Ponman

Ponman is an absolute cinematic triumph, blending an enthralling screenplay with masterful direction and a compelling story. From start to finish, the film keeps you hooked, never allowing a single dull moment. Basil Joseph delivers a heart-winning performance, bringing depth and sincerity to his role, while Sajin Gopu is a revelation, his devilish presence and single, unwavering expression transform him into a true monster on screen. The rest of the cast also shines, each performance adding weight to the film's gripping narrative.

What makes Ponman truly stand out is its ability to address the dowry culture without turning into a preachy, message-driven film. Instead, it weaves its social commentary seamlessly into the plot, ensuring the storytelling remains engaging rather than didactic. The film's tight pacing, flawless execution, and emotional intensity make it an absolute must-watch. With its powerful themes and exceptional performances, Ponman earns a well-deserved 8.5 out of 10.

A movie about dowry like never before, with so much social commentary that doesn't feel preachy - only Mollywood can do this. Will Akshay Kumar remake...?

This film was terrific from an acting standpoint. I didn't expect Sajin Gopu (Ambaan from Avesham) to play a grey shade role this convincingly, dude's convey a fear that you wouldn't expect from Avesham. Lijomol Jose and the support characters were good, but this was a Basil Joseph show.

The film questions the pressure on a family for gold as dowry. Madilyil Jewelry - lol. Apparently it's a thing...? Lijomol's Steffi starts off as a certain character, undergoes a transformation that makes you want to support but also not, at the same time. You want to blame everybody but you see why they do what they do...there are so many layers to this film that you can keep discussing but everything seems subtle.

All that said, I dunno why I was expecting another Jaya Hey or a humorous film but I suppose it's not fair to expect that from all Basil movies. Regardless, this was totally worth the watch and will surely make it to Mollywood's top 10 films of the year.

After a pretty long while, I got to see the kind of Malayalam cinema that's very rooted to its region (Kollam, in this case). The lead characters (Basil as gold dealer PP Ajesh, Lijo Mol Jose as the bride Steffi Graf, Sajin Gopu as the groom Mariyano, and Anand Manmadhan as the bride's brother Bruno) are all established in a slow-and-steady fashion. One thing leads to another, and gold needs to be arranged (as dowry) for a wedding. Yes, we're talking about "progressive", "modernist", and "100% literate" Kerala. The transactional nature of weddings still prevails in several parts of the state (if that's unbeknownst to many), with the brides often having no say in the actual event.. and that also includes the choice of accepting or rejecting a groom. There have been several films set in this story backdrop, but what makes Ponman unique is its approach, its locations, and most significantly, the shades attributed to its leads.

Ajesh is such an interesting protagonist, and the way the screenplay moulds him into someone who's willing to take risks and go any lengths to get his job done, is spectacular. This is one role where I felt Basil Joseph's acting chops were put to excellent use, as the character is one that evolves, and the arc is justified. He isn't the invincible hero; heck if you tell me prior to watching the film that there are physical altercations between the slender Ajesh and the hulking Mariyano with the former coming out on top, I would immediately be exclaiming "NO WAY!". Not only does the film deliver splendily in that regard, but what's even more interesting is how the writing builds to this particular boiling point.

In most movies that involve dowries, the leading lady is often relegated to someone who sits in a corner and cries the whole time. But Steffi is written (and performed) in a very candid, very responsive manner. The dialogues spoken by her and Ajesh are concentrated and carry a lot of depth, making their scenes memorable. Their deliciously first-rate performances also make it worth your while. DoP Sanu John Varghese returns to Malayalam after Malik and Ariyippu with a bang-those night shots against the Kollam backwaters look absolutely brilliant. The way he captures a muddy fight sequence between Ajesh and Mariyano is also incredible. Justin Varghese comes up with a soundtrack that seamlessly blends in with the locations, the characters, and their dire circumstances. I have not read Nalanchu cheruppakkar by G. R. Indugopan, but my gut says that director (and production designer) Jothish Shankar did great justice to the source material. Also, the subtle underlining of dank humour in several scenes (special mention goes to Deepak Parambol as Jesus, in two different scenes) REALLY worked for me.

On the downside, even at 2 hours, the first half can come across as slightly draggy (i.e. Until the core conflict emerges) because the film is super-focused on laying out its key characters and their somewhat familiar dilemmas. This, however, gets solid payoffs in the second half, making the overall experience a good one!

Emotional family drama portrayed through brilliant screenplay and exceptional performances.

The plot of the story revolves around the Gold dowry system prevailing in the marriage institution set on the backdrop of a coastal town in Kollam and how a Gold broker gets entangled in an emotional and survival protest among two families forms the crux of the story.

Speaking about the story, the film is based on Indu Gopan's novel Nalanju Cheruppakkar, and for a debut directorial attempt by Jyothish Shankar, it has been executed quite well. Collectively Good Performance from all the actors ! Strong roles for both Sajin Gopu & Lijo mol Jose.

Oh my goodness, "Ponman" is a movie where I wished it would end sooner-not as a negative critique, but as a testament to how deeply I rooted for PP Ajesh to catch a breath, even for a moment. This character, played by Basil Joseph, who is a hot mess in this film, and his struggles are so palpable that you can't help but feel for him.

Director Jothish Shankar, in his debut, has managed to craft an exceptional adaptation of GR Indugopan's novel Naalancheru Cheppuvaakkaar (Four-Five Young Men). He presents a murky character study of individuals who are neither black nor white but exist in shades of gray, and "Ponman" embodies this complexity beautifully. The film also offers a vivid portrayal of the Lenten season celebration, the Latin Catholic community, and the unique biosphere of Thalavettichira Island, adding layers of cultural richness to the narrative.

The supporting cast is just as fabulous. Lijomol Jose, as Steffi, plays the bride who yearns for gold, raised by her widowed mother (Sandhya Rajendran). Sandhya's character has an intriguing arc that goes beyond pleading and sobbing for some time extensions to repay Ajesh. Then there's Mariano, played by Sajin Gopu, whom audiences might recognize from "Aavesham" as the Amban character. In "Aavesham," he was a villain you loved to hate but secretly wanted to shake hands with; in "Ponman," he's someone you'd want to stay at least 10 feet away from-especially his shrimp farm.

Another decent performance is given by the character Bruno, Steffi's brother. A shout-out also goes to that quirky friend-in-need who steals every scene with his antics. He's the kind of character who feels like a savior, and you'll understand why when you watch the film.

But the showstopper, of course, is Basil Joseph. I've always known Basil to be a talented dramatic actor, but this is undoubtedly his best work yet. The constant escalation of absurd comedy, particularly during the drinking scenes, and the mounting tension and stakes are almost nauseating. Watching Ajesh's life spiral into chaos is mesmerizing, and Basil embodies the role flawlessly. His physicality, accent, and delivery are impeccable, leaving you absolutely entranced.

Overall, "Ponman" is an extremely worthwhile tour de force that gives neither the characters nor the audience a moment of peace. One moment, you're laughing; the next, you're gripped with anxiety. The director and the technical team have poured their hearts into weaving together a chaotic yet heartwarming-and bittersweet-story. You'll understand the bittersweetness by the end of the film.