Ponman

Ponman is an absolute cinematic triumph, blending an enthralling screenplay with masterful direction and a compelling story. From start to finish, the film keeps you hooked, never allowing a single dull moment. Basil Joseph delivers a heart-winning performance, bringing depth and sincerity to his role, while Sajin Gopu is a revelation, his devilish presence and single, unwavering expression transform him into a true monster on screen. The rest of the cast also shines, each performance adding weight to the film's gripping narrative.

What makes Ponman truly stand out is its ability to address the dowry culture without turning into a preachy, message-driven film. Instead, it weaves its social commentary seamlessly into the plot, ensuring the storytelling remains engaging rather than didactic. The film's tight pacing, flawless execution, and emotional intensity make it an absolute must-watch. With its powerful themes and exceptional performances, Ponman earns a well-deserved 8.5 out of 10.

Rating - 4.5/5

A raw, intriguing and emotional family drama portrayed through brilliant screenplay and exceptional performances.

The plot of the story revolves around the Gold dowry system prevailing in the marriage institution set on the backdrop of a coastal town in Kollam and how a Gold broker gets entangled in an emotional and survival protest among two families forms the crux of the story.

Hats off to you Jothish Shankar in envisioning the story penned by G R Indugopan and delivering an absolutely brilliant movie on screen along with Justin Mathew. This movie has got life in it. The filmmakers has effortlessly landed the audience to the backdrop of Kollam and its underdog culture through the opening folklore song and coastal settings. The first 15 mins moves steadily forming background for the story to take shape and progress while the latter half giving too many enlightening and satisfying moments through articulate dialogues that leaves you awe,surprised and inspired. The director has placed peak moments for both the lead actors in the story showing their head on head performances. This movie is a clear example of how well a realistic story plot can be put to life connecting family drama,emotions,betrayal, brotherhood,friendship in perfect harmony.

Spectacular performances by Basil & Lijomol showing distinct layers of their characters. Stunning performance by Sajin Gopu and his body language,mannerisms and the way he conveys his emotions through his eyes was outstanding. Anand Manmadhan has given a career breaking performance in this movie as an underdog. Sandhya Rajendran who played the mother character has also made an impressive delivery. Deepak Parambol,Reju Sivadas,Jaya Kurup & Kiran Peethambaran also made notable performances.

Marvellous and realistic frames by the veteran Sanu John Varghese along with Justin's impressive songs and BGM's elevated the movie experience. Chitra Chechi's voice when heard with the natural serene frames was an absolute bliss. Kudos to Nidhin Raj Arol for giving a life moving cinematic experience. Hats off to Jothish Sankar & Kripesh Ayyappankutty for giving the natural and earthly tone to the set works and prawn culture setups in giving life to the underdog performances.

A must watch movie on big screens with family to see the raw and realistic life in pure bliss and experience some life moving moments.

This is one of those films that make me appreciate it more and more as I think about it. Films related to issues surrounding dowry are nothing new in Malayalam cinema but the honesty, subtlety, and nuance this movie showed is truly outstanding. Initially, I was surprised to learn that the novella this is based on was named 4-5 Cheruppakkar, because if it is about dowry, why is the name talking about young men like that? But the movie really showed why it is, even though it's more about two men and a woman. The way the so-called culture of patriarchy that is so ingrained in society makes the evils of such a system a question of survival for the working-class people has never been portrayed with such honesty. All three main characters are incredibly written and performed. Even when Sajin Gopu's "villain" character is clearly doing something wrong, we are made to understand why a person who is proud of his hard work is resorting to it and also paints a picture of why he's living as an intimidating character to everyone.

Basil Joseph has been having great success as an actor in the last few years but this is one of his best performances. Ajesh's self-confidence is his desperation for survival, and however weird people may find it, this is the kind of character I always wanted to become. Have conviction in your decisions and go to any lengths for it even if everything looks impossible. The way he's able to stand tall in front of both physical and emotional blackmail and yet show enough empathy and sympathy where it counts makes it impossible to not root for the character after a point.

I loved how it ended with such half-direct dialogues where the implications were clear and yet was able to maintain the mood and style of the film.

Let's start with the positive aspects of the film. In terms of performances, everyone delivered a solid act, especially Basil and Sajin Gopu. Anand, who played the character of Bruno, and Sandhya Rajendran, who played the mother, also stood out with their performances. Another highlight was Justin Varghese's music, which I personally enjoyed.

Speaking about the story, the film is based on Indugopan's novel Nalanju Cheruppakkar, and for a debut directorial attempt by Jyothish Shankar, it has been executed quite well.

Now, if there are positives, there will naturally be some negatives too. When adapting a novel into a film, certain cinematic elements need to be added to enhance the experience. However, this film feels like an exact translation of the novel, which is why the second half felt a bit underwhelming. As an audience, we expect certain developments, but they never materialize.

For example, the conflict between Basil and Sajin Gopu's characters regarding Ponnu was left unresolved. Another instance is the mention of Thalavettichira, which initially created fear and intrigue but ultimately amounted to nothing. These elements, if developed better, could have elevated the film.

The climax, too, could have used a bit more intensity and depth. If some additional dramatic elements were included, the film could have been a perfect package.

That being said, it's still worth a watch. These are purely my personal opinions, and others may have a different perspective.

Oh my goodness, "Ponman" is a movie where I wished it would end sooner-not as a negative critique, but as a testament to how deeply I rooted for PP Ajesh to catch a breath, even for a moment. This character, played by Basil Joseph, who is a hot mess in this film, and his struggles are so palpable that you can't help but feel for him.

Director Jothish Shankar, in his debut, has managed to craft an exceptional adaptation of GR Indugopan's novel Naalancheru Cheppuvaakkaar (Four-Five Young Men). He presents a murky character study of individuals who are neither black nor white but exist in shades of gray, and "Ponman" embodies this complexity beautifully. The film also offers a vivid portrayal of the Lenten season celebration, the Latin Catholic community, and the unique biosphere of Thalavettichira Island, adding layers of cultural richness to the narrative.

The supporting cast is just as fabulous. Lijomol Jose, as Steffi, plays the bride who yearns for gold, raised by her widowed mother (Sandhya Rajendran). Sandhya's character has an intriguing arc that goes beyond pleading and sobbing for some time extensions to repay Ajesh. Then there's Mariano, played by Sajin Gopu, whom audiences might recognize from "Aavesham" as the Amban character. In "Aavesham," he was a villain you loved to hate but secretly wanted to shake hands with; in "Ponman," he's someone you'd want to stay at least 10 feet away from-especially his shrimp farm.

Another decent performance is given by the character Bruno, Steffi's brother. A shout-out also goes to that quirky friend-in-need who steals every scene with his antics. He's the kind of character who feels like a savior, and you'll understand why when you watch the film.

But the showstopper, of course, is Basil Joseph. I've always known Basil to be a talented dramatic actor, but this is undoubtedly his best work yet. The constant escalation of absurd comedy, particularly during the drinking scenes, and the mounting tension and stakes are almost nauseating. Watching Ajesh's life spiral into chaos is mesmerizing, and Basil embodies the role flawlessly. His physicality, accent, and delivery are impeccable, leaving you absolutely entranced.

Overall, "Ponman" is an extremely worthwhile tour de force that gives neither the characters nor the audience a moment of peace. One moment, you're laughing; the next, you're gripped with anxiety. The director and the technical team have poured their hearts into weaving together a chaotic yet heartwarming-and bittersweet-story. You'll understand the bittersweetness by the end of the film.