Ji zhan
- 2013
- 2h 2min
Agrega una trama en tu idiomaFai, once a world champion in boxing, escapes to Macau from the loan sharks and unexpectedly encounters Qi, a young chap who is determined to win a boxing match. Fai becomes Qi's mentor and ... Leer todoFai, once a world champion in boxing, escapes to Macau from the loan sharks and unexpectedly encounters Qi, a young chap who is determined to win a boxing match. Fai becomes Qi's mentor and rediscovers his passion to fight not only in the ring, but for his life and the ones he ca... Leer todoFai, once a world champion in boxing, escapes to Macau from the loan sharks and unexpectedly encounters Qi, a young chap who is determined to win a boxing match. Fai becomes Qi's mentor and rediscovers his passion to fight not only in the ring, but for his life and the ones he cares about.
- Premios
- 16 premios ganados y 36 nominaciones en total
- Young Ching Fai
- (as Chun Wei Liu)
- Psychiatrist
- (as Siu Ping Leung)
- Social Worker - Ms Tong
- (as Sze Man Man)
- Leung Cheung On (Dani's Father)
- (as Ka Fai Chan)
- Sandy Lo
- (as Michelle Lo)
- Wai Keung
- (as Calvin Poon)
- Edwin Lo
- (as Ho Ming Law)
Opiniones destacadas
Eddie Peng is serviceable as the young rich kid-turned-boxer Siqi. I don't find his character interesting, it's like when Daniel Wu played the villain in New Police Story - a spoiled trust fund baby. Siqi is so naive it is head scratching. It's hard to buy a novice thinking they can learn mixed martial arts within two-and-a-half months to enter a professional competition. Amateur boxing tournaments exist for a reason. To play devil's advocate against myself, one can say that the film's point is his character has an unbeatable spirit (pun intended), and that he's competing to go the distance as a statement to his rich father. I see that's what the film is telegraphing but it's not interesting or compelling. It's almost downright disrespectful to the integrity of the sport itself. On the contrary, I enjoyed watching this would-be trust fund baby being pummeled by truly unbeatable fighters that were level-headed and took the proper time to train. It's depressing that Peng is playing Wong Fei Hong in an upcoming remake.
Nick Cheung is the heart of the film and gives a great performance. Fai is a character with a lot depth and emotional range, but the script keeps cutting him short by having Cheung do comedy. The comedy is funny, but the problem is it's funny to the point of being detrimental to the drama. An emotional scene is quickly followed by a funny scene. The audience is shifted to laughing and immediately relieved from contemplating Fai's emotional struggle. I found it taxing to follow because the Fai character was the only character I cared about. Nick Cheung's media-hyped muscled body is hidden for a huge majority of the film. I remember reading an interview with Christian Bale for American Psycho in which he indicated that the Patrick Bateman's muscled body were intentionally sculpted to be 'narcissistic muscles', not functional muscles. There is a case of that going on here with Nick Cheung's body, because most mixed martial artist aren't sculpted like Greek statues. When Cheung fights, I was pumped. But there was too little of it.
The fight choreography is tough and brutal but it's ruined by odd camera placements and choppy editing. The glossy arena didn't help either. If the actors really did train for the film, they should theoretically be able to do 1-3 moves before a editorial cut. Andy On shows up to play what he plays best, a cocky video game boss. When On arrived, the fights started to feel more choreographed. Overall I've seen MMA action done better in other films and ended up enjoying the training montages more.
Huang Bao Qiang shows up in a cameo role because he's popular from the success of Lost in Thailand. How is his presence relevant to the story? Nothing, and here's my point. There is a lot of box ticking going on in this film, like an investor trying to craft the perfect combination of an award-winning drama and a box-office hit. You have the award-winning body-transformation lead performance, the pretty boy to secure the young crowd and the single mother storyline to make sure everybody squeezes a tear. Unbeatable has already won 2 acting awards at the Shanghai International Film Festival, and good for it. For the rest of us who are not looking to win, I refer you to Gavin O'Connor's Warrior, a MMA film that had a better story and bigger heart. Lastly, Unbeatable could have been a great film. But by a lack of balance of its multiple story strands, a great film was only telegraphed, not delivered. It could have used more punch.
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This is a story where 3 sets of lives comes together in Macau: a ex-champ boxer, an aimless young man, and a down and out mother-daughter.
So it goes through the 3 acts: the background, the middle struggles, and the triumphant finish. All predictable, all about redemption (again). The sentiments are just full to the brim. The MMA sequence are good enough to behold. And there are the comic reliefs to breakups the mundaneness. However, the execution, the shots, the editing, the color, the settings, holds the atmosphere, tension together into a nice pace.
You can see how the last fight ends miles away. But no complaints here as it was well done.
Most well-known films in this category feature an escalating series of fights. The fights are usually the backbone of the film, so to speak.
A few entries try to build a solid backstory, and some even go so far as to make the backstory more important than the fight scenes.
In this last category I would include Blood and Bone, one of my all time faves, and highly recommended.
Unbeatable is in this category. It is mainly backstory with only occasional action. However where it differs from top contenders in this genre is that the fighting and the backstory-arc do not seem connected, they seem at odds. So, no matter how interesting the backstory is (and it is) and no matter how simpatico the characters are (and they are), this film never quite decides just where it is going or just how it is going to get there.
It is nonetheless very well written, very well acted and very well directed. And if you stick it through you will get a "feel good" life lesson as good as any in modern cinema.
Recommended.
There aren't a glut of hot-blooded hand-to-hand combats (4 is the exact time), instead Lam and his screen writer team manage to consolidate the context of these two fighters' characteristic backdrop stories and furthermore justify their own causes to fight, Peng is to prove himself in front of his life-beaten and alcohol-abusing father and Cheung is to reinitiate his own potentiality and farewell to his squandered youth. Those are the perpetual themes of sport films, they are soul-inspiring and heart-touching at their best, but over-elaborated and shortchanged for its pragmatism at their worst. Other than the white-knuckle combats in the cage, which has been recorded faithfully with swift and precise camera-work to achieve the sensational verisimilitude (and very impressive pre-fighting training sequences). The entanglement between Cheung and a pair of mother-daughter (Mei, a single mother who is mentally unstable due to a past trauma and Lee, her premature daughter whose Pollyannaish nature under an impoverished situation does strike a chord to any soul with a tender spot) occupies the majority of the narrative, the function of main female characters in the male-driven genre always recedes to either a frail victim (Mei) or a redeeming touch of guilelessness (Lee), the shackles need to be innovated, yet it is a long way ahead.
UNBEATABLE is a strong contender in next year's Hong Kong Film Awards (along with Johnnie To's BLIND DETECTIVE 2013, 7/10), they represent the caliber of the technique peak and the liberation of telling a story without pampering audiences' ostensible reactions from an art form's cheap face value, which is far more self-aware and less money-seeking than most of the players in the over-bloating Chinese film market nowadays.
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- How long is Unbeatable?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 25,816,154
- Tiempo de ejecución2 horas 2 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1