Mandariinid

Zaza Urushadze gives the highest priority to his story. It's a very powerful story carrying a strong antiwar massage. And Urushadze tells it as if he's not there. As if we're watching the actual events taking place before us. This isn't a result of inaptness, this is a deliberate decision to let the story stand in the limelights on its own and avoid anything that could divert the viewers attention from it. You won't find any elaborate shots, any amazing breathtaking sights, no fireworks showing the director's technical mastery. Urushadze tells us about the follies of war and he makes sure that's what we'll get when we see his film. He's aided by superb actors, mainly Lembit Ulfsak playing the strong minded Ivo, a man of few words that makes every word of his count. Reserved, strong willed and determined, a role calling for acting of the highest quality and Lembit Ulfsek is up to the task. In fact there's nothing else to speak about regarding this movie, only the actors, and the director's lean approach to cinematic story telling. Thing is, even when that's all there is if it's done at such level of perfection it's a must see movie.

more than a war film, it is a peace manifesto. so, important is not the story itself - one from many - but the science to give delicacy and force to its levels. a film about solitude, hate and reconciliation with yourself. about survive in harsh time. powerful and poetic, cold and precise,human virtues in a special angle. a basic story and a lot of pieces who presents the best way to be more than part of a crisis. Ivo is a remarkable character for the virtue to remind old known truths. it is the merit not only by actor or scriptwriter, director or image. it is a merit of viewer who see the wise man who drives , always, the tensions from a space of conflicts to the necessary end.a film of silence and words as signs of it. a film who impress. for the smart manner to not be a lesson or only a good movie. but a necessary parable. about the deep essence of life.

I'm not aware of the political, historical, religious & ethnic differences between the people depicted in the movie, but I can still relate to them. I mean not in the literal sense but just on human level.

I think, almost always, majority of the people who are fighting a war are not personally affected by its cause. It's something that's just inculcated in them. They are taught to hate the opposite side.

This movie, with a handful of characters, in just so little words, in such a short time, makes you realize that you can empathize with anyone. You should just have the will to do so. Humanity is capable of so much love that there can be no place left for hatred, but sadly we're too busy fighting, every day, every where, in one or another part of the world.

This is a captivating movie from the first frame to the last. The background score uplifts and complements the mood of the movie so beautifully. The acting is sublime, the direction is top notch. The story is really simple and all the charm is in the storytelling.

It makes you question yourself. Whatever your hate is, if you can learn to empathize, then you've lived a life.

First, let me say that I am not by nature a peacenik. That said, I was thoroughly charmed by this anti-war film. In the same vein as films like "Enemy Mine," this film explores the well-trod ground of war and how it affects individual civilians and combatants alike, but does so on a much smaller, more intimate stage than usual war films.

The story throws together men with different ages, nationalities, and religions, and asks whether there is something more basic or more important than these distinctions. What happens when the faceless enemy in the woods becomes a man with his own thoughts and problems? Kudos to the director and all of the actors for portraying realistic characters and for allowing us to believably grow with the characters. Lembit Ulfsak is particularly stellar as Ivo, the "moral man." I think that scriptwriters too often give their characters weight and authority by giving them some defining moment or backstory. Not here. Ivo is defined, instead, by what he does and says in the confines of the film, and it is his moral compass that lead the rest of the characters, and, by extension, us to question our own prejudices.

All in all, a beautiful story beautifully told.

This film is flawless and one of the highlights of the Montreal World Film Festival 2014. It also was recognized with many international prizes in Europe, North America and even Israel. It captures the incoherence and inhumanity of war from the point of view of innocent civilians and of dehumanized soldiers. The pace and plot are crisp, compact and conscious-elevating with a spectacular, yet simple screenplay. The cinematography and music match and enhance the emotional and philosophical human drama. The acting from the all-male cast is poignant and powerful in its restraint. Zaza Urushadze's text comes to life like a play in this sometimes claustrophobic confine which only heightens the inherent tension between the protagonists. The directing does however balance this with the sad beauty of rural Abkhazia conflict zone. The simple sets set the mood and this movie is shooting for the moon.

Alexander Kuranov returns as the editor after teaming up with Zaza Urushadze for the excellent multiple story Three Houses (2008) and gets every cut and emotion right. The dialogue, like the film, is raw, unpredictable, mysterious and profound. It brings you the very core of humanity's hopes and fears. The theme of pointless war has rarely been portrayed so perfectly. It surpasses even seminal South Korean The Front Line (2011) and does so in a intellectual and emotionally effective way. Beyond that it is a human drama about people stuck in a conflict and how they decide to deal with it and each other. Is there a glimpse of hope or some guidelines we can learn from?

Be sure that I will be looking for Zaza's previous and next work. This is cinema at it's best.