CALIFICACIÓN DE IMDb
7.2/10
10 k
TU CALIFICACIÓN
En el punto más bajo de su vida, Richie recibe una llamada de su hermana, que está separada, pidiéndole que cuide a su sobrina Sophia, de 11 años, durante unas horas.En el punto más bajo de su vida, Richie recibe una llamada de su hermana, que está separada, pidiéndole que cuide a su sobrina Sophia, de 11 años, durante unas horas.En el punto más bajo de su vida, Richie recibe una llamada de su hermana, que está separada, pidiéndole que cuide a su sobrina Sophia, de 11 años, durante unas horas.
- Premios
- 16 premios ganados y 9 nominaciones en total
Joe Perrino
- Ellis
- (as Joseph Perrino)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I give this an 8 and I don't do it lightly. I'm also not rating it highly as an indie, it's good compared to any project. This movie is absolutely haunting. The writer has a deep understand of people and displays them so realistically. I really liked the fact that it didn't have cliché characters. The "gangsters" don't do what you expect them to do. The things people did in this movie weren't over the top, it felt very real.
The cinematography and shots were fantastic in this movie. It was at times like a dream or an acid trip and it never felt out of place. The transitions between hallucinations and real life were not stark and abrupt like in other movies where someone is tripping. Shawn Christensen is going to be the director to watch out for in the future. The casting was perfect. Everybody was good. I just dislike Ron Perlman because he gets cast in this type of role in so many movies that it's starting to be a cliché, still he was great.
Christensen is also a great writer. This movie was at once deeply sad and entertaining. Casting Fatima Ptecek as Sophia was perfect. She was the pillar of light for Richie's darkness and she was just a delight to watch. There really is something special about Ptecek. She's the next Abigail Breslin.
The cinematography and shots were fantastic in this movie. It was at times like a dream or an acid trip and it never felt out of place. The transitions between hallucinations and real life were not stark and abrupt like in other movies where someone is tripping. Shawn Christensen is going to be the director to watch out for in the future. The casting was perfect. Everybody was good. I just dislike Ron Perlman because he gets cast in this type of role in so many movies that it's starting to be a cliché, still he was great.
Christensen is also a great writer. This movie was at once deeply sad and entertaining. Casting Fatima Ptecek as Sophia was perfect. She was the pillar of light for Richie's darkness and she was just a delight to watch. There really is something special about Ptecek. She's the next Abigail Breslin.
I stumbled across it on Netflix, not expecting much, and was wildly surprised. It's beautiful and very well written and executed. A gorgeously poignant mood permeates the piece throughout, creating a near perfect setting. What could be a timeless story has just the right amount of contemporary sheen and grime and it delivers charm, heart, tears and pain all in enveloping beauty. Well directed, well shot and acted; just lovely really. If you can relate to equal amounts of hopelessness, depression and the blissful joy of life, you'll love this. What a gem by this new filmmaker. No gunfights, no car chases and no explosions, true. It was all done with an engaging story, cast and setting. Nicely sprinkled doses of subtle dark humor are also used just when they're needed. I love this film.
This movie was a gem. I just saw it today, and it was very powerful. Sean Christiansen(sp?) was phenomenal, as was pretty much everyone else including a very invested performance by Paul Wesley (Vampire Diaries) After watching I checked out the background to find out that Sean, the lead was also the writer and director.. what a feat! I was pretty damn impressed by this unknown actor's performance, let alone the direction, and couldn't't help but liken his acting chops to a young Ed Norton (who I also think is great!) I really hope people see this movie... The critics have it underrated, as seen by the user reviews. It was honest in writing, acting, production, etc... a cohesive, unique and moving film... at least for me!
It's becoming increasingly harder and harder these days to find films in the theater that stand out and really make a memorable impact. This gem of a feature, expanded from an Oscar- winning short (Curfew), makes that rare leap from one form to another without losing its magic. Although I knew the basic story since I had seen the short, I was pleasantly surprised by the whole of this film - compelling characters (not just the amazing leads (Christensen, Ptacek and Rossum are perfectly cast), but even supporting ones), unexpectedly funny, the MUSIC!!, the tone/color/cinematography, and of course, the story itself. All of these various factors melded together into that rare magical alchemy that produces the perfect film. I would love to delve into more detail here, but don't want to spoil anything. Christensen is obviously one to watch for. I am in awe that he wrote, directed and starred in this project, and am already looking forward to his future work. Much respect.
Shawn Christensen's Oscar Winning Curfew was a wonderful piece of filmmaking, and I was worried that the feature version "Before I Disappear" would be just more of the same. I was pleasantly surprised and this expanded version took wonderful to extraordinary.
One of Shawn's many accomplishments in this film was his deft transition of the Sophia character from precocious little girl to self-realized adolescent, who has it together a hell of a lot more than her uncle.
It took me a little time to warm up to Emmy Rossum's character -- as in how could she have a child that old -- but a few lines to clear that up -- and boom, all taken care of. Emmy's vulnerability and willingness to go to a very raw place near the end of the film was beautiful to watch.
Shawn's expanding the characters I loved in the short and adding new characters, played by Paul Wesley and Ron Perlman was terrific. Who knew that Wesley could bring such depth to a character that could have come off as horribly one-note?
The cinematography was brilliant. The choice of color was truly inspired.
This is definitely a virtuoso piece of indie filmmaking, and deserving of every award it has picked up on the film festival circuit. My only regret is that this film should be opening in a hell of a lot more theaters this awards season.
If you love indie filmmaking, you need to see this film as soon as possible,
One of Shawn's many accomplishments in this film was his deft transition of the Sophia character from precocious little girl to self-realized adolescent, who has it together a hell of a lot more than her uncle.
It took me a little time to warm up to Emmy Rossum's character -- as in how could she have a child that old -- but a few lines to clear that up -- and boom, all taken care of. Emmy's vulnerability and willingness to go to a very raw place near the end of the film was beautiful to watch.
Shawn's expanding the characters I loved in the short and adding new characters, played by Paul Wesley and Ron Perlman was terrific. Who knew that Wesley could bring such depth to a character that could have come off as horribly one-note?
The cinematography was brilliant. The choice of color was truly inspired.
This is definitely a virtuoso piece of indie filmmaking, and deserving of every award it has picked up on the film festival circuit. My only regret is that this film should be opening in a hell of a lot more theaters this awards season.
If you love indie filmmaking, you need to see this film as soon as possible,
¿Sabías que…?
- TriviaBased on the 2012 Academy Award winning short film Curfew (2012), also written and directed by Shawn Christensen.
- ConexionesReferences Psicosis (1960)
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- How long is Before I Disappear?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Ben Kaybolmadan Önce
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 10,078
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,676
- 30 nov 2014
- Total a nivel mundial
- USD 10,078
- Tiempo de ejecución
- 1h 33min(93 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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