Sugarcane

SUGARCANE (2024) Nominated for Best Documentary Feature. Instead of righteous (and justified) anger, filmmakers Julian Brave Noisecat and Emily Kassie take an introspective and personal viewpoint in telling their sad story of the Canadian Residential education program where Native Indigenous Tribe members were placed in predominantly Catholic run boarding schools (similar programs were also set up in the U. S.).

The St. Joseph's Mission which the Documentary focuses on, was the site of such horrors as underage pregnancies, sexual abuse, violence, deaths and even murder. Noisecat's father was one of the victims who survived. Many others weren't so fortunate. The cover-up and lies involving Priests who, even when found to be molesters, were simply transferred to other reservations.

What distinguishes SUGARCANE (named for the location of the Mission) is how it displays that the crimes committed there have reverberated through multiple generations. St. Joseph's closed in 1981, but the program lasted until 1997. It's a dark cloud that looms over the Secwepemc people. Noisecat and Kassie never over-dramatize and let the people tell their own stories (including Noisecat and his father). As one elder implores early on that she wants the younger Secwepemc to "bear witness" to the events in order for their nation to heal.

I watched this film at the Sundance Film Festival this year. The difficult subject of abuse in mission school, unanswered questions and consequences for the abuse victims and their descendants. Despite its noble intentions and the significance of the subject matter, this film falls short of delivering a masterful narrative with some repetitive scenes. The pacing felt uneven, with certain segments dragging on while others lack sufficient depth. Moreover, the editing occasionally undermines the emotional resonance of the testimonies, detracting from their impact. A more refined approach to story telling and presentation could have elevated this documentary to a more impactfull level.

This remarkable film was the most memorable one I saw at Sundance this year. It has stayed with me for weeks. The film is beautifully shot and captures the landscape of Williams Lake. The directors artfully weave several narratives into the film. Each participant has a compelling and moving story of their horrific experiences at St. Joseph's mission. Although this was difficult to watch, the filmmakers handled these moments with much sensitivity and compassion. The film is lightened with colorful coverage of ceremonies and celebrations. All the participants, with the exception of the late Rick Gilbert, were at the q and a. Their testimonies were as moving and heart rendering as the film. The film well deserved the extended applause and standing ovation. A vital story that needed to be told. Most importantly, the making of the film was a healing process for the survivors. I cannot overstate how excellent this film. It should be seen by every Canadian and American...

Watched this at the 2024 Sundance Film Festival.

"Sugarcane" is an emotionally, chilling and disturbing documentary that explores the abuse indigenous individuals had experienced in residential schools and explores the horrifying actions from the government with strong discussions from the participants, great sense of direction and deeply personal insights of the situation.

Many of the camerawork, sound designs and the conversations from the participants were beautiful, depressing, and emotional as learning about what the people have encountered in these schools is horrifying and upsetting. No individuals should have to suffer should abuse.

Despite some of the documentary structure feeling slow, it still remains an important documentary to see.

This documentary was genuinely heartbreaking. I had heard of the residential schools and their atrocities but never knew the extent of it. Hearing first hand accounts and seeing the lasting impact the schools had on individuals and the generations that followed provided a new perspective on the issue. The only reason I did not give it a 10 was because it felt a little slow at times. Despite the pace the cinematography was stunning and it allowed the viewer time to soak it in and think. Julian Brave NoiseCat and Emily Kassie wanted to raise awareness and educate others and they succeeded in their goal.