyle of Swastika in the film with that in the poster is a concern, however it may be a director's choice. But the look in the poster seems more convincing.

As per the performances are concerned, #Dev as Iqlakh Alam (Jack) is fairly good. He has done the best as much as he could do, but the character of a janitor demands a lot of body-language which was lacking at times. #RukminiMaitra as ACP Maya Khastogir steals the show, all thanks to her groomer #SudiptaChakraborty. #SwastikaMukherjee as Ira Sengupta was good but not convincing enough in the story, as her actions were predictable enough. #ParanBandopadhyay as MLA and industrialist Anubrata Adhikari was as usual superb in his extended cameo. Baby #Aameya as Avantika was adorable. #SreejaDutta as Brishti was fairly good on-screen, #LokenathDey as Inspector Kallol Guha, #KamaleswarMukherjee as DCP Rajat Majumdar and #SujanNeelMukherjee as News Anchor/Journalist were good in their parts, #AryanBhowmik as Tintin was very spontaneous, #AnirbanBhattacharyya as the maintenance manager was good in his part. The film has some guest appearances, namely #TotaRoyChowdhury as Maya's husband Rajiv Sanyal, #KaushikSen as Altaf Alam, #SrijitMukherji as Mr. Arjun Puri and #SudeshnaRoy as Mrs. Mitali Sharma has made their presence amply felt.

Production by #DevEntertainmentVentures of #GurupadaAdhikari & Dev along with distributor #PVRInoxPictures has made an average film.

Definitely Not a Must Watch. 👍🏻