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Other reviewers have commented - often derogatorily - on the slowness of Hugo Blick's production. However this is a deliberate technique that not only builds up tension - nothing is quite what it seems in the Steins' world - but also indicates the complexity of the issues tackled in this series. While Nessa Stein (Maggie Gyllenhaal) and her brother Ephra (Andrew Buchan) appear philanthropic on the surface, using their wealth to foster better relationships between the Israelis and the Palestinians - they are also involved in underhand schemes, none of which are overtly revealed in the opening episodes. Instead director Blick uses a montage technique comprised of short scenes which might appear meaningless in themselves, but which cumulatively build up a picture of the Stein family's way of life in the present as well as the past. It is the viewers' responsibility to put these pieces of information together and try and work out what is going on. This task is often difficult, as Blick brings in characters who superficially seem to have nothing to do with the main plot-lines. It is only later on - in subsequent episodes - that we discover what their role in the overall story actually is. This technique draws attention to the complexities of the Israeli-Palestinian conflict, where it is often very difficult to identify who one's allies or one's enemies actually are. People have to be taken at face value, until one gets to know them. THE HONOURABLE WOMAN takes a bit of time to get going, but by the fourth episode it has gained in momentum, not only explaining the Stein family's shady past, but showing how the British security forces, led by Julia Walsh (Janet McTeer) and Hugo Hayden-Hoyle (Stephen Rea) have to get their hands morally dirty in order to make sense of what they are doing. There are no heroes or villains in this world; the most successful people are those who know how to play the system by forging and re-forging alliances, as well as exploiting others for personal gain. Viewers need to be a little patient with this series; if they do so, they will be amply rewarded.

Throughout the eight episodes of The Honourable Woman the viewer is treated to a relevant, gutsy, challenging television experience. If you ever dismissed or plead ignorance over the Arab - Israeli conflict, you now have an emotional stake in the conflict. The characters are complex, the actors are skilled artisans. Ever since Maggie Gyllenhaal was slinking around in Secretary she has established a reputation for conquering the challenging, controversial roles. Maggie has conquered once again. The Honourable Woman will win a lot of trophies once the awards season has arrived. Amongst the superior cast is one actor who may have placed an exclamation point on his heretofore fine body of work. The trophy engravers should get a jump on etching Stephen Rea's name on the hardware from the Golden Globe, BAFTA, Emmy and Blockbuster(sic)awards. Rea simply owned every scene in which he appeared. His star rose with the release of the feisty film, The Crying Game whose plot twist remains one of the great and respected spoilers that is kept mum to this day. His efforts were rewarded with an Oscar nomination to go along with his Tony nomination. Twenty plus years later, it is time for this native and resident of Northern Ireland to get his due. Will The Honourable Woman return for another season? Hugo Blick and company drained every ounce out of the script and characters. Perhaps the dawn should best be left unsaid.

Set in the middle of one of our era's most tragic and polarizing conflicts, it is perhaps understandable that reviewers here jump to the conclusion that it's propaganda for one side or the other. But it isn't. Using a family's internal struggle with the background being the Israeli-Palestinian conflict the writers almost can't win. But the preposterous claim that the series is justification for the current conflict when the shooting schedule began in July 2013...to say nothing of script writing, finding producers, and casting which would reach back into 2012 if not longer, demonstrates how explosive the setting is. As Nessa says, "It's the Middle East. Enemies is what you make." Therefore, it was brave of the project to chose that setting, but it shouldn't be seen as taking a stand for one side or the other.

The pace may be slow, but it's dreamlike point of view, for me, made it all the more transfixing. The cast, particularly Gyllenhaal's performance, is splendid, and the trap of being a mediator, whether is World politics or family dynamics demonstrates that hazard. ("You're either for me or against me.") This may be a series to watch all in one sitting, void of weekly waits and commercials. For me, it's the years best television series.

I'm not a big fan of mini series; however, Honourable Woman is the exception for me. From the very first episode, I was drawn into this fast action drama as if I were there. Not only is this one of the best action packed mini-series I have ever seen, but the acting is over-the-top. Maggie Gyllenhaal does an amazing acting job portraying Nessa Stein. Her demeanor, style, and sensitivity to the part, to me, puts her in the stratosphere of acting with all the other great actresses. She's so good, that I couldn't help but feel everything she was going through in this well-played role. And Lubna Azabal portrays Atika Halabi in a way that makes me love her, and hate her. She was great in this role. And Stephen Rea played the part of Sir Hugh Hayden-Hoyle as I would expect a good spy does. His soft spoken demeanor, and his inquisitive mind really helped to make him a believable character. I would say that all the characters were believable, and made this mini-series what it is...fantastic.

Firstly let me say that " The Honourable Woman" is fiction, just as say a film like " A Few Good Men" was. Once you view it like this and NOT as it some reflection what is going on in Gaza and Israel right now. I am a Zionist but I watched this masterpiece and was able to have empathy with not only the Israeli characters but with the Palestinians also. The cast is magnificent and I expect that it will win all the major awards at the BAFTAS. I am not sure how our American cousins will take it, because you will have never had seen anything like it. I reiterate we see a tour de force of acting, with several major parts for the girls. However if I were to pick out for me who is numero uno it would be Stephen Rea as a John Le Carre, George Smiley kind of intelligence officer Hugh Hayden-Hoyle. Maggie Gyllenhaal with a perfect English accent plays the major part of Nessa Stein a newly ennobled Anglo-Israeli businesswoman. BUT is she the Honourable Woman? I will let you decide when you see it!

I am happy to give this some time but I nearly just stopped watching and deleted the recording. Every now and then they forget logic and twist the story just to suit a need. The rubbish body guards who suddenly forget all their training. The key suspect and witness in hospital with no cuffs on and no guards. It really just doesn't make sense!

I couldn't care less about the politics of it all. I just want it to be good. I like all the actors in this and always think Maggie is both beautiful and an amazing actor. But please please please just let it all make sense.

It's a struggle but I will keep trying...

Stunning, beautifully made 8 hour mini-series that attempts to humanize a situation as impossibly knotty as the middle east, and against all odds, succeeds. The biggest triumph here is by writer/director/producer Hugo Blick, who creates an amazingly dense and cinematic landscape of characters and tragedies.

Nessa Stein (Maggie Gyllenhaal) is a tremendously wealthy Israeli determined to use her wealth and influence to try and bring together Israelis and Palestinians. Her father – assassinated before her eyes as a child – was an arms merchant amassing a huge fortune, but at a human cost Nessa finds hard to live with. Now, as an adult, along with her brother, she plans to bring the high-speed internet to the Palestinian areas of Israel to help jump start their economy and self-sufficiency.

But, understandably this plan raises hackles and suspicions on both sides and before you know it Nessa's brother's Palestinian housekeeper (and Nessa's friend) has her son kidnapped. Thus begins a complicated, tense, tremendously intelligent and demanding trip down a rabbit hole of lies, secrets, hidden histories, violence, spies and counter-spies and the sadness of watching your ideals hacked to pieces by all those around you.

The series deserves credit for many things, among which is managing not to take sides, but to examine the madness on all sides of living in perpetual war.

The acting is tremendous. Maggie Gyllenhaal cements her position as one of our finest and most versatile actresses. Her Nessa is an admirable if deeply flawed woman. Gyllenhaal deftly melds all the character's sides; absurdly smart, brave, afraid, powerful, hidden, foolish, naive -- into a great tragic heroine. Stephen Rea is endlessly fascinating as a very smart UK spy attempting to uncover the many hidden truths. Quiet yet immensely powerful, watching Rea's Sir Hayden-Hoyle interrogate and manipulate those he interviews is a master class in loaded understatement in performance.

But the whole cast is absolutely first rate; the brilliant and under-appreciated Janet McTeer as Rea's boss, Andrew Buchan as Nessa's brother, Lubna Azbal as the mother of the kidnapped boy, etc.

Just as wonderful is the cinematography, editing and music, combing to create a show that feels stylistically far more like a top flight auteur film than TV. This is challenging, complicated stuff. You will inevitably get lost at times. But have faith Blick and crew will bring you back around if you pay attention. And you'll want to. I greedily watched the 8 hours in 2 days.

This also lead me to watch Blick's previous BBC mini-series "The Shadow Line" -- a tale of police corruption and drug dealing that's almost a complicated and great as "Honorable Woman". If you responded strongly to this, you should check out that earlier work as well.

So far am loving this every bit as much as The Shadow Line, which I've watched in it's entirety 3 times. Incredible, incredible, INCREDIBLE script, fantastic direction, atmospheric as all hell, great soundtrack, wonderful and nuanced performances from everyone on screen, and multi layered and complex storytelling. The plonker that called this "timed propaganda" above is, to put it kindly, a bit simple. There is nothing here that could look like Israeli props, in fact the only Israeli that has appeared in this so far was a horrible tosspot that attempted to bring "thousands of years of history" into it, which actually from a certain perspective would be labeled as anti-Semitic writing, and the plot so far certainly doesn't particularly paint any of the characters as good or bad guys. I think mr. Blick is as brave as you like trying to do a take on such a complex issue, and doing it with the sensitivity and intelligence that it requires.

Can't wait for episode 3 already.

Excellent spy series!! Top performances, top plot, top dialogues, nice build up. Quality all the way!!! Top tier!!!

Usually, I tend to skip movies or series on sensitive and politicized issues as they usually emanate from black-and-white approach and simplified views or solution proposals. So, before my respective decision, I try to obtain a lot of background material and diverse opinions, meaning that I do not watch them "bright and early". This was also the case with The Honourable Woman that was revealed in 2014 and honored in 2015.

And from the first episodes, I was pleasantly surprised and ravished, both performance-wise and plot-wise. True, that Maggie Gyllenhaal as Nessa Stein was wonderful and fully deserved her Golden Globe Award, but I am somewhat puzzled that Stephen Rea's great performance was not too much noticed; he is an otherwise wonderful actor and his performance here as Sir Hugh Hayden-Hoyle was front-ranking as well, particularly under dialogs, including with Gyllenhaal; Rea does really know how to express profundity using minimalistic manners and scenes. Of course, all other performances were at least good as well, but they spent less time on screen.

The plot is captivating, at times a bit over-sophisticated and some scenes protracted, but the versatility and tensions are present and the storyline and values expressed go beyond confined Israeli-Palestinian issues. There are many twists and turns, "good guys die too", and the volume of 8 episodes lets all this enjoy in a relatively short time- frame.

All in all, a good series, recommended even to those not particularly fond of pending political issues. Even just following the dialogs and scenes with leading characters provide a memorable series experience.

well i had originally planed to watch it in a day after 4 episodes i got caught up in other things and later I just did not care very much for the show.Because for me the show was going no where and early 4 episodes were too slow paced.But after 2 months i thought of giving it another chance.And I have to say if you can get past the slow paced beginning the later episodes are wonder treats.This is one of the best modern spy thriller in years. best thing about the series is,it knows what it's doing and takes us in the territory of modern political spy thriller with some strong writing and directing.it gives us every angle of it's story.Apart from being a well written spy thriller it's also human drama with unbiased storytelling which has no theatrical heroes and villain.We see from different angles that,every character have their own faults and virtue,every side have there own story which leads to a gripping but very humane conclusion that makes this show a worthwhile.

Well this tarnishes just about everyone government-wise. It most likely represents what is probably very true.....how things work. Betrayal, intrigue, human endeavor, are all covered. The character of Nessa Stein is so well played by Maggie Gyllenhaal. The series is almost emotionally draining. So many difficult things confronted.

The things that are taken for granted are kind of interesting. Are we owners of or parents or grandparents actions? If we accept the state of being of circumstances, does that mean we agree with them?

Highly recommended. Worth watching all the way through.

I am curious how the series is received by British, Arabic, Israeli, and other US folks.

As you go through the series, you may want to observe what is represented as true, what is represented as given, and at the end of the series, how folks are portrayed at that point. It tells me about the folks who produced this and what they believe, because although the show appears to be open, freely representing all, in the end, they show common stereotypes, in my opinion. I am not criticizing it, I don't think, but it is not as open as it appears.

I still highly recommend it.

I have watched all episodes to date. In my opinion viewing pleasure is significantly diminished by the marketing approach adopted by the producers. This can be seen in two strands: • The story line is the tale of a dynamic and beautiful young business woman of Jewish heritage. Her honourable approach to business mitigates against her fathers' past and she is very much part of the modern world. Clearly this is implicit in the series title. This approach seems likely to appeal to a population with a significant Jewish vote and constituent (nothing wrong with that). The content of the story line suggests that the target audience is more the US than the UK. To suggest the series is aimed at the larger market is an endorsement rather than a criticism. I am only proposing that content is driven by a marketing approach. • The scenes of a sexual nature are dismal. The author/editor should understand that sexual activity generally works better if one divests oneself of clothing. The participants are also frequently passionate and whole hearted about the activity. Never, so far, do we see any of the actors' naughty bits and indeed many seem to sleep well clothed. This again suggests to me that the series is aimed at the more prudish US audience. Killing and violence seem to be OK but what I understand to be the enjoyable activity of sexual intercourse is well veiled and wooden. Over emphasis on a market driven content has dumbed down and distorted the story line and content. I can compliment the program makers on their enthusiasm for making money but not on their approach to literary freedom or reality. Because the series is so well acted and filmed I do wonder if the cast had anything to say about what they are forced to portray.

So many holes in the plot but good to fall asleep to. Soundtrack is aggressive.

Nessa Stein (Maggie Gyllenhaal) is trying to use her family's business to construct a telecommunication connection to the Palestinian territories. She has high ideals promoting a policy of reconciliation between Israelis and Palestinians. Part of that is to seek out a Palestinian partner for the venture. Her father's killing in front of her is still a major pain for her and her brother. However, she is hiding a secret from 8 years ago when she ventured into the Gaza Strip. It is secrets upon secrets as world politics and personal struggles collide.

The first thing about this series is that it is well written. It is not just what's on the surface. Everybody has a secret. It is an intricate web of lies and double-cross. There is no need to spoil anything. Gyllenhaal gives a very solid performance as do so many of the actors. This is simply smart television. I'm fine with a limited series because it allows for more intense storytelling.

While the story and the players are all very good, there are way too many "art" moments and excesses to draw this out to 9 eps.

Easily should have been 6.

Many twists and turns attempt to hide an important element of the long story. But it becomes rather obvious by the 4th.

You won't be on the edge of your seat, but you won't want to abandon it neither.

Favorite bit. John Mackay as investigator Caleb Schwako.

Nicely underplayed: Igal Naor ... Shlomo Zahary Stephen Rea ... Sir Hugh Hayden-Hoyle.