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Nadhir Nasar, Sathisvaran, Amir Ahnaf, Hazwani Helmi, Nur Fazura, Amerul Affendi, Heliza Helmi, Tissa Biani Azzahra, Geoff Andre Feyaerts, and Fattah Amin in Pendekar Awang: Darah Indera Gajah (2024)

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Pendekar Awang: Darah Indera Gajah

6 opiniones
5/10

LOTs OF IDEAS BUT VERY POOR STORYTELLING

The basis of this story is actually quite simple. The British want to capture Tok Gajah before he reaches Terengganu to get support. This is where Awang's role is to protect Tok Gajah.

Although the story is simple, the arrangement of the story is a bit messy, making the journey of the story less clear and the viewing experience unsatisfactory.

This film is a spin-off from Mat Kilau: Kebangkitan Pahlawan (2022) which focuses on the character of Awang, but it feels like a sequel.

My expectation for this movie was to learn about Awang's backstory, his redemption arc and to see his character development from the previous movie. But I was disappointed because it was not achieved.

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POSITIVE THINGS:

1. High production value.

2. Good cinematography overall.

3. Nadhir Nasar's acting for Tahir is ok.

4. The action scenes are decent.

5. No shaky camera work this time.

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NEGATIVE THINGS:

1. The plot was messy and unclear.

2. The premise was not strong and the themes were not explored enough. Lacking depths.

3. Lack of emotional connections making it hard to feel the scenes that were supposed to be sad.

4. The way some new characters were introduced was not impressive enough. Sometimes it felt like they were suddenly there. Were we supposed to know them? Introduce them properly.

5. The dialogues are too boring and too preachy. It was supposed to tell the story in an implicit manner, not tell it directly. Also why do they have to talk like a poet? Just talk normally and not with a Batman's voice.

6. The female fighter group had no back story which made their appearance so sudden and awkward. Who were they? Who were their teachers?

7. The way the soundtracks are used in the film does not provide enough emotional impact.

8. The editing is bad.

9. Character writing for the villain was weak. There was potential and it could have been a lot better.

10. Sometimes it preaches too much. We get it, you're very faithful and islamic, but overusing such element becomes too redundant and boring. Learn to express it subtly.

11. Feels like watching a cartoon. It doesn't feel serious. Sometimes I just laugh.

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Spin-off stories are often well-received and more successful than the original because they are based on the popularity of an aspect of the original film. In this case, the chosen character is Awang.

Unfortunately, this film cannot overcome or match the quality of Mat Kilau: Kebangkitan Pahlawan (2022).

In conclusion, Pendekar Awang: Darah Indera Gajah (2024) has many shortcomings but it is not completely garbage. I understand why some people like it very much. This type of film has its own target audience but I sure am not one of them.
  • afiqjiwastudio
  • 14 ene 2024
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8/10

This sequel is good, I don't know why most people hate it

  • SirUwais
  • 23 nov 2024
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10/10

IT'S AWANG TIME

  • zydanzaydan
  • 19 ene 2024
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10/10

Amazing and fascinating film. A must-see!

"Pendekar Awang Darah Inderah Gajah" stands out as a captivating Malaysian movie, delving into the rich tapestry of Malay history. The seamless and constructive storyline draws viewers into a compelling narrative, while the brilliant performances of the actors and actresses showcase their professionalism. The cinematography enhances the visual experience, adding depth to the storytelling. Notably, the film successfully conveys a poignant message, instilling a sense of patriotism and fostering love for race and religion among Malaysian audiences. Positive reviews online echo these sentiments, affirming the film's impact and its contribution to Malaysian cinema.
  • muhammadshafiqazman
  • 15 ene 2024
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Mat Kilau is better.

  • fluffset
  • 21 ene 2024
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10/10

Well made film

This film stands out as a remarkable piece of cinema, impressing on multiple fronts. The meticulous craftsmanship is evident in its superb cinematography, skillful acting, and engaging dialogue. The heroine's portrayal is nothing short of excellent, with her ability to convey emotions shining through, particularly in moments of crying. Her performance strikes a perfect balance, avoiding both the pitfall of underacting and the excesses of overacting.

Equally commendable is the hero's acting, marked by a compelling delivery that resonates with the audience. One notable aspect is the film's treatment of night scenes, especially those set in the jungle. Often, such settings can be challenging to depict, with darkness obscuring details, but this movie defies that norm. The night scenes, even in the jungle, are masterfully portrayed on screen, revealing a breathtaking clarity that enhances the overall visual experience. The attention to detail in showcasing the beauty of these environments, even in low-light situations, sets this film apart.

In essence, the movie's success lies in its ability to seamlessly weave together elements of cinematography, acting, and visual storytelling. It captivates the viewer not only through a compelling narrative but also through a commitment to technical excellence, ensuring that every frame is a visual feast for the audience.
  • silvervillage
  • 15 ene 2024
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