Aren es reclutada por una sociedad secreta de personas de color mágicas que dedican sus vidas a una causa de suma importancia.Aren es reclutada por una sociedad secreta de personas de color mágicas que dedican sus vidas a una causa de suma importancia.Aren es reclutada por una sociedad secreta de personas de color mágicas que dedican sus vidas a una causa de suma importancia.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
- Patron
- (as James Welsh)
- Antoine
- (as Isayas J. Theodros)
- Guard
- (as Greg Cohan)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Opiniones destacadas
This is the kind of movie where it has an interesting premise and it could have explored interesting satirical themes and ideas but instead, the filmmaker doesn't really offer much with any creative outlooks and follows cliched and uninteresting tropes.
Kobi Libii has a concept that could have been interesting but his bland direction and the unambitious tones really create a hollow and investing story with dull cliche tropes, uninteresting characters and weak performances from the cast members. I like Justice Smith and Smith is trying his best but unfortunately his dull character and the poor dialogue really lacks his performance. Throughout, I found myself feeling bored and thinking that this movie could have been at least interesting if the filmmaker had thought about actually trying to add something that feels weird or unique. But that's not what I got. Instead, what I got was more of a dull and uninspired narrative that really wastes the talented cast and concepts.
What a shame.
So why all the bad reviews and low votes? I can only speculate but I believe it is because it hits too close to home and many people feel uncomfortable with the message, that for their own safety black people must keep white people feeling comfortable. But keep in mind it is satire. With a message.
It immediately reminded me of older movies like Will Smith in "Bagger Vance" and Morgan Freeman in "Driving Miss Daisy", plus several others, which represented these sorts of characters.
In this movie Justice Smith plays Aren, a black man, an artist, who often feel invisible. He isn't mistreated, he is just ignored. He gets recruited into this magical society, he is assigned a client, a white man, he must help him feel good about himself and not interfere with anything. That gets hard when both of them get romantic feelings towards their same coworker. Aren has to make a decision, will he remain faithful to his magical assignment, or will he decide to be true to himself?
I was afraid that the last half hour or so would be a disappointment but it wasn't. It concluded with progress on Aren's part, plus additional whimsy and additional magic.
I know it isn't for everyone but the 2/3 of "1" votes are bogus. Strip all those away and what you have left are mostly ratings of "6" or "7."
I do not recommend. Don't waste your time. It's not even worth the watch for the lulz or for watching a train wreck.
It's soul sucking to any decent human being, maybe this should be used down in Gitmo for torture?
So I am not one of the people who are whining that this is racist or offensive to white people.
I am however saying that it was done poorly. For example, David Allen Grier as Roger (the most magical of negroes) tells younger Justice Smith as Aren that he's only nice to white people because he's afraid of them.
Um...you could say this about women being nice to men, about children behaving for authority figures, about common citizens acting passive around the police, about yes white people being afraid of people of color. It's not a convincing idea to me that the Black version of a "nice guy" is only that way because he's afraid of whites.
The scene with the ATM was weird too, it wasn't believable or even funny. A seemingly intoxicated and not too bright young woman asks for help with the ATM and asks Aren to hold her purse, which turns into some white men almost beating him up for a mugging that didn't happen. Like, no.
Aren's art was also bad. He didn't sell his art because his art sucked. There's just so much wrong with the execution of this film in the first 30 minutes that it causes me to believe this would have been funnier and much more powerful as a Key and Peele or SNL skit.
I had a couple laughs. Like how they couldn't figure out a better way to design a secret entrance in the barber shop. The speech he gave about the magical society and sharks was hilariously bad. I kept comparing this to American fiction, very unfavorably. It felt like that's what they were trying to do. Felt like it could be funnier. The story and its characters took everything seriously even though the premise felt extremely silly.
Throughout the movie, I was inundated with waves of second-hand embarrassment and awkwardness. The premise relies heavily on white discomfort, well I'm black and I was like "ugh, no" a lot. The movie felt inconsistent, with some scenes seeming okay, as if they belonged in a better film, while others gave me the urge to scream "nooo!!" even louder than Charles Leclerc in France. The final speech was particularly dreadful, it was out of the blue, replete with cringe-inducing moments and also unjustified based off what we saw of the character. He was simply a socially awkward guy, period. It had nothing to do with him being black. The collective sighs of "oh no" from the audience were frequent. I shouldn't say the audience, there were only like 5 other people in the theatre. A lot of scenes were hard to watch.
However, I did like the romantic bits, which could have easily formed the basis of a separate film. I'd certainly be keen to watch a cheesy romcom starring Justice Smith and An Li Bogan.
There were a few bits that I liked, that made me laugh, but this could've been so much better, or maybe not even made at all lol. I don't think the movie had any meaning behind it that it conveyed successfully. I think if I liked the movie, I'd have maybe liked the ending. Instead I thought "oh no, there's gonna be another one."
The 'American Society' Journey From Script to Screen
The 'American Society' Journey From Script to Screen
¿Sabías que…?
- TriviaThe film was pulled from theaters after three weeks.
- ErroresA man in the background exits a building and begins walking toward the foreground. He sees the filming in progress and runs back into the building.
- Citas
Aren: You're not my friend. And you don't want to be friends, because if we were actual friends, you would have to talk to me and listen to me and make space for the reality that I live in a country that makes me feel like it wants me dead. Where if I get shot today, there is an army of people ready to explain how it was probably my fault. And I feel that every day, in every glance, in every movie that's supposed to be uplifting. And that changes everything. That changes how I walk and how I talk and how I take up space! Or don't! It changes what risks feel reasonable and which ones are insane. And it's taken me my whole life to realize that this is a weight that I walk around with all the time. And after this lifelong journey of figuring out that maybe this shit impacts everything I do, you want to turn around and act like I'm crazy for acknowledging it. No, no, no, no. No, no, no, no. You don't get to put me in danger just because you don't want to feel like an asshole. Be the asshole. Because the shame that you feel like you did something wrong just by being yourself, that is my whole life. And this place, this country has been so deeply indifferent to whether or not I exist that on some level, I don't think I have the right to. And what I am saying to you that you so steadfastly refuse to hear is fuck that! I do! I deserve to be here, not just on this stage but in this world. And that, believe it or not, is a revelation to me. So you want to know about my-my "diverse experience"? I have been on this planet for 27 years, and I just figured out this week that I deserve to be alive.
- Bandas sonorasGames People Play
Written by Joe South
Performed by Johnnie Taylor
Courtesy of Craft Recordings, a Division of Concord
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Amerikan Büyülü Zenciler Birliği
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,480,645
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,304,270
- 17 mar 2024
- Total a nivel mundial
- USD 2,496,248
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1